| Exploding galaxies | The art of David Medalla | | London: Kala Press, 1995 | Monographs |
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| David Medalla | Parables of friendship | | Bonn: Bonner Kunstverein, 2021 | Monographs |
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| Magdalena Los | Time, space and opportunity | | Bonn: Bonner Kunstverein, 2021 | Monographs |
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| Jos De Gruyter - Haral Thys | | | Antwerp: Middelheimmuseum, 2002 | Monographs |
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| Leon Golub | | | Madrid: Museo Nacional Centro de Arte Reina Sofia , 2011 | Monographs |
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| Lorraine O'Grady | Cutting out CONYT | | New York: Alexander Gray Associates, 2018 | Monographs |
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| Frank Bowling | Make it new | | New York: Alexander Gray Associates, 2018 | Monographs |
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| Karl Wirsum | No dogs aloud | | Chicago: Corbett vs. Dempsey, 2017 | Monographs |
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| SupaStore inventory | 1993-2020 | | London: The Everyday Press, 2021 | Monographs |
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| 2G: Brandlhuber+ | | | Köln: Verlag der Buchhandlung Walther und Franz König, 2021 | Monographs |
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| Brandlhuber+ 1996/2018: a discursive architectural practice | El Croquis 194 | | Madrid: El Croquis Editorial, 2018 | Monographs |
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| Scorched feet / pies quemados | Issue 1 | | [Minneapolis]: Scorched Feet / Pies Quemados, 2021 | Periodicals |
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| Avery Singer | | | Zurich: JRP|Editions, 2015 | Monographs |
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| Craig Owens: Vom werk zum rahmen. Oder: gibt es ein leben nach "der tod des autors"? | #12 | | Berlin: SIG Verlag, 1987/2021 | Monographs |
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| Craig Owens: From work to frame, or, is there life after "the death of the author"? | #12 | | Berlin: SIG Verlag, 1987/2021 | Monographs |
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| Stephanie Seibold: expropriating appropriations | #11 | | Berlin: SIG Verlag, 2021 | Monographs |
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| Tom Humphreys: Family picture | #10 | | Berlin: SIG Verlag, 2020 | Monographs |
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| Parabasis | #09 | | Berlin: SIG Verlag, 2020 | Monographs |
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| Roger Van Voorhees: Do I then persist as the memory for what hasn't | #08 | | Berlin: SIG Verlag, 2019 | Monographs |
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| Antony Hudek: Letters from NYC | #07 | | Berlin: SIG Verlag, 2019 | Monographs |
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| R.H. Quaytman | Modern subjects, chapter zero | | Brussels: WIELS, 2021 | Monographs |
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| Finding our way | Volume 45, Issue 2 | | Atlanta: Atlanta Art Papers, Inc., 2021-2022 | Periodicals |
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| Lacaton and Vassal: 1993-2017 | El Croquis 177/178 | | Madrid: El Croquis Editorial, 2017 | Monographs |
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| The charged void: urbanism | Alison and Peter Smithson | | New York: Monacelli Press, Inc., 2005 | Monographs |
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| The space between | Alison and Peter Smithson | | Köln: Verlag der Buchhandlung Walther König, 2017 | Monographs |
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| Alison and Peter Smithson | A critical anthology | | Barcelona: Ediciones Polígrafa, 2011 | Monographs |
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| Dictee | | | Berkeley, California : University of California Press, 2001 | Monographs |
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| Object objects | Shana Kaplow | | Saint Paul : Shana Kaplow , 2019 | Monographs |
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| Thomas Frontini | | | Ghent: AsaMER, imprint of Borgerhoff & Lamberigts, 2019 | Monographs |
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| The young and evil | Queer modernism in New York, 1930-1955 | | New York: David Zwirner Books, 2019 | Reference |
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| Teresa Burga | September 5- October 12, 2019 | | New York: Alexander Gray Associates , 2019 | Monographs |
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| Transmissions | Nick Mauss | | Brooklyn: Dancing Foxes Press , 2020 | Monographs |
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| The color out of space | Rosa Barba | | Cambridge: MIT List Visual Arts Center , 2016 | Monographs |
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| Tcheu Siong | The genie behind the scissors | | Luang Prabang: Project Space, 2010 | Monographs |
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| Tcheu Siong | The spirits guide the scissors | | Luang Prabang: Project Space, 2020 | Monographs |
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| The pavilion | Pleasure and polemics in architecture | | Ostfildern: Hatje Cantz Verlag, 2009 | Reference |
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| Masahisa Fukase | Ravens | | London, UK: MACK , 2021 | Monographs |
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| Volume 60, Issue 6 | | | New York: Artforum International Magazine, Inc., 2022 | Periodicals |
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| Disss-co (a fragment) | | | Berlin: Distanz, 2020 | Monographs |
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| Sadie Benning | Shared eye | | Chicago: The Renaissance Society at the University of Chicago, 2017 | Monographs |
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