| Painting 2.0 - Expression in the Information Age | Gesture and spectacle, eccentric figuration, social networks | | Munich: DelMonico Books, Prestel, 2015 | Reference |
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| Prints | Catalogue raisonné | | Munich: Sieveking Verlag, 2015 | Monographs |
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| P & P | | | New York, NY: Midgramme, 2015 | Monographs |
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| Several essays | | | Minneapolis, MN: Gas Gallery and Press, 2016 | Monographs |
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| Entertainment erases history | Works 1982 to 2004 to the present | | Brooklyn, NY: EISBOX Projects, 2014 | Monographs |
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| Removed from the crowd | Volume II | | Berlin: BOM DIA BOA TARDE BOA NOITE, 2015 | Periodicals |
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| Fatal kadath fatal | | | Berlin: BOM DIA BOA TARDE BOA NOITE, 2015 | Monographs |
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| Kadath fatal | | | Berlin: Bom Dia Boa Tarde Boa Noite, 2014 | Monographs |
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| Cruzamentos | Contemporary art in Brazil | | Columbus, OH: Wexner Center for the Arts, The Ohio State University, 2014 | Reference |
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| Peter Fischli David Weiss | Musée d'Art Modern de la Ville de Paris | | Koln: Verlag der Buchhandlung Walther König, 1999 | Monographs |
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| Doubleworld | | | New York, NY: New Museum, 2015 | Monographs |
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| When attitudes become form | Bern 1969, Venice 2013 | | Milan: Fondazione Prada, 2013 | Reference |
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| Zero | Countdown to tomorrow, 1950s-60s | | New York, NY: Guggenheim Museum Publications, 2014 | Monographs |
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| Land & animal & nonanimal | | | Berlin: Haus der Kulturen der Welt, 2015 | Reference |
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| Zustände | A Topography of Architectural Transformations in Berlin | | Berlin: Bom Dia Boa Tarde Boa Noite, 2015 | Reference |
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| Inside Carol Rama | | | Milano: Skira Editore S.p.A., 2014 | Monographs |
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| Birkenau | | | Koln: Verlag der Buchhandlung Walther König, 2015 | Monographs |
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| Cultural anthropophagy | The 24th bienal de São Paulo 1998 | | London: Afterall Books, 2015 | Reference |
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| The Past is a Foreign Country | | | Haverford, PA: Cantor Fitzgerald Gallery, 2015 | Monographs |
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| Summer winter east west | | | Berlin: Archive Books, 2015 | Monographs |
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| Humanitarian Architecture | | | Aspen, CO: Aspen Art Press, 2014 | Monographs |
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| Works on paper | | | Aspen, CO: Aspen Art Press, 2013 | Monographs |
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| With personal thanks to their contractual thingness | | | Aspen, CO: Aspen Art Press, 2015 | Monographs |
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| A people on the cover | | | London: Ridinghouse, 2015 | Monographs |
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| Monika Sosnowska | | | Aspen, CO: Aspen Art Press, 2013 | Monographs |
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| Mainly drawings | | | Aspen, CO: Aspen Art Press, 2015 | Monographs |
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| Human instamatic | | | London: Black Dog Publishing Limited, 2015 | Monographs |
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| Sculpture | | | Aspen, CO: Aspen Art Press, 2012 | Monographs |
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| The blue of distance | | | Aspen, CO: Aspen Art Press, 2015 | Reference |
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| Frank Stella | A retrospective | | New Haven, CT: Yale University Press, 2015 | Monographs |
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| Andrea Fraser | | | Ostfildern: Hatje Cantz, 2015 | Monographs |
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| Carrie Mae Weems | Three decades of photography and video | | Nashville, TN: Frist Center for the Visual Arts, 2012 | Monographs |
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| Laura Owens | | | New York, NY: Skira Rizzoli Publications, Inc., 2015 | Monographs |
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| Berlin metropolis 1918 - 1933 | | | Munich: Prestel Verlag, 2015 | Reference |
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| The world goes pop | | | New Haven, CT: Yale University Press, 2015 | Reference |
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| Retrospective | Her life and paintings | | Bregenz, Austria: Kunsthaus Bregenz, 2015 | Monographs |
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| William Henry Fox Talbot | Beyond photography | | New Haven, CT: The Yale Center for British Art, 2013 | Monographs |
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| Alan Moore and David Little | A conversation about artists' groups and activism | | Minneapolis, MN: Midway Contemporary Art, 2011 | VHS, DVD, CD, LP |
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| 100 paintings | | | Brooklyn, NY: Small Editions, 2016 | Monographs |
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| In the place of the public | Observations of a frequent flyer | | Ostfildern-Ruit: Cantz Verlag, 1998 | Monographs |
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