| A Forest of Signs | Art in the crisis of representation | | Cambridge, MA: MIT Press, 1989 | Reference |
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| Geography and the Politics of Mobility | | | Wien: Verlag der Buchhandlung Walther König, 2003 | Reference |
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| Getting emotional | | | Boston: Distributed by DAP, 2005 | Reference |
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| Grey flags | | | New York, NY: SculptureCenter, 2006 | Oversized |
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| Oehlen Williams 95 | | | Columbus, OH: Wexner Center for the Arts, Ohio State University, [c1995] | Monographs |
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| Christopher Williams 97 | For example, die Welt ist schön (final draft) | | Rotterdam: Kunsthalle Basel, [1997] | Monographs |
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| Christopher Williams | Archäologie, Beaux-arts, Ethnography, Théatre-verité, Couleur Européenne, Couleur Sovéitique, Couleur Chinoise, Varieties. | | Vancouver, BC: Contemporary Art Gallery, 2005 | Rare / Fragile Mono |
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| An anecdoted topography of chance | | | London: Atlas Press, 1995 | Monographs |
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| Brian Jungen | Source Book 1 | | Rotterdam: Witte de With Center for Contemporary Art, 2006 | Monographs |
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