| Singular / plural | Collaborations in the post-pop-polit-arena, 1969 - 1980 | | Düsseldorf: Kunsthalle Düsseldorf gGmbH, 2017 | Reference |
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| Liquid Antiquity | | | Geneva: The DESTE Foundation for Contemporary Art, 2017 | Reference |
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| Eyes should be washed | | | Minneapolis, MN: Pirsig Projects, 2017 | Reference |
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| Fear Indexing the X-Files | | | Brooklyn, NY: Primary Information, 2017 | Monographs |
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| Private book 2 | | | New York, NY: Karma, 2017 | Monographs |
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| Lee Bontecou | | | London: Koenig Books Ltd, 2017 | Monographs |
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| Mythologies | | | Sheboygan, WI: John Michael Kohler Arts Center, 2017 | Monographs |
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| Midnight and noon | | | New York, NY: David Zwirner Books, 2016 | Monographs |
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| Black Dada reader | | | London: Koenig Books Ltd, 2017 | Monographs |
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| The run home book | | | Zurich: Nieves, 2014 | Monographs |
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| On an iron post | | | Los Angeles, CA: Hesse Press, 2017 | Monographs |
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| In part | Writings by Julie Ault | | New York, NY: Galerie Buchholz, 2017 | Monographs |
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| New address | | | Rome: NERO, 2017 | Monographs |
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| Memorandum | Bat project I, II, III, 2001 - 2004, & Supplement | | Köln: Verlag der Buchhandlung Walther König, 2016 | Monographs |
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| Reading / feeling | | | Amsterdam, NL: If I Can't Dance, I Don't Want To Be A Part Of Your Revolution, 2013 | Reference |
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| Never | | | London: Koenig Books Ltd, 2016 | Monographs |
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| Why not? | | | Chicago, IL: Corbett vs Dempsey, 2015 | Monographs |
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| Eva Hesse | | | New York, NY: New York University Press, 1976 | Monographs |
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| Human scale | | | San Francisco, CA: Museum of Modern Art, 1984 | Monographs |
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| Free HBO | | | [s.l.]: [s.n.], 2017 | Monographs |
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| American modern | Selections from the Ione and Hudson D. Walker Collection, Frederick R. Weisman Art Museum | | Minneapolis, MN: Frederick R. Weisman Art Museum, 2006 | Monographs |
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| Notebooks 1967-70 | | | New York, NY: Hauser & Wirth, 2017 | Monographs |
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| Memory ware | A survey | | New York, NY: Hauser & Wirth, 2017 | Monographs |
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| Ornamental hysteria | | | London: Other Criteria, 2017 | Monographs |
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| Cash for gold | Nina Beier | | Milan: Mousse Publishing, 2016 | Monographs |
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| Peter Cain | | | New York, NY: Matthew Marks Gallery, 2017 | Monographs |
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| The new concrete | Visual poetry in the 21st Century | | London: Hayward Publishing, 2015 | Reference |
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| Merced es benz | | | London: Book Works, 2017 | Reference |
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| Paranomia | | | Leipzig: Spector Books, 2016 | Monographs |
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| Being, in a state of erasure | | | London: Book Works, 2017 | Monographs |
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| Future imperfect | Contemporary art practices and cultural institutions in the Middle East | | Berlin: Sternberg Press, 2016 | Reference |
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| Skulptur Projekte Münster 2017 | | | Leipzig: Spector Books, 2017 | Reference |
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| Huun | Art/thought from Mexico | | Mexico City: Editorial RM, 2016 | Reference |
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| Hotel theory reader | | | Vancouver: Fillip Editions, 2016 | Reference |
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| Joan Jonas is on our mind | | | San Francisco: CCA Wattis Institute for Contemporary Arts, 2017 | Monographs |
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| Pontus Hultén and Moderna Museet | The formative years | | Stockholm: Moderna Museet, 2017 | Reference |
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| Secession | | | Vienna: Secession, 2012 | Reference |
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| The exhibitionist | Journal on exhibition making, the first six years | | New York, NY: The Exhibitionist, 2017 | Reference |
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| 2 Février, 1861, Phung Víµ | Catalogue raisonné, January 20, 1861 - | | Bregenz: Kunsthaus Bregenz, 2012 | Monographs |
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| Städisches Museum Abteiberg Mí¶nchengaldbach | Illustrations and comments | | Mönchengladbach: Städisches Museum Abteiberg, 2002 | Reference |
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