Robert Heinecken | | | Los Angeles: Cherry and Martin, 2012 | Monographs |
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Amanda Ross-Ho | | | Los Angeles: Museum of Contemporary Art, Los Angeles, 2012 | Monographs |
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Alighiero Boetti | game plan | | New York, NY: Museum of Modern Art, 2012 | Monographs |
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Elad Lassry On Onions | A photographic study | | New York, NY: Distributed in North America by D.A.P, 2012 | Monographs |
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Sarah Crowner | Format | | New York, NY: Primary Information, 2012 | Monographs |
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The Sixties | 15 October-14 November 1987 | | New York, NY: Gallery, 1987 | Monographs |
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Body sweats | The uncensored writings of Elsa von Freytag-Loringhoven | | Cambridge, MA: MIT Press, 2011 | Monographs |
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Gambaroff, Krebber, Quaytman, Rayne | | | Bergen, Norway: Bergen Kunsthall, 2010 | Reference |
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Willem de Rooij | Residual | | Köln: Verlag der Buchhandlung Walther König, 2012 | Monographs |
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Hands of Time | | | Gent: MER. Paper Kunsthalle, 2012 | Monographs |
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Spiral Book | | | s.l. [Viborg, Denmark]: s.n. [Ann Lislegaard], 2012 | Monographs |
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When Does Something Become Something Else? | | | Minneapolis, MN: | Monographs |
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Easy field guide to Mungo Thomson | | | Long Beach, CA: University Art Museum, CSULB, 2004 | Monographs |
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Oriol Vilanova | They cannot die | | Zurich: JRP Ringier, 2011 | Monographs |
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(FC) two cabins by JB | | | New York, NY: A.R.T. Press, 2011 | Monographs |
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Zarina | Paper like skin | | Los Angeles: Hammer Museum, University of California, 2012 | Monographs |
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Sweet Oblivion | The urban landscape of Martin Wong | | New York, NY: Distributed by St. Martin's Press, 1998 | Monographs |
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Poems | | | Brooklyn, NY: Badlands Unlimited, 2012 | Monographs |
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Chasing After Something That Hasn't Happened Yet | | | : | Monographs |
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4,492,040 | (1969-74) | | Vancouver, BC: New Documents, 2012 | Boxes |
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John Wesley | Works on paper since 1960 | | Bielefeld: Kerber Verlag, 2005 | Monographs |
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Richard Artschwager | Texts and interviews | | Dusseldorf: Kunstmuseum, 2003 | Monographs |
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Song Dong | Dad and Mom, Don't Worry About Us, We Are All Well | | San Francisco: Yerba Buena Center for the Arts, 2011 | Monographs |
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Modernism as a ruin | An archaeology of the present | | Vienna: Generali Foundation, 2009 | Reference |
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Jef Verheyen | le peintre flamant | | Brussels: ASA Publishers, 2010 | Monographs |
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v.0 i.1 | | | New York: Project, 2012 | Periodicals |
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v.0 i.2 | | | New York: Project, 2013 | Periodicals |
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v.0 i.3 | | | New York: Project, 2014 | Periodicals |
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| v.0 i.4 | | New York: Project, 2015 | Periodicals |
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v.0 i.5 | | | New York: Project, 2016 | Periodicals |
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v.0 i.1 | | | London: Paperback, 2007 | Periodicals |
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v.0 i.2 | | | London: Paperback, 2008 | Periodicals |
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Libretto for a possible Kunstverein | | | Hamburg: Kunstverein in Hamburg, [2010] | Reference |
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Anselm Kiefer au Louvre | | | Paris: Musee du Louvre editions, [2007] | Monographs |
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Francesco Clemente | Portraits | | Salzburg/Paris: Galerie Thaddaeus Ropac, 2007 | Monographs |
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5ive McKnight Artists | v.0 i.0 | | Minneapolis: Northern Clay Center, 2010 | Periodicals |
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New Millennium Japanese Ceramics: Rejecting Labels & Embracing Clay | v.0 i.0 | | Minneapolis: Northern Clay Center, 2011 | Periodicals |
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Hans-Peter Feldmann | The little seagull book | | Koln: Konig, 2004 | Monographs |
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In Geneva no one can hear you scream | a project by Marc Jancou | | Zurich: JRP Ringier, 2008 | Reference |
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Scott Burton | Collected writings on art and performance, 1965-1975 | | Chicago: Soberscove Press, 2012 | Monographs |
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