| Richard Misrach | Notations | | Santa Fe: Radius Books, 2022 | Oversized |
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| Max Protetch Gallery | 1969-2009 | | Santa Fe: Radius Books, 2023 | Reference |
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| Sense | Ann Hamilton | | Santa Fe: Radius Books, 2022 | Monographs |
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| Michelle Lopez | Ballast and barricades | | Philadelphia: Institute of Contemporary Art, University of Pennsylvania, [2020] | Monographs |
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| Art in the after-culture | Capitalist crisis and cultural strategy | | Chicago : Haymarket Books, 2022 | Reference |
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| No existe un mundo poshuracán | Puerto Rican art in the wake of Hurricane Maria | | New York : Whitney Museum of American Art , 2022 | Reference |
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| Josh Kline | Project for a new American century | | New York : Whitney Museum of American Art , 2023 | Monographs |
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| Wonderland | Annie Leibovitz | | London: Phaidon Press Limited , 2021 | Monographs |
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| Paul Chan | Breathers | | Minneapolis: Walker Art Center , 2022 | Monographs |
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| Solo viola | A post-exotic novel | | Minneapolis: University of Minnesota Press, 2021 | Reference |
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| African meditations | | | Minneapolis: University of Minnesota Press, 2022 | Reference |
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| On the wandering paths | | | Minneapolis: University of Minnesota Press, 2022 | Reference |
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| Volume 45, Issue 10 | | | London: London Review of Books, 2023 | Periodicals |
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| Volume 45, Issue 9 | | | London: London Review of Books, 2023 | Periodicals |
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| Volume 45, Issue 8 | | | London: London Review of Books, 2023 | Periodicals |
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| Issue 75 | The museum issue | | Vienna: Rita Vitorelli, 2023 | Periodicals |
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| Volume 61, Issue 9 | | | New York: Penske Media Corporation, 2023 | Periodicals |
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| Queer abstraction | | | Des Moines: Des Moines Art Center, 2019 | Reference |
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| Dia | An introduction to Dia's locations and sites | | New York : Dia Art Foundation, 2021 | Reference |
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| Action/abstraction redefined | Modern Native art, 1940s to 1970s | | Santa Fe: IAIA Museum of Contemporary Native Arts, 2018 | Reference |
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| Kerstin Brätsch | 2000 words | | Athens: DESTE Foundation for Contemporary Art, 2018 | Monographs |
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| Master of the two left feet | Morris Hirshfield rediscovered | | Cambridge: The MIT Press, 2022 | Monographs |
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| Olivier Mosset | | | Geneva : JRP|Editions, 2020 | Monographs |
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| Sue Williams | | | Zurich: JRP|Ringier, 2015 | Monographs |
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| Christian Bérard | Eccentric modernist | | Paris: Flammarion S.A., 2022 | Monographs |
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| Amy Sherald | The world we make | | Zurich: Hauser & Wirth Publishers, 2022 | Monographs |
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| Inquiries | | | Lawrence: Spencer Museum of Art, the University of Kansas, 2019 | Reference |
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| Blank forms 02 | Music from the world tomorrow | | Brooklyn : Blank Forms , 2018 | Reference |
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| Your bright future | 12 contemporary artists from Korea | | Houston: Museum of Fine Arts, 2009 | Reference |
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| Home | So different, so appealing | | Los Angeles: UCLA Chicano Studies Research Center Press, 2017 | Reference |
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| Visionary New England | | | Lincoln: DeCordova Sculpture Park and Museum, 2020 | Reference |
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| Sublime spaces & visionary worlds | Built environments of vernacular artists | | New York: Princeton Architectural Press, 2007 | Reference |
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| Theanyspacewhatever | | | New York: Guggenheim Museum , 2008 | Reference |
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| Encountering the spiritual in contemporary art | | | Kansas City : The Nelson-Atkins Museum of Art, 2018 | Reference |
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| The esopus reader | A collection of writing from Esopus, 2003-2018 | | Brooklyn: Esopus Books, 2022 | Reference |
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| Benjamin Patterson | Born in the state of FLUX/us | | Houston : Contemporary Arts Museum Houston , 2012 | Monographs |
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| More real? | Art in the age of truthiness | | Minneapolis: Minneapolis Institute of Arts, 2012 | Reference |
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| DeLanda, Manuel | Ism ism | | [Atlanta]: J&L Books, 2018 | Monographs |
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| OfficeUs agenda | | | Zurich: Lars Müller Publishers, 2014 | Reference |
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| BOMB | The author interviews | | New York : Soho Press, 2014 | Reference |
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