| Who knows tomorrow | | | Koln: Walther Konig, 2010 | Reference |
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| Artist-run spaces | Nonprofit collective organizations in the 1960s and 1970s | | Zurich: Cornerhouse [distributor, 2012 | Reference |
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| Elmgreen & Dragset | Trilogy | | Koln: Verlag der Buchhandlung Walther Konig, 2011 | Monographs |
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| Oliver Payne & Nick Relph | We Don't Have the Option of Turning Away from the Future | | Bielefeld: US distribution, D.A.P., Distributed Art Publishers, 2004 | Monographs |
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| Mark Manders | Les etudes d'ombres | | Nimes: Roma Publications, [2012] | Monographs |
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| The lunatics are on the loose ... | European Fluxus festivals 1962-1977 | | Potsdam: Down with Art, 2012 | Reference |
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| Deborah Remington | A 20-Year Survey | | Newport Beach, CA (850 San Clemente Dr., Newport Beach: Newport Harbor Art Museum, 1983 | Monographs |
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| Joe Scanlan | | | Krefeld: Krefelder Kunstmuseen, 1996 | Monographs |
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| Album | | | Koln: Walther Konig, 2008 | Monographs |
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| Some aesthetic decisions | The photographs of Judy Fiskin | | Los Angeles: J. Paul Getty Museum, 2011 | Monographs |
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| Apologies | Stephen G. Rhodes | | Zurich: JRP Ringier, 2013 | Monographs |
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| Diter Rot or Dieter Roth | | | Bielefeld: Kerber Verlag, 2013 | Monographs |
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| Tell it to my heart | Collected by Julie Ault, Volume I | | Ostfildern: Hatje Cantz Verlag GmbH, 2013 | Monographs |
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| Sergej Jensen | Dogs | | Copenhagen: Pork Salad Press, 2012 | Monographs |
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| Tang Contemporary Art | | | Beijing: Tang Contemporary Art, [2012] | Reference |
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| Fang Lijun 2013 | | | Beijing: Springs Center of Art, 2013 | Monographs |
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| Melamine Everything | | | Los Angeles: ACME, 2008 | Monographs |
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| Arturo Herrera | Books | | Chicago: Corbett vs. Dempsey, 2013 | Monographs |
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| John Sparagana | Crowds and Powder | | Chicago: Corbett vs. Dempsey, 2013 | Monographs |
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| Uterusman | Official character book | | Shanghai: Art Labor, [2013] | Monographs |
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| Karl Wirsum | | | Chicago: Corbett vs. Dempsey, 2013 | Monographs |
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| A Fictional Residency | | | Hong Kong: Spring Art Foundation Ltd., Witte de With Contemporary Art Center, 2013 | Reference |
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| 51m Squared Interview | 16 Emerging Chinese Artists | | Hong Kong: Blue Kingfisher Ltd, 2011 | Reference |
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| Hedgebrook lane | HBL | | Frankfurt am Main: Revolver, 2004 | Monographs |
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| On the Edge | Contemporary Chinese artists encounter the West | | Stanford: Published/Created:Stanford, CA : Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, 2004 | Reference |
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| v.0 i.33 | | | NERO, 2014 | Periodicals |
|---|
| v.0 i.32 | | | NERO, 2013 | Periodicals |
|---|
| v.0 i.31 | | | NERO, 2013 | Periodicals |
|---|
| Nick Mauss and Elizabeth Peyton | | | New York, NY: Glenn Horowitz Bookseller, Inc, 2005 | Monographs |
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| Sing! | Mladen Stilinovic | | Budapest: Ludwig Museum of Contemporary Art, 2011 | Monographs |
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| Hayley Tompkins | | | London: Drawing Room, 2008 | Monographs |
|---|
| Cerith Wyn Evans | ..In which something happens all over again for the very first time | | Paris: Musee d'Art Moderne de la Ville de Paris, 2006 | Monographs |
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| Wherever I am | Yael Bartana, Emily Jacir, Lee Miller | | Oxford, UK: Modern Art Oxford, 2004 | Reference |
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| Jim Shaw | The rinse cycle | | Gateshead, UK: Distribution outside Europe, D.A.P. / Distributed Art Publishers, 2012 | Monographs |
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| Sarah Lucas | After 2005, before 2012 | | London: Koenig Books, [2012] | Monographs |
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| Terpentin 2012 | | | Ostfildern: Hatje/Cantz, 2012 | Monographs |
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| Liam Gillick | The wood way, Whitechapel Art Gallery, 2002 | | London: Whitechapel Art Gallery, 2002 | Monographs |
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| Mex/L.A. | 'Mexican' Modernism(s) in Los Angeles, 1930-1985 | | Ostfildern: Hatje Cantz Verlag, 2011 | Reference |
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| A partial eclipse | | | London: Mack, 2013 | Monographs |
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| Ellsworth Kelly | Black & white | | Ostfildern: Hatje Cantz, 2011 | Monographs |
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