| My head became a rock | | | Zurich: Hauser & Wirth, 2014 | Oversized |
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| Halka / Haiti | 18°48'05"N 72°23'01"W | | New York, NY: Inventory Press, 2015 | Monographs |
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| The sculpture of Ruth Asawa | Contours in the air | | Berkeley, CA: University of California Press, 2007 | Monographs |
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| Spring 2016 | | | St Paul, MN: INREVIEW, 2016 | Periodicals |
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| Solo Voice I – X | | | New York, NY: Primary Information, 2015 | VHS, DVD, CD, LP |
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| Canciones de cadaques | | | New York, NY: Primary Information, 2015 | VHS, DVD, CD, LP |
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| v.0 i.22 | | Philadelphia, PA: Megawords | Periodicals |
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| v.1 i.0 | | Oakland, CA: Gremlin Quarterly, The, 2016 | Periodicals |
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| Lynnette Miranda of Make Space | v.0 i.5 | | New York, NY: OneSheet, The, 2014 | Periodicals |
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| Untitled (Newspaper 13) | | | Los Angeles, CA: Dominica Publishing, 2015 | Monographs |
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| Qit qat qlub | | | Berlin: Hamburger Bahnhof, 2015 | Monographs |
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| Here lies one whose name was writ in water | | | Berlin: Galerie Isabella Bortolozzi, 2010 | Rare / Fragile Mono |
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| Ixiptla | Volume II | | Berlin: Bom Dia Boa Tarde Boa Noite, 2014 | Monographs |
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| A telephone conversation with Mary Sue Ader | Los Angeles, May 28th, 1976 | | Basel: Kunsthalle Basel, 2007 | Monographs |
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| Venice | Objects, works and tourism | | Milano: Mousse Publishing, 2015 | Monographs |
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| Sarah Charlesworth | Stills | | Chicago, IL: Art Institute of Chicago, 2014 | Monographs |
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| Program notes | | | New York, NY: Primary Information, 2015 | Monographs |
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| Issue 4 | | | Leipzig: Spector Cut+Paste, 2008 | Periodicals |
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| Issue 3 | | | Leipzig: Spector Cut+Paste, 2004 | Periodicals |
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| Issue 2 | | | Leipzig: Spector Cut+Paste, 2002 | Periodicals |
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| Issue 1 | | | Leipzig: Spector Cut+Paste, 2001 | Periodicals |
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| Ordinary pictures | | | Minneapolis, MN: Walker Art Center, 2016 | Reference |
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| An anecdoted topography of chance | *Probably definitive re-anecdoted version | | London: Atlas Press, 2016 | Monographs |
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| In the break | Aesthetics of the Black radical tradition | | Minneapolis, MN: University of Minnesota, 2003 | Reference |
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| Shot by Jon Leon | | | s.l.: s.n., 2012 | Monographs |
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| Marcel Broodthaers | A retrospective | | New York, NY: The Museum of Modern Art, 2016 | Monographs |
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| Leap before you look | Black mountain college, 1933-1957 | | New Haven, CT: Yale University Press, 2015 | Reference |
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| Uh-oh | Frances Stark 1991-2015 | | Los Angeles: Hammer Museum, 2015 | Monographs |
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| The ghosts of songs | The film art of the Black Audio Film Collective 1982-1998 | | Liverpool: Liverpool University Press, 2007 | Monographs |
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| Opening the door | | | Tokyo: Little More, 2010 | Monographs |
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| A Lebanese archive | From the collection of Diab Alkarssifi | | London: Book Works and Arab Image Foundation, 2015 | Reference |
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| Go to reception and ask for Sarah in red felt tip | | | London: Book Works, 2015 | Reference |
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| The measure of reality | | | London: Book Works, 2015 | Monographs |
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| Now leaves | | | London: Book Works, 2015 | Monographs |
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| Head | | | London: Book Works, 2015 | Monographs |
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| The unspeakable freedom device | | | London: Book Works, 2015 | Monographs |
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| End matter | | | London: Book Works, 2015 | Monographs |
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| Master rock | | | London: Book Works, 2015 | Monographs |
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| Bad feelings | | | London: Book Works, 2015 | Reference |
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| You are of vital importance | | | London: Book Works, 2014 | Monographs |
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