| Knowledge | Issue 65 | | Brooklyn, NY: Immaterial Inc., 2018 | Periodicals |
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| Intimate geometries | The art and life of Louise Bourgeois | | New York, NY: Monacelli Press, 2016 | Monographs |
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| The uses of photography | Art, politics, and the reinvention of a medium | | La Jolla, CA: Museum of Contemporary Art San Diego, 2016 | Monographs |
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| Michelangelo | Divine draftsman and designer | | New York, NY: The Metropolitan Museum of Art, 2018 | Monographs |
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| Volume 42, Issue 2 | | | Atlanta, GA: Atlanta Art Papers, Inc., 2018 | Periodicals |
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| Volume 57, Issue 2 | | | New York, NY: Artforum International Magazine, Inc., 2018 | Periodicals |
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| The keeper | | | New York, NY: New Museum, 2016 | Reference |
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| Schwarzescafé | | | London: Koenig Books Ltd, 2017 | Monographs |
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| Pep Talk 7 | The Rhonda Lieberman reader | | Los Angeles, CA: Pep Talk, 2018 | Reference |
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| South as a state of mind #9 | Documenta 14 #4 | | Kassel, Germany: Museum Fridericianum Veranstaltungs-GmbH, 2017 | Periodicals |
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| Record | | | London: Thames and Hudson, 2017 | Monographs |
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| Real capital-production | | | London: Koenig Books Ltd, 2017 | Monographs |
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| South of Pico | African American artists in Los Angeles in the 1960s and 1970s | | Durham, NC: Duke University Press, 2017 | Reference |
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| Moultings | | | Paris: Éditions Dilecta, 2014 | Monographs |
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| Every aspect of bitch magic | | | London: FUEL, 2012 | Monographs |
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| Cf. | | | Rennes: Revue 2.0.1, 2010 | Reference |
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| Artists who make books | | | New York, NY: Phaidon Press, 2017 | Reference |
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| 2016 in museums, money, and politics | | | Cambridge, MA: MIT Press, 2018 | Monographs |
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| The particles (of White Naugahyde) | 1979 | | Zürich: Edition Patrick Frey, 2014 | Monographs |
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| Postwar | Art between the Pacific and the Atlantic, 1945-1965 | | New York, NY: Prestel, 2016 | Reference |
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| David Hammons | Bliz-aard ball sale | | London: Afterall Books, 2017 | Monographs |
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| A synthesis of intuitions | | | New York, NY: Museum of Modern Art, 2018 | Monographs |
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| Silke Otto-Knapp, Florian Pumhösl: | Ratio of distance | | Tokyo: Taka Ishii Gallery, 2016 | Monographs |
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| Take my breath away | | | New York, NY: Guggenheim Museum Publications, 2018 | Monographs |
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| We wanted a revolution | Black radical women, 1965-85 : New perspectives | | New York, NY: Brooklyn Museum, 2018 | Reference |
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| Items: | Is fashion modern? | | New York, NY: The Museum of Modern Art, 2017 | Reference |
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| 1971 | A year in the life of color | | Chicago, IL: University of Chicago Press, 2016 | Reference |
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| Keith Haring | 1978-1982 | | Nürnberg: Verlag für moderne Kunst Nürnberg, 2010 | Monographs |
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| Wiener Werkstätte 1903-1932 | The luxury of beauty | | Munich: Prestel, 2017 | Reference |
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| Volume 40, Issue 19 | | | London: London Review of Books, 2018 | Periodicals |
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| Daido Moriyama | The world through my eyes | | Milan: Skira Editore S.p.A, 2010 | Monographs |
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| Ericka Beckman | | | Zürich: JRP|Ringier, 2016 | Monographs |
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| Mali twist | | | Paris: Fondation Cartier pour l'art contemporain, 2017 | Monographs |
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| Notes from the playground | | | London: Ridinghouse, 2017 | Reference |
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| A reader | | | Berlin: KW Institute for Contemporary Art, 2018 | Monographs |
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| The notebooks | | | Princeton, NJ: Princeton University Press, 2015 | Monographs |
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| Perla Pollina | | | Berlin: Hatje Cantz Verlag GmbH, 2017 | Monographs |
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| Painted in Mexico 1700 - 1790 | Pinxit Mexici | | Los Angeles, CA: Los Angeles County Museum of Art, 2017 | Monographs |
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| Get the message? | A decade of art for social change | | New York, NY: E.P. Dutton, Inc., 1984 | Reference |
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| Nine books | 1973-1979 | | Zürich: Edition Patrick Frey, 2014 | Monographs |
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