| BILL2 | | | Amsterdam: Roma Publications, 2019 | Periodicals |
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| Better be watching the clouds / I want to be able to welcome my father to my house | | | Amsterdam: Roma Publications, 2019 | Monographs |
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| Entropy | | | Amsterdam: Roma Publications, 2019 | Monographs |
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| The plant collection | | | Amsterdam: Roma Publications, 2019 | Monographs |
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| Tomorrow's sculpture | | | Amsterdam: Roma Publications, 2019 | Monographs |
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| Belgian colonial monuments | | | Amsterdam: Roma Publications, 2019 | Monographs |
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| A die with twenty-six faces | | | Amsterdam: Roma Publications, 2019 | Reference |
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| The photographic II: signal or noise | | | Amsterdam: Roma Publications, 2019 | Reference |
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| Cardinal points | Notes on representation volume 10 | | Roma Publications | Monographs |
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| Cloud service | | | Amsterdam: Roma Publications, 2019 | Monographs |
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| SS 2019 | | | Zurich: Provence Longtang e.V., 2019 | Periodicals |
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| Volume 21, Issue 4 | | | Los Angeles, CA: Project X Foundation for Art and Criticism, 2019 | Periodicals |
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| Friendly good | | | Amsterdam: Roma Publications, 2018 | Monographs |
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| Sculpture: forty years | | | New York City: Museum of Modern Art, 2007 | Monographs |
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| Origins and innovations | | | New York City: Hauser & Wirth Publishers, 2018 | Monographs |
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| Robert Ryman | Critical texts since 1967 | | London: Ridinghouse, 2009 | Monographs |
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| Backstroke of the west | | | New York City; Munich: DelMonico Books/Prestel, 2017 | Monographs |
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| Nightcleaners and '36 to '77 | | | London: Raven Row, 2018 | Monographs |
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| Frowst | | | London: MACK, 2014 | Monographs |
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| Becoming imperceptible | | | Los Angeles: Siglio, 2016 | Monographs |
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| Archiv Peter Piller | Band 1, durchsucht und versiegelt | | Frankfurt am Main: Revolver - Archiv für aktuelle Kunst, 2002 | Monographs |
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| Issue 001 | | | Minneapolis, MN: Studio 91, 2019 | Periodicals |
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| Volume 41, Issue 13 | | | London: London Review of Books, 2019 | Periodicals |
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| Fireflies | | | London: HENI Publishing, 2019 | Monographs |
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| Joan Mirà³ | The Museum of Modern Art, New York | | New York: The Museum of Modern Art, 1993 | Monographs |
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| This breathing house | | | London: Hauser & Wirth Publishers, 2016 | Monographs |
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| Alice Neel | | | Philadelphia: Philadelphia Museum of Art, 2000 | Monographs |
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| Painting + Sculpture | Brad Killam | | New York City: Geary, 2018 | Monographs |
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| Aventure, aventura, peripezia | | | Lisbon: Madragoa Gallery, 2016 | Monographs |
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| 4 frogs | | | Velence: Art 3, 2010 | Monographs |
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| Paintings of the 1980s | The catalogue raisonné | | Zurich: JP Ringier, 2018 | Monographs |
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| Mike Kelley, Peter Fischli, David Weiss | | | Munich: Sammlung Goetz, 2000 | Monographs |
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| Language pieces | | | Edinburgh: The Fruitmarket Gallery, 2018 | Monographs |
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| Critical Laboratory | The writings of Thomas Hirschhorn | | Cambridge: MIT Press, 2013 | Monographs |
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| David Hammons is on our mind | | | San Francisco: The CCA Wattis Institute for Contemporary Arts, 2018 | Monographs |
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| Independence | | | Los Angeles, CA: Semiotext(e), 2011 | Monographs |
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| Slave days | 29 poems, 31 photocopied objects | | New York, NY: Kornblee, 1975 | Monographs |
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| Sword of the sun | | | Jersey City: Conveyer Editions, 2015 | Monographs |
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| Half Wild | | | Jersey City: Conveyer Editions, 2014 | Monographs |
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| Palaces, theatres, churches, and a casino | | | London: Ben Brown Fine Arts, 2007 | Monographs |
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