| Mike Kelley | Educational complex | | London: Afterall Books, 2015 | Monographs |
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| Sigmar Polke | Girlfriends | | London: Afterall Books, 2017 | Monographs |
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| Yayoi Kusama | Infinity mirror room – phalli's field | | London: Afterall Books, 2012 | Monographs |
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| Helio Oiticica and Neville D'Almeida | Block-experiments in cosmococa – program in progress | | London: Afterall Books, 2013 | Monographs |
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| Issue 5 | | | Geneva: MAMCO, 2020 | Periodicals |
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| Dan Graham | Rock my religion | | London: Afterall Books, 2012 | Monographs |
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| Richard Hamilton | Swingeing London 67 (f) | | London: Afterall Books, 2011 | Monographs |
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| Sarah Lucas | Au naturel | | London: Afterall Books, 2009 | Monographs |
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| Images | | | London: Koenig Books, 2019 | Reference |
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| Edith Halpert | The downtown gallery and the rise of American art | | New York: Jewish Museum, 2019 | Reference |
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| Beatriz González | A retrospective | | Miami: Pérez Art Museum, 2019 | Monographs |
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| Antonello da Messina | | | Milan: Skira, 2019 | Monographs |
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| Niele Toroni | 13. Rubenspreis der Stadt Siegen | | Seigen: Museum für Gegenwartskunst Siegen, 2017 | Monographs |
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| Art and race matters | The career of Robert Colescott | | New York: Rizzoli Electa, 2019 | Monographs |
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| The New Woman's Survival Catalog | | | Brooklyn: Primary Information, 2019 | Reference |
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| David Zink Yi & Angie Keefer | Being the measure | | London: König Books, 2019 | VHS, DVD, CD, LP |
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| Abbas to Yuki | Writing alongside exhibitions | | San Francisco: CCA Wattis Institute for Contemporary Arts, 2019 | Reference |
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| Mount analogue | a novel of symbolically authentic non-Euclidean adventures in mountain climbing | | Cambridge: Exact Change, 2019 | Monographs |
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| Luc Tuymans | Catalogue raisonné of paintings volume 2: 1995-2006 | | New York City: David Zwirner Books, 2018 | Monographs |
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| Anni Albers | | | New Haven: Yale University Press, 2018 | Monographs |
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| Throwing up bunnies | The irrelevent interlopings of Triple Candie, 2001-2016 | | Andover, MA: Addison Gallery of American Art, 2018 | Reference |
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| Triple Candie | Grazer Kunstverein, 2017-2020 | | Graz: Grazer Kunstverein, 2019 | Reference |
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| R.H. Quaytman | An evening, chapter 32 | | Vienna: Secession, 2017 | Monographs |
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| Derek Jarman's garden | | | London: Thames & Hudson, 2018 | Monographs |
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| Klara Liden | GTG TTYL | | Vienna: Secession, 2019 | Monographs |
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| Avery Singer | Sailor | | Vienna: Secession, 2016 | Monographs |
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| Sur moderno | Journeys of abstraction, the Patricia Phelps de Cisneros gift | | New York: The Museum of Modern Art, 2019 | Reference |
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| Huang Yong Ping | Bâton serpent | | Milan: Mousse Publishing, 2015 | Monographs |
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| Common pavilions | The national pavilions in the Giardini of the Venice Biennale in essays and photographs, 13th International Architecture Exhibition, Venice Biennale 2012 | | Zurich: Scheidegger & Spiess, 2013 | Oversized |
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| René d'Harnoncourt and the art of installation | | | New York: The Museum of Modern Art, 2018 | Reference |
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| Society for Contemporary Art, 1940-2015 | | | Chicago: The Art Institute of Chicago, 2015 | Reference |
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| Whitewalling | art, race, and protest in 3 acts | | New York: Badlands Unlimited, 2018 | Reference |
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| Echo | Sharon Hayes | | Stockholm: Moderna Museet, 2019 | Monographs |
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| Nil Yalter | Exile is a hard job | | Cologne: Verlag der Buchhandlung Walther König, 2019 | Monographs |
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| Made in L.A. 2016 | a, the, though, only | | Los Angeles: Hammer Museum, University of California, 2016 | Reference |
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| A new fascism? | | | London: Koenig Books, 2018 | Reference |
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| Issue 62 | The 2010s | | Vienna: Rita Vitorelli, 2020 | Periodicals |
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| Volume 58, Issue 6 | | | New York, NY: Artforum International Magazine, Inc., 2020 | Periodicals |
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| Volume 42, Issue 3 | | | London: London Review of Books, 2020 | Periodicals |
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| Volume 42, Issue 2 | | | London: London Review of Books, 2020 | Periodicals |
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