| v.0 i.31 | | | NERO, 2013 | Periodicals |
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| v.0 i.32 | | | NERO, 2013 | Periodicals |
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| Nick Mauss and Elizabeth Peyton | | | New York, NY: Glenn Horowitz Bookseller, Inc, 2005 | Monographs |
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| Sing! | Mladen Stilinovic | | Budapest: Ludwig Museum of Contemporary Art, 2011 | Monographs |
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| Hayley Tompkins | | | London: Drawing Room, 2008 | Monographs |
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| Cerith Wyn Evans | ..In which something happens all over again for the very first time | | Paris: Musee d'Art Moderne de la Ville de Paris, 2006 | Monographs |
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| Wherever I am | Yael Bartana, Emily Jacir, Lee Miller | | Oxford, UK: Modern Art Oxford, 2004 | Reference |
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| Jim Shaw | The rinse cycle | | Gateshead, UK: Distribution outside Europe, D.A.P. / Distributed Art Publishers, 2012 | Monographs |
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| Sarah Lucas | After 2005, before 2012 | | London: Koenig Books, [2012] | Monographs |
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| Terpentin 2012 | | | Ostfildern: Hatje/Cantz, 2012 | Monographs |
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| Liam Gillick | The wood way, Whitechapel Art Gallery, 2002 | | London: Whitechapel Art Gallery, 2002 | Monographs |
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| Mex/L.A. | 'Mexican' Modernism(s) in Los Angeles, 1930-1985 | | Ostfildern: Hatje Cantz Verlag, 2011 | Reference |
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| A partial eclipse | | | London: Mack, 2013 | Monographs |
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| Ellsworth Kelly | Black & white | | Ostfildern: Hatje Cantz, 2011 | Monographs |
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| In the shadow of numbers | Selected works from 1975-2012 | | Claremont, CA: Pitzer College, 2012 | Monographs |
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| Christopher Williams | | | Zurich: Shedhalle, 1989 | Monographs |
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| Soundings | A contemporary score | | New York, NY: Museum of Modern Art, 2013 | Reference |
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| Sanja Ivekovic | Triangle | | London: Afterall Books, 2013 | Monographs |
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| 67 improved papertigers not afraid of repetition | | | New York: Schirmer/Mosel, 2012 | Monographs |
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| Francis Picabia | | | Koln: Konig, 2012 | Monographs |
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| Edith Dekyndt | | | Rotterdam: Distribution, D.A.P, 2010 | Monographs |
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| Ruin of exchange and other writings on art | | | Zurich: ARTBOOK/D.A.P. [distributor, 2012 | Monographs |
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| You are living in a world of magic | | | Koln: Verlag der Buchhandlung Walther Konig, 2011 | Monographs |
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| Pamela Rosenkranz | No core | | Zurich: JRP/Ringier, 2012 | Monographs |
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| Adolf Wolfli | Creator of the universe | | Š˜evnice, Czech Republic: Arbor vitae, 2012 | Monographs |
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| Charline von Heyl | Now or else | | Bielefeld: Kerber, 2012 | Monographs |
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| Wait, later this will be nothing | Editions by Dieter Roth | | New York, NY: Distributed outside the United States and Canada by Thames & Hudson Ltd, 2013 | Monographs |
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| Marcel Broodthaers | Collected writings | | Barcelona: Ediciones Poligrafa, 2012 | Monographs |
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| Marcel Duchamp | The afternoon interviews | | Brooklyn, NY: Paper book Distributed in the America by Artbook / D.A.P, 2013 | Monographs |
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| Derek Jarman | Super8 | | Koln: distributor] outside Europe D.A.P./Distributed Art Publishers, 2010 | Monographs |
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| Joseph Beuys | Every human being is an artist | | Cinisello Balsamo, Milan, Italy: Silvana, 2013 | Monographs |
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| Ree Morton | Works 1971-1977 | | New York, NY: Generali Foundation, 2009 | Monographs |
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| State of mind | New California art circa 1970 | | Berkeley, CA: University of California, Berekeley, 2011 | Reference |
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| Jack Pierson | Photology | | Milan: Photology, 2007 | Monographs |
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| I'm not there | A sourcebook for the 8th Gwangju Biennale | | Gwangju: Gwangju Biennale Foundation, [2010] | Reference |
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| Parachute | The anthology (1975-2000), v.I | | Zurich: in co-edition with Les presses du reel, 2012 | Reference |
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| From postwar to postmodern | Art in Japan 1945-1989 : primary documents | | New York, NY: Distributed by Duke Univ Press, 2012 | Reference |
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| Jim Shaw | My mirage | | Zurich: distributor in] USA, Canada, Asia, and Australia, D.A.P./Distributed Art Publishers, 2011 | Monographs |
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| Jack Goldstein x 10,000 | | | Newport Beach, California: Orange County Museum of Art, 2012 | Monographs |
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| Atelier Bow-Wow | A primer | | Cologne: Konig, 2013 | Monographs |
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