| Sheila Hicks | 50 Years | | Andover, MA: Yale University Press, 2010 | Monographs |
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| Rita McBride | Werkshow | | Koln: Konig, [2000] | Monographs |
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| Charline von Heyl | Paintings, 1990-2010 | | Dijon: Presses du Reel, 2010 | Monographs |
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| Marilyn Minter | | | New York, NY: Available through D.A.P./Distributed Art Publishers, 2010 | Monographs |
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| Bernadette Corporation | The Complete Poem | | London: Koenig Books, 2010 | Monographs |
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| Gabriel Lester | How to act | | Rotterdam: Veenman Pub, [c2006] | Monographs |
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| Darcy Lange | study of an artist at work | | New Plymouth, NZ: Govett-Brewster Art Gallery, 2008] | Monographs |
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| Bruno Serralongue | | | Zurich: JRP Ringier, 2010 | Monographs |
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| Recent field work | | | Lisboa: Fundação Caixa Geral de Depà³sitos'Culturgest, [2009] | Monographs |
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| Sergej Jensen | the last twenty minutes of 2001 | | London: White Cube, [2010] | Monographs |
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| On the Beyond | A conversation between Mike Kelley, Jim Shaw, and John C. Welchman | | Wien: Springer-Verlag, 2011 | Monographs |
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| Hannah Wilke | gestures | | Purchase, NY: Neuberger Museum of Art, 2009 | Monographs |
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| But what of Frances Stark, standing by itself, a naked name, bare as a ghost to whom one would like to lend a sheet? | | | Nottingham: Nottingham Contemporary, 2009 | Monographs |
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| The Horror Show | | | New York, NY: Dorsky Gallery Curatorial Programs, 2009] | Reference |
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| The Armory Show 2009 | | | New York, NY: Armory Show, 2009 | Reference |
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| Can I Come Over to Your House? | The first ten years of The Suburban, 1999-2009 | | Oak Park, IL: Poor Farm Press, 2009 | Reference |
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| In-finitum | | | Wijnegem: In association with MER. Paper Kunsthalle, 2009 | Reference |
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| Stipendium | | | Frankfurt am Main: Revolver, 2006 | Reference |
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| Zero e dintorni | | | Sent, Switzerland: Gian Enzo Sperone, 2009 | Monographs |
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| SMC/CAC | 1992-2007 | | Vilnius: Siuolaikinio meno centras, 2007 | Reference |
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| Contemporary art history, Japan | | | Tokyo: Aroaro Intanashonaru = Aloalo International Co, 2008 | Reference |
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| Belief | Singapore Biennale 2006 | | Singapore: National Arts Council Singapore, 2007 | Reference |
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| Modern Modern | | | Berlin: STARSHIP, 2009 | Reference |
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| Lyon Biennial 2007 | 00s-The history of a decade that has not yet been named | | Zurich: JRP/Ringier, 2007 | Reference |
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| Half Square, Half Crazy | | | Zurich: JRP Ringier, 2007 | Reference |
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| Charley independents | No soul for sale : A festival of independents | | s.l: s.n, 2010 | Reference |
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| Dance with Camera | | | Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2009 | Reference |
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| Juntos Acordaron Adelantar el Oscurecer | | | Palma, Mallorca: Obra Social, SA NOSTRA Caixa de Balears, [2007] | Reference |
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| The Puppet Show | | | Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 2008 | Reference |
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| Doing Business | | | Atlanta, GA: Shade, 2007] | Reference |
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| Apocalypse Now | the theater of war | | San Francisco: California College of the Arts, 2007 | Reference |
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| Forms of imagining #1 | | | Dublin: Project Arts Centre, 2007 | Reference |
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| Coevolution | | | Siegen: Walther Konig, 2006 | Monographs |
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| Danh Vo & Heinz Peter Knes | Ephemeroptera | | Berlin: Mehringdamm, 2011 | Monographs |
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| Alexander McQueen | Savage beauty | | New Haven, CT: Metropolitan Museum of Art, 2011 | Monographs |
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| Two connected houses | | | Amsterdam, NL: Fillip, 2010 | Monographs |
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| Some trains in America | | | Munich: Prestel, 2002 | Monographs |
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| Unconcealed, the international network of conceptual artists 1967-77 | Dealers, exhibitions and public collections | | London: Ridinghouse, 2009 | Reference |
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| It depends on the circumstances and the people | | | London: Daniel Eatock & Flavia Muller Medeiros, 2005 | Monographs |
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| Damian Ortega | | | Basel: Schwabe, 2004 | Monographs |
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