| Volume 45, Issue 1 | | | London: London Review of Books, 2023 | Periodicals |
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| Volume 44, Issue 24 | | | London: London Review of Books, 2022 | Periodicals |
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| Dwan gallery | Los Angeles to New York, 1959-1971 | | Washington: National Gallery of Art , 2016 | Reference |
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| How institutions think | Between contemporary art and curatorial discourse | | Feldmeilen, Switzerland: Luma Foundation, 2017 | Reference |
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| Rapheal Hefti | Salutary failures | | Milan: Lenz, 2022 | Monographs |
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| Lawrence Abu Hamdan | Dirty evidence | | Stockholm: Bonniers Konsthall , 2022 | Monographs |
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| Ecart | Geneva, 1969-1982 | | London: Koenig Books, 2019 | Reference |
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| Curating after the global | Roadmaps for the present | | Feldmeilen, Switzerland : Luma Foundation, 2019 | Reference |
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| Mapping the studio | Artists from the François Pinault Collection | | Venezia: Palazzo Grassi Spa, 2009 | Reference |
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| Accrochage | | | Venice: Marsilio Editori, 2016 | Reference |
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| Volume 61, Issue 4 | | | New York: Artforum International Magazine, Inc., 2022 | Periodicals |
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| Volume 29, Issue 4 | | | New York: Artforum International Magazine, Inc., 2022 | Periodicals |
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| Bodys Isek Kingelez | | | New York: The Modern Museum of Art, 2018 | Monographs |
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| Bruce Nauman | Parameters | | Mexico City: Estancia FEMSA – Casa Luis Barragán, 2018 | Monographs |
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| Ulysses Jenkins | Without your interpretation | | Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2021 | Monographs |
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| Ixiptla | Volume 4 - Feathered changes, serpent disappearances | | Berlin: Bom Dia Boa Tarde Boa Noite, 2018 | Monographs |
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| Mariana Castillo Deball | Replaying life's tape | | Berlin: Bom Dia Boa Tarde Boa Noite, 2019 | Monographs |
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| Su-Mei Tse | Nested | | Berlin: Sternberg, 2018 | Monographs |
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| Franz West | Man with a ball | | London: Gagosian Gallery, 2012 | Monographs |
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| Issue 3 | Mimicries | | London: Effects, 2022 | Periodicals |
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| Peter Piller | Teilzeitkraft (bürozeichnungen) | | Zürich: JRP|Ringier, 2007 | Monographs |
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| Just above Midtown | Changing spaces | | New York: The Museum of Modern Art, 2022 | Reference |
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| Conceptual art in Britain | 1964-1979 | | London: Tate Publishing , 2016 | Reference |
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| Gerhard Richter | Painting after all | | New York: The Metropolitan Museum of Art, 2020 | Monographs |
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| Adam Pendleton | Who is Queen? a reader | | New York: The Museum of Modern Art, 2021 | Monographs |
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| 2038 | The new serenity | | Munich: Sorry Press, 2021 | Reference |
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| Jacqueline Humphries | Paintings | | Bielefeld: Kerber Verlag, 2000 | Monographs |
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| Jacqueline Humphries | jHΩ1:) | | New York: Gregory R. Miller & Co., 2022 | Monographs |
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| Volume 44, Issue 22 | | | London: London Review of Books, 2022 | Periodicals |
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| Ulla Wiggen | | | Stockholm: Art and Theory Publishing, 2022 | Monographs |
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| The pioneering work of Hermann Rosa | Purism in concept, form and materials | | Zurich: Niggli, 2017 | Monographs |
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| Albert Oehlen | Cows by the water | | Venice: Marsilio, 2018 | Monographs |
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| Reconstructions | Architecture and blackness in America | | New York: The Museum of Modern Art, 2021 | Reference |
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| Volume 44, Issue 21 | | | London: London Review of Books, 2022 | Periodicals |
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| Volume 61, Issue 3 | | | New York: Artforum International Magazine, Inc., 2022 | Periodicals |
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| Issue 53 | | | London: Afterall, 2022 | Periodicals |
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| Volume 44, Issue 20 | | | London: London Review of Books, 2022 | Periodicals |
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| Volume 44, Issue 19 | | | London Review of Books, 2022 | Periodicals |
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| Issue 73 | Vulnerability | | Vienna: Rita Vitorelli, 2022 | Monographs |
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| Volume 55, Issue 340 | | | Milan: Politi Seganfreddo S.R.L., 2022 | Periodicals |
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