| Monsters | | | Brooklyn, NY: powerHouse Books, 2007 | Monographs |
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| Blues for smoke | | | Los Angeles: Museum of Contemporary Art, Los Angeles, 2012 | Reference |
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| Present Memory | | | Malm: Signal, 2011 | Monographs |
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| WC | Weird walks into a room (comma) | | s.l: s.n, 2011 | Monographs |
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| Lisa Williamson | Acts of intermissions | | s.l: s.n, 2012 | Monographs |
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| Claes Oldenburg | The Sixties | | New York, NY: Prestel Publishing, 2012 | Monographs |
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| 1989 Whitney Biennial | | | New York, NY: Whitney Museum of American Art, 1989 | Reference |
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| 1995 Whitney Biennial | | | New York, NY: Whitney Museum of American Art : Distributed by Harry N. Abrams, 1995 | Reference |
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| Daido Moriyama | Tokyo 2008-2012, Monochrome | | Tokyo: Getsuyōsha, 2012 | Monographs |
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| Daido Moriyama | Tokyo 2008-2012, Color | | Tokyo: Getsuyōsha, 2012 | Monographs |
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| Fear | | | Los Angeles: Double Ampersand Press, 2013 | Monographs |
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| The great train robbery | Scene three | | Los Angeles: LA><ART, 2014 | Monographs |
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| Silke Otto-Knapp | Geography and plays | | London: Kunsthal Charlottenborg, 2013 | Monographs |
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| Crickets | | | Zürich: JRP|Ringier, 2013 | Monographs |
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| Jonas Mekas | | | London: Koenig Books, 2008 | Monographs |
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| Mike Kelley | Exploded fortress of solitude | | Beverly Hills: Gagosian Gallery, 2011 | Monographs |
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| Agnes Martin | | | New Haven, CT: Yale University Press, 2014 | Monographs |
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| Dias & Riedweg | | | Zurich, Switzerland: JRP|Ringier, 2014 | Monographs |
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| Hollis Frampton | Recollections recreations | | Cambridge, MA: MIT Press, 1984 | Monographs |
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| Sturtevant | Drawing double reversal | | Zürich: JRP|Ringier, 2014 | Monographs |
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| Women who make a fuss | The unfaithful daughters of Virginia Woolf | | Minneapolis, MN: Univocal Publishing, 2014 | Reference |
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| The dionysian vision of the world | | | Minneapolis, MN: Univocal Publishing, 2013 | Reference |
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| [... after the media] | News from the slow-fading twentieth century | | Minneapolis, MN: Univocal Publishing, 2013 | Reference |
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| Philosophy and non-philosophy | | | Minneapolis, MN: Univocal Publishing, 2013 | Reference |
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| Dictionary of non-philosophy | | | Minneapolis, MN: Univocal Publishing, 2013 | Reference |
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| Béla Tarr, The time after | | | Minneapolis, MN: Univocal Publishing, 2013 | Reference |
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| Affirmation of poetry | | | Minneapolis, MN: Univocal Publishing, 2014 | Reference |
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| Introduction to non-marxism | | | Minneapolis, MN: Univocal Publishing, 2015 | Reference |
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| Machinic eros | Writings on Japan | | Minneapolis, MN: Univocal Publishing, 2015 | Reference |
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| On doubt | | | Minneapolis, MN: Univocal Publishing, 2014 | Reference |
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| The history of the devil | | | Minneapolis, MN: Univocal Publishing, 2014 | Reference |
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| The intelligence of a machine | | | Minneapolis, MN: Univocal Publishing, 2014 | Reference |
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| Natural : Mind | | | Minneapolis, MN: Univocal Publishing, 2013 | Reference |
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| Cannibal metaphysics | For a post-structural anthropology | | Minneapolis, MN: Univocal Publishing, 2014 | Reference |
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| Destroy All Monsters | Magazine | | New York, NY: Primary Information, 2011 | Monographs |
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| Robert Smithson | Sculpture | | Ithaca: Cornell University Press, 1981 | Monographs |
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| Composition | | | Minneapolis: Midway Contemporary Art, 2015 | Monographs |
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| Zoe Leonard | You see I am here after all | | New York, NY: Distributed by Yale University Press, 2010 | Monographs |
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| Mark Boulos | | | Vancouver, BC: Morris and Helen Belkin Art Gallery, 2012 | Monographs |
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| v.0 i.8 | | | New York: Art-Rite, 1975 | Periodicals |
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