| The shape of colour | Excursions in colour field art, 1950-2005 | | Toronto: Art Gallery of Ontario, 2005 | Reference |
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| Nova popularna | | | Warszawa: Fundacja Galerii Foksal, 2003 | Monographs |
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| The Populism catalogue | | | New York, NY: Lukas & Sternberg, 2005 | Reference |
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| The Nineties | Karen Kilimnik, Jutta Koether, Marlene McCarty | | Ostfildern: Cantz, 1994 | Reference |
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| The next Documenta should be curated by an artist | | | Frankfurt am Main: Platform, Garanti Contemporary Art Center, 2004 | Reference |
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| Next flag | the African sniper reader | | Zurich: Migros Museum fur Gegenwartskunst, 2005 | Reference |
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| Ott's sneeze | | | London: Book Works, 2002 | Monographs |
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| The uncertainty of objects and ideas | recent sculpture | | Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2006 | Reference |
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| Uncertain states of America | American art in the 3rd millennium | | Oslo: Astrup Fearnley museet for moderne kunst, 2005 | Reference |
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| Swarm | | | Philadelphia: Fabric Workshop and Museum, 2005 | Reference |
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| Vitamin D | New perspectives in drawing | | London: Phaidon, 2005 | Reference |
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| Uncommon sense | | | Los Angeles: Museum of Contemporary Art, 1997 | Reference |
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| White cube/black box | Skulpturensammlung: Video Installation Film | | Wien: EA-Generali Foundation, [1996] | Reference |
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| Vivencias | Life experience | | Wien: Verlag der Buchhandlung Walther König, 2000 | Reference |
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| When attitudes escape form | Kunsthalle Basel 1969-1970 | | Frankfurt am Main: Schwabe, 2004 | Reference |
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| Installation art | a critical history | | New York, NY: Routledge, 2005 | Reference |
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| Die Familie Schneider | | | London: Artangel, 2006 | Monographs |
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| Paintings 2002-2005 | | | Waltham, MA: distribution, Distributed Art Publishers, 2006 | Monographs |
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| Fish story | | | Düsseldorf: The Center, 1995? | Monographs |
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| Working with nature | Traditional thought in contemporary art from Korea | | Liverpool: Tate Gallery Liverpool, 1992 | Reference |
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| 4th Berlin Biennale | Of mice and men | | Ostfildern-Ruit: Hatje Cantz, [2006] | Reference |
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| Snapshot | new art from Los Angeles | | Los Angeles: UCLA Hammer Museum, 2001 | Reference |
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| Left shift | radical art in 1970s Britain | | London: I.B. Tauris, 2002 | Reference |
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| Sunshine & noir | Art in L.A., 1960-1997 | | Humlebaek, Denmark: Louisiana Museum of Modern Art, [1997?] | Reference |
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| The new Europe | Culture of mixing and politics of representation | | Wien: Verlag der Buchhandlung Walther König, 2005 | Reference |
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| Monuments for the USA | | | San Francisco: CCA Wattis Institute for Contemporary Arts, 2005 | Reference |
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| Who cares | | | New York, NY: Creativetime, 2006 | Reference |
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| Witness to her art | Art and writings by Adrian Piper, Mona Hatoum, Cady Noland, Jenny Holzer, Kara Walker, Daniela Rossell and Eau de Cologne | | Annandale-on-Hudson, NY: Center for Curatorial Studies, 2006 | Reference |
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| Ice cream | contemporary art in culture | | London: Phaidon, 2007 | Reference |
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| In girum imus nocte et consumimur igni | The situationist international (1957-1972) | | Zurich: JRP/Ringier, 2006 | Reference |
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| 1983 Biennial Exhibition | | | New York, NY: Whitney Museum of American Art, 1983 | Reference |
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| 1985 Whitney Biennial | | | New York, NY: The Museum, 1985 | Reference |
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| 1991 Whitney Biennial | | | New York, NY: Whitney Museum of American Art in association with W.W. Norton, 1991 | Reference |
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| Internal excess | | | New York, NY: Drawing Center, 2003 | Reference |
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| E-flux | Video rental catalogue | | New York, NY: E-flux, 2005 | Reference |
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| Elemental form | | | New York, NY: L&M Arts, 2006 | Reference |
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| 2000 Whitney biennial | | | New York, NY: distributed by Harry N. Abrams, Inc, 2000 | Reference |
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| 1997 Whitney Biennial | | | New York, NY: distributed by Harry N. Abrams, 1997 | Reference |
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| 1993 Whitney Biennial | | | New York, NY: Whitney Museum of American Art, in association with Harry N. Abrams, Inc, 1993 | Reference |
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| Flashback | Revisiting the art of the 80s | | Ostfildern-Ruit: Kunstmuseum Basel, Museum fur Gegenwartskunst, 2005 | Reference |
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