| Tempo, tempo! | The Bauhaus photomontages of Marianne Brandt | | Berlin: Jovis, 2005 | Monographs |
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| Experimental arts in postwar Japan | Moments of encounter, engagement, and imagined return | | Cambridge, MA: Distributed by Harvard University Press, 2011 | Reference |
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| 30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter | TM RSI SGM 1960-90 | | Zürich: Lars Müller, 2013 | Reference |
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| Gretchen Bender | Tracking the thrill | | Waupaca, WI: Poor Farm Press, 2012 | Monographs |
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| Rod Bianco | | | Amsterdam, NL: de Appel, 2010 | Monographs |
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| Bjarne Melgaard | Baton sinister | | Tnsberg, Norway: Haugar Vestfold kunstmuseum, 2012 | Monographs |
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| A house to die in | | | London: Institute of Contemporary Arts, 2012 | Monographs |
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| Alarma! Boyfriends | A story by Bjarne Melgaard | | New York, NY: Karma, 2012 | Monographs |
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| Sverre Bjarne | Alissa Bennet laying the ghost, Climate confusion assistance | | Oslo: Gallery Rod Bianco, 2012 | Monographs |
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| If you really loved me you would be able to admit that you're ashamed of me | | | New York, NY: White Columns, 2013 | Monographs |
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| Self-organised | | | London: Hordaland Art Centre, 2013 | Reference |
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| Painting, sculpture, installation | | | Newport Beach, CA: Newport Harbor Art Museum, [1989] | Monographs |
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| Ten fundamental questions of curating | | | Milan, Italy: Fiorucci Art Trust, 2013 | Reference |
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| 9 artists | | | Minneapolis, MN: Walker Art Center, 2013 | Reference |
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| Tradition transformed | Tibetan artists respond | | New York, NY: Art Asia Pacific, 2010 | Reference |
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| Anonymous | Contemporary Tibetan art | | Hong Kong: Distributed by The Samuel Dorsky Museum of Art, State University of New York at New Paltz, 2013 | Reference |
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| Reading Ed Ruscha | | | Koln: Walther Konig, 2012 | Monographs |
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| East Broadway breakdown | | | Berlin: Holzwarth, 2003 | Monographs |
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| The Part In The Story Where We Lost Count Of The Days | | | Hong Kong: ArtAsiaPacific Holdings Ltd, 2013 | Monographs |
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| Naiza Khan | Works 1987-2013 | | Hong Kong: The Eli and Edythe Broad Art Museum at Michigan State University, 2013 | Monographs |
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| Hilma af Klint | A pioneer of abstraction | | ostfildern, Germany: Hatje Cantz, 2013 | Monographs |
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| Liu Wei | Trilogy | | Milano: Charta, 2011 | Monographs |
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| Dieter Meier | Works 1968-2012 and the Yello years | | Koln: Distribution outside Europe, D.A.P./Distributed Art Publishers, 2012 | Monographs |
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| R. H. Quaytman | Chapter 24 | | Mönchengladbach: Museum Abteiberg Mönchengladbach, 2012 | Rare / Fragile Mono |
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| The museum that did not exist | | | Munich: Prestel, 2010 | Monographs |
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| Christopher Williams | Couleur européenne, couleur soviétique, couleur chinoise | | Krefeld: Krefelder Kunstmuseen, 2000 | Monographs |
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| It is what it is. Or is it? | | | Houston, TX: Contemporary Art Museum Houston, 2012 | Reference |
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| Albert Oehlen | Albert vs. history | | Basel: Schwabe, 1997 | Monographs |
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| Louise Lawler | October files | | Cambridge, MA: The MIT Press, 2013 | Monographs |
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| Richard Serra | October files | | Cambridge, MA: MIT Press, 2000 | Monographs |
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| K. Olson | Photographs | | Prior Lake, MN: The Prior Lake Review and Party at my Parent's Publishing House Press, 2013 | Monographs |
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| The address book | | | Los Angeles: Siglio, 2012 | Monographs |
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| Tim Rollins & K.O.S. | an index | | Zurich: distribution partners USA, Canada, Asia, and Australia ARTBOOK/D.A.P, 2012 | Monographs |
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| Lygia Pape | Magnetized space | | Zürich: Museo Nacional Centro de Arte Reina Sofia, 2011 | Monographs |
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| A void | Henri Chopin, Guy de Cointet, Channa Horwitz | | Leipzig: Spector Books, 2013 | Reference |
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| Documenta 7 | Kassel volume 2 | | Kassel: D â‚Š V P. Dierichs, 1982 | Reference |
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| Documenta IX | L-Z | | Stuttgart: Edition Cantz, 1992 | Boxes |
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| Documenta IX | A-K | | Stuttgart: Edition Cantz, 1992 | Reference |
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| Joseph Beuys | Actions, vitrines, environments | | Houston, TX: Distributed by Yale University Press, 2004 | Monographs |
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| Gordon Matta-Clark | Conical intersect | | London: Afterall Books, 2011 | Monographs |
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