| Milton Avery | | | New York, NY: Hudson Hills Press, 1990 | Monographs |
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| Lifelike | | | Minneapolis, MN: Walker Art Center, 2012 | Reference |
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| Julie Mehretu | Drawing into Painting | | Minneapolis, MN: Walker Art Center, 2003 | Monographs |
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| Trisha Brown | So That the Audience Does Not Know Whether I Have Stopped Dancing | | Minneapolis, MN: Walker Art Center, 2008 | Monographs |
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| Expanding the Center | Walker Art Center and Herzog & de Meuron | | Minneapolis, MN: Walker Art Center, 2005 | Reference |
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| Catherine Sullivan | Triangle of Need | | Minneapolis, MN: Walker Art Center, 2007 | Monographs |
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| Open Field | Conversations on the Commons | | Minneapolis, MN: Walker Art Center, 2012 | Reference |
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| The Parade | Nathalie Djurberg with Music by Hans Berg | | Minneapolis, MN: Walker Art Center, 2011 | Monographs |
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| Alejandro Cesarco | Marguerite Duras's India Song | | New York, NY: s.n, [2014] | Monographs |
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| Alejandro Cesarco | Beatrix Ruf | | Zurich, Switzerland: Kunsthalle Zürich, 2013 | Monographs |
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| Vamoose, all cacti jut torrid nites | | | Basel: Kunsthalle Basel, 2014 | Monographs |
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| Gedi Sibony | 55 Years | | Dublin: Douglas Hyde Gallery, 2014 | Monographs |
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| The desire for freedom | Art in Europe since 1945 | | KrakoÌw: MOCAK Muzeum Sztuki WspoÌłczesnej, 2013 | Reference |
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| Interior Address | Paintings by Alex Olson | | Chicago: Shane Campbell Gallery, 2014 | Monographs |
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| Michelle Grabner | I Work From Home | | Milan, Italy: Mousse Publishing, 2014 | Monographs |
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| William Berry | La Luz de los Colores | | Oaxaca, Mexico: Chichicastle Art-Press, 2004 | Monographs |
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| Reflection on a Past Life | | | Köln, Germany: Verlag der Buchhandlung Walther König, 2014 | Monographs |
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| Matthew Barney | No Restraint | | IFC Films, 2007 | VHS, DVD, CD, LP |
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| Sigmar Polke | Windows for the Zurich Grossmunster | | New York, NY: Parkett, 2010 | Monographs |
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| Wade Guyton | Drawings for a Small Room Vol. II | | Cologne: Verlag der Buchhandlung Walther König, 2014 | Monographs |
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| Joseph Cornell | Shadowplay... Eterniday | | New York, NY: Thames & Hudson, 2003 | Monographs |
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| Joseph Cornell | | | München: Prestel, 1990 | Monographs |
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| Jennifer Bolande | Landmarks | | Zurich: JRP/Ringier in association with Institute of Visual Arts (Inova) University of Wisconsin-Milwaukee, 2011 | Monographs |
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| Robert Irwin | Double Blind | | Wien: Secession, 2013 | Monographs |
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| Fluid employment | | | London: Koenig Books Ltd, 2013 | Monographs |
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| Chris Marker | A Grin Without a Cat | | London: Whitechapel Gallery, 2014 | Monographs |
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| Elad Lassry | | | Milan, Italy: Mousse Publishing, [2013?] | Monographs |
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| Seth Price | 2000 Words | | Athens, Greece: Deste Foundation, 2014 | Monographs |
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| Infinite Regress | Marcel Duchamp 1910-1941 | | Cambridge, MA: MIT Press, 1998 | Monographs |
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| v.0 i.1 | | | Vancouver, BC: Coffee News, 2014 | Periodicals |
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| Is it my body? | Selected texts | | Berlin: Sternberg Press, 2014 | Monographs |
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| Structural(ism) and photography | | | San Francisco: NFS Press, 1978 | Reference |
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| Cerith Wyn Evans | The what if?...scenario (after LG) | | Berlin: Sternberg Press, 2013 | Monographs |
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| Art production beyond the art market? | | | Berlin: Sternberg Press, 2013 | Monographs |
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| Victor Boullet | Plaster Saint | | Paris: Institute of Social Hypocrisy, 2009 | Monographs |
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| Edie McKay | Like stupidity, evil is self-hypnotic | | Paris: Institute of Social Hypocrisy, 2009 | Monographs |
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| Merlin Carpenter | Social Aesthetics | | Paris: Institute of Social Hypocrisy, 2010 | Monographs |
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| Dag Erik Elgin | Bon a Fide | | Paris: Institute of Social Hypocrisy, 2010 | Monographs |
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| Bjarne Melgaard | On my gravestone it's gonna say: I am never coming back | | Paris: Institute of Social Hypocrisy, 2011 | Monographs |
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| Mask of Medusa | Works, 1947 - 1983 | | New York, NY: Rizzoli, 1985 | Monographs |
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