| Issue 46: | Reconstruction: Performance and Collective Action | | London: Afterall, 2018 | Periodicals |
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| The Blind Man | 100th Anniversary Facsimile Edition | | New York, NY: Ugly Duckling Press, 2017 | Periodicals |
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| Picasso sculpture | | | New York, NY: The Museum of Modern Art, 2015 | Monographs |
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| Bunker | | | Chicago, IL: Corbett vs. Dempsey, 2017 | Monographs |
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| Hirsch Farm Project | | | Northbrook, IL: Hirsch Foundation, 1997 | Reference |
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| Bilder Pictures | | | Köln: Verlag der Buchhandlung Walther König, 2002 | Monographs |
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| Owens, Laura | | | New York, NY: Whitney Museum of American Art, 2017 | Monographs |
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| L’IMPUDEUR: Hervé Guibert, Moyra Davey | Wedding loop / Modesty or Immodesty | | Glasgow: uh books, 2018 | Monographs |
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| Black Pages Issue 55 | Adriana Lara | | Vienna: Black Pages, 2014 | Monographs |
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| Black Pages Issue 50 | Sarah Lucas | | Vienna: Black Pages, 2013 | Monographs |
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| Archiv Peter Piller | Umschläge | | New York: Dashwood Books, 2014 | Monographs |
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| Black Pages Issue 57 | Rebecca Morris | | Vienna: Black Pages, 2015 | Monographs |
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| Fanfare | | | New York, NY: Nick Mauss, 2017 | Monographs |
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| Archiv Peter Piller | Materialien (H) irrläufer | | Zürich: Nieves, 2017 | Monographs |
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| Le Classisme | Une introduction [extrait] | | Bat, 2015 | Monographs |
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| The skins of alca impennis (1992-2017) | | | Hannover: Sprengel Museum Hannover, 2017 | Monographs |
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| Marina Pinsky | | | New York, NY: 303 Gallery, 2018 | Monographs |
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| Pied-à-terre | | | San Francisco: Pied-à-terre, 2017 | Reference |
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| Don't be far from me | | | London: Tenderbooks, 2017 | Monographs |
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| Le large | Julie Beaufils | | Paris: After 8 Books, 2018 | Monographs |
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| Encounters | | | Brooklyn, NY: Pegacorn Press, 2016 | Monographs |
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| Ken Kagami | | | Albuquerque, NM: Trapset Zines, 2017 | Monographs |
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| Version n°0004 | 04/2018 | | Maraud, Guillaume, 2018 | Monographs |
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| Version n°0003 | 06/2017 | | Maraud, Guillaume, 2017 | Monographs |
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| Version n°0002 | 10/2016 | | Maraud, Guillaume, 2016 | Monographs |
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| A roll of the dice will never abolish chance | | | Seattle: Wave books, 2015 | Reference |
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| Version n°0005 | | | Paris: After 8 Books, 2018 | Monographs |
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| Unintended Experience | (A Job in Amsterdam) | | Paris: After 8 Books, 2017 | Monographs |
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| CcornuuOorphanossCcopiaeeaanorphansshhornoffplentyyy | | | Los Angeles, CA: 356 Mission (gallery), 2018 | Monographs |
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| Zeitungsphotos | | | Köln: Verlag der Buchhandlung Walther König, 2006 | Monographs |
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| Blau | 3 short stories | | Köln: Verlag der Buchhandlung Walther König, 2006 | Monographs |
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| In alphabetical order | | | Geneva: Boabooks, 2016 | Monographs |
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| 1965 custom Chevrolet Bel Air | | | Florence, Italy: Zona Archives, 2012 | Monographs |
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| German pop | | | Köln: Verlag der Buchhandlung Walther König, 2014 | Oversized |
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| Complete poetry | | | New York, NY: 100% Publications, 2010 | Monographs |
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| Among ourselves | | | Ostfildern: Hatje Cantz Verlag, 2009 | Monographs |
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| Golden kingdoms | Luxury arts in the Ancient Americas | | Los Angeles, CA: Getty Research Institute, 2017 | Monographs |
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| Thomas Struth | | | Munich: Haus der Kunst, 2017 | Monographs |
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| Volume 21, Issue 1 | | | Los Angeles, CA: Project X Foundation for Art and Criticism, 2018 | Periodicals |
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| Brouhaha | Worlds of the contemporary | | Minneapolis, MN: University of Minnesota Press, 2018 | Reference |
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