| Lee Lozano | Drawings [which one are you?] | | New Haven, CT: Yale University Press, 2006 | Monographs |
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| Guillermo Kuitca | Theatre collages | | New York, NY: Distributed in North America by Prestel, 2005 | Monographs |
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| Allan Kaprow | Fluids | | Koln: Konig, 2005 | Monographs |
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| Caro Niederer | Waiting for returns | | Gottingen: Steidl / Edition7L, 2008 | Monographs |
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| "Dimensions of the mind" | The denial and the desire in the spectacle | | Koln: Oktagon, 2000 | Monographs |
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| Francis Picabia | Fleurs de chair, fleurs d'ame : Nus, Transparences, Tableaux abstraits | | Koln: Galerie Hauser & Wirth, 1997 | Monographs |
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| Andreas Hofer | Phantom gallery | | Gottingen: Hauser & Wirth, 2009 | Monographs |
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| Guillermo Kuitca | Plates No. 01-24 | | Gottingen: Hauser & Wirth, 2008 | Monographs |
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| Marcel Broodthaers | Correspondences | | Stuttgart: Oktagon Verlag, 1995 | Monographs |
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| Louise Bourgeois | Works in marble | | Munich: Prestel, 2002 | Monographs |
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| Bain Boehlke | 2009 Distinguished Artist | | Minneapolis, MN: McKnight Foundation, 2009 | Monographs |
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| Yearning for Beauty | The Wiener Werkstatte and the Stoclet House | | Ostfildern-Ruit: D.A.P., Distributed Art Publishers [distributor, 2006 | Reference |
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| Peggy Guggenheim & Frederick Kiesler | The Story of Art of This Century | | New York, NY: Austrian Frederick and Lillian Kiesler Private Foundation, 2004 | Reference |
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| 100 Pictures | | | Ostfildern-Ruit: Distributed in the U.S. by DAP, 2002, c1996 | Monographs |
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| This is the Trekka | | | Frankfurt am Main: Revolver, 2003 | Monographs |
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| A for Alibi | | | New York, NY: Sternberg Press, 2007 | Reference |
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| Life in the Pacific of the 1700s | The Cook/Foster Collection of the Georg August University of Gottingen | | Honolulu: Honolulu Academy of Arts, 2006 | Reference |
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| Friedrich Kiesler | endless house | | Ostfildern-Ruit, Germany: Hatje Cantz, 2003 | Monographs |
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| Frederick Kiesler | | | New York, NY: Whitney Museum of American Art, in association with W.W. Norton, 1989 | Monographs |
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| Richard Jackson | deer beer | | Koln: Oktagon, 1998 | Monographs |
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| Ground Zero | | | Gottingen: Steidl, 2008 | Monographs |
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| Maria Lassnig | The pen is the sister of the brush : Diaries 1943-1997 | | Zurich: Hauser & Wirth, 2009 | Monographs |
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| Ann Lislegaard | Science fiction and other worlds | | Oslo: Astrup Fearnley Museet for Moderne Kunst, [2007] | Monographs |
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| DeRRed | | | Frankfurt am Main: Revolver, [2005] | Monographs |
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| Dora Garcia | The future must be dangerous, 1991-2005 | | Leon: Frac Bourgogne, 2005 | Monographs |
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| Dora Garcia | Rooms, conversations | | Berlin: Distributed by D.A.P, 2007 | Monographs |
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| Jimmie Durham | The second particle wave theory (as performed on the banks of the River Wear, a stone's throw from Sunderland and Duham Cathedral) | | Banff: Walter Philips Gallery Editions, 2005 | Monographs |
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| Faker Drinker Soldier Heiress | Clunie Reid | | London: Book Works, 2010 | Monographs |
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| Ken Okiishi and Nick Mauss | One season in hell | | New York, NY: Gavin Brown's Enterprise, 2007 | Monographs |
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| The Invisibility Cloak | Die Tarnkappe | | Koln: Snoeck, 2010 | Rare / Fragile Mono |
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| Paulina Olowska | Metamorphosis | | Frankfurt am Main: Revolver, 2005 | Monographs |
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| DIY | or how to kill yourself anywhere in the world for under $399 | | Gent, Belgium: Imschoot, 2002 | Rare / Fragile Mono |
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| Liam Gillick | How are you going to behave? A kitchen cat speaks | | Berlin: Sternberg Press, 2009 | Monographs |
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| We are behind | | | London: Book Works, 2010 | Monographs |
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| Falling into place | | | London: Book Works, 2009 | Monographs |
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| Blood Rites of the Bourgeoisie | | | London: Book Works, 2010 | Monographs |
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| The Dark Object | | | London: Book Works, 2010 | Monographs |
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| Christopher Wool | | | Porto, Portugal: Fundação Serralves--Museu de Arte Contemporânea de Serralves, 2008 | Monographs |
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| Bjarne Melgaard | Jealous | | Oslo: Astrup Fearnley Museum of Modern Art, 2010 | Monographs |
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| On the Future of Art School | Primer compiled on the occasion of The Claude & Alfred Mann Symposium | | Los Angeles: USC Gayle Garner Roski School of Fine Arts, 2007 | Reference |
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