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| Touching time and space | A portrait of David Ireland | | Milano: Edizioni Charta, 2003 | Monographs |
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| Songs for living, songs for dying | | | Milan: Mousse Publishing, 2023 | Monographs |
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| Genius loci | Towards a phenomenology of architecture | | New York: Rizzoli, 1980 | Reference |
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| Issue 48 | | | Minneapolis: HAIR+NAILS, 2024 | Reference |
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| The practice of everyday life | | | Berkeley: University of California Press, 1984 | Reference |
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| The poetics of space | The classic look at how we experience intimate places | | Boston: Beacon Press, 1994 | Monographs |
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| Seeing power | Art and activism in the 21st century | | Brooklyn: Melville House, 2015 | Reference |
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| Sculpture in the age of doubt | | | New York: Allworth Press, 1999 | Reference |
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| The everyday practice of public art | Art, space and social inclusion | | London: Taylor & Francis Group, 2016 | Reference |
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| The social and the real | Political art of the 1930s in the Western Hemisphere | | University Park: The Pennsylvania State University Press, 2006 | Reference |
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| Curiosity and enligtenment | Collectors and collections from the sixteenth to the | | New Haven: Yale University Press, 2007 | Reference |
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| Cultural theory and popular culture | An introduction | | Athens: The University of Georgia Press, 2006 | Reference |
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| The body of the artisan | Art and experience in the scientific revolution | | Chicago: University of Chicago Press, 2004 | Reference |
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| Body art | Performing the subject | | Minneapolis: University of Minnesota Press, 1998 | Reference |
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| Installation art in the new millennium | The empire of the senses | | London: Thames & Hudson, 2003 | Reference |
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| The long march of pop | Art, music, and design, 1930-1995 | | New Haven: Yale University Press, 2014 | Reference |
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| Thomas Hirschhorn | | | London: Phaidon Press, 2004 | Monographs |
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| Daniel Birnbaum | Notes of the frames of art | | Cologne: Verlag der Buchhandlung Walther und Franz König, Köln Ehrenstraße, 2022 | Reference |
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| Nan Goldin | The other side | | Göttingen: Steidl, 2023 | Monographs |
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| Unlicensed | Bootlegging as a creative practice | | Amsterdam: Valiz, 2023 | Reference |
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| Trinh T. Minh-ha | Traveling in the dark | | Milan: Mousse Publishing, 2023 | Monographs |
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| How latitudes become forms | Art in a global age | | Minneapolis: Walker Art Center, 2003 | Reference |
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| Flash art | Two decades of history | | Cambridge: MIT Press, 1989 | Reference |
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| Barbara Kruger | | | Los Angeles: Museum of Contemporary Art, Los Angeles, 1999 | Monographs |
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| Volume 34, Issue 136 | Lecture | | Berlin: Texte zur Kunst, 2024 | Periodicals |
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| The book of hours | | | Dornbirn: Zumtobel Group AG, 2023 | Monographs |
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| Victor Bourgeois 1897-1962 | Modernity, tradition & neutrality | | Rotterdam: nai010 Publishers, 2021 | Monographs |
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| The elevator resides in 501 | | | Arles: Actes Sud, 2022 | Rare / Fragile Mono |
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| Modern artifacts | | | Brooklyn: Esopus Books, 2020 | Reference |
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| Le dépays | | | New York: Film Desk Books, 2024 | Monographs |
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| The collected poems of Mary Ellen Solt | | | Brooklyn: Primary Information, 2024 | Monographs |
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| Greer Lankton | Sketchbook, September 1977 | | Brooklyn: Primary Information, 2023 | Monographs |
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| On and off-screen imaginaries | | | New York: Primary Information, 2024 | Monographs |
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| My alphabet | | | Zurich: Provence Longtang e.V., 2024 | Periodicals |
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| Connect | Art Sonje Center 1995-2016 | | Seoul: Art Sonje Center, 2018 | Reference |
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| School spirit | Pierre Huyghe & Douglas Coupland | | Paris: Dis voir, 2003 | Monographs |
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| The Bauhaus reassessed | Sources and design theory | | London: The Herbert Press Limited, 1985 | Reference |
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| Tetsuya Yamada | Listening | | Minneapolis: Walker Art Center, 2024 | Monographs |
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| Crazy for Vincent | | | South Pasadena: Semiotext(e), 2017 | Monographs |
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