| Francis Picabia | Catalogue raisonné: volume III 1927-1939 | | Brussels: Mercatorfonds, 2019 | Monographs |
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| Pierre Leguillon | The museum of mistakes | | Zürich: Edition Patrick Frey, 2020 | Monographs |
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| Consuming stories | Kara Walker and the imagining of American race | | Oakland: University of California Press, 2016 | Monographs |
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| Kara Walker: a black hole is everything a star longs to be | Drawings 1992-2020 | | Geneva: JRP|Editions, 2020 | Monographs |
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| The theater of operations | The gulf wars 1991-2011 | | First edition: MoMA PS1, 2019 | Reference |
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| Genealogies of Art | Or the history of art as visual art | | Madrid: Fundación Juan March, 2019 | Reference |
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| Agnes Denes | Absolutes and intermediates | | New York: The Shed, 2019 | Monographs |
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| Arthur Jafa | Magnumb | | Humlebæk: Louisiana Museum of Modern Art, 2020 | Monographs |
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| Black lives 1900 | W. E. B. Du Bois at the Paris expostition | | London: Redstone Press, 2019 | Monographs |
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| Deana Lawson | | | New York: Aperture, 2018 | Monographs |
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| Steven Parrino | Nihilism is love | | Köln: Verlag der Buchhandlung Walther König, 2020 | Monographs |
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| Volume 60, Issue 1 | The museum now, part 2 | | New York: Artforum International Magazine, Inc., 2021 | Periodicals |
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| Michele Abeles | Zebra | | London: Sadie Coles HQ, 2016 | Monographs |
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| Amber | | | [New York]: Rhombus Press, 2020 | Monographs |
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| Please come to the show | | | London: Occasional Papers, 2014 | Reference |
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| Strait | | | Paris: Études Books, 2021 | Monographs |
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| Captive | | | [New York]: Rhombus Press, 2018 | Monographs |
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| (Over)production and value | (Über- )Produktion und Wert | | Berlin: Sternberg Press, 2017 | Reference |
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| Jochen Lempert | Rousseau botanische lehrbriefe | | Köln: Salon Verlag, 2017 | Monographs |
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| Limbo | | | London: Fitzcarraldo Editions, 2019 | Monographs |
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| Session | Nicolás Guagnini / David Joselit | | New York: A.R.T. Press, 2020 | Monographs |
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| Florian Pumhösl | No one's voice | | [New York]: Rhombus Press, 2016 | Monographs |
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| Dialogues | Irena Haiduk + Martine Syms | | Richmond: Institute for Contemporary Art, Virginia Commonwealth University, 2019 | Monographs |
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| Quantum art manifesto | | | Portland: Yale Union, 2019 | Monographs |
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| Eva Hesse | Diaries | | Zurich: Hauser & Wirth Publishers, 2020 | Monographs |
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| The saddest thing is that I have had to use words | A Madeline Gins reader | | Catskill: Siglio, 2020 | Monographs |
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| Richard Tuttle: a fair sampling | Collected writings 1966-2019 | | Köln: Verlag der Buchhandlung Walther Konig, 2019 | Monographs |
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| House | Peter Fischli, David Weiss | | Köln: Verlag der Buchhandlung Walther König, 2020 | Monographs |
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| Before projection | Video sculpture 1974-1995 | | Cambridge: MIT List Visual Arts Center, 2018 | Reference |
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| Mark Leckey | Fiorucci made me hardcore | | London: Afterall Books, 2019 | Monographs |
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| Serpentine gallery pavilions | | | Köln: Taschen, 2011 | Reference |
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| Andy Warhol exhibits | A glittering alternative | | Cologne: Verlag der Buchhandlung Walther König, 2020 | Monographs |
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| Ulrike Ottinger | Weltbilder | | Nürnberg: Verlag für moderne Kunst Nürnberg, 2013 | Monographs |
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| My birth | | | London: SPBH Editions, 2018 | Monographs |
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| Niza guy / bifurcated | | | Los Angeles: 2nd Cannons, 2019 | Monographs |
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| Women in concrete poetry | 1959-1979 | | Brooklyn: Primary Information, 2020 | Reference |
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| Tauba Auerbach | S v Z | | San Francisco: San Francisco Museum of Modern Art, 2020 | Monographs |
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| A history of Arab graphic design | | | Cairo: The American University in Cairo Press, 2020 | Reference |
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| Ree Morton | The plant that heals may also poison | | Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2019 | Monographs |
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| Henry van de Velde: the artist as designer | From Art Nouveau to Modernism | | London: Occasional Papers, 2019 | Monographs |
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