| One, no one and one hundred thousand | | | Vienna: Kunsthalle Wien, 2016 | Reference |
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| #2 | | | London: BFTK, 2016 | Periodicals |
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| The anti-museum | An anthology by Matheiu Copeland and Balthazar Lovay | | Fribourg, Switzerland: Fri Art, Kunsthalle, 2017 | Reference |
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| #1 | | | London: BFTK, 2015 | Periodicals |
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| Issue 4 | | | Frankfurt, Germany: proustwards Verlag, 2017 | Periodicals |
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| The new document | Photography's concerns and returns | | New York, NY: John Beeson, 2012 | Reference |
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| Kollektiv/Collective | Issue 7 | | Dessau-RoàŸlau, Germany: Spector Books Leipzig, 2014 | Periodicals |
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| Issue 3 | | | Los Angeles, CA: Semiotext(e), 2013 | Periodicals |
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| Issue 2 | | | Los Angeles, CA: Semiotext(e), 2012 | Periodicals |
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| Baruchello | | | London: Raven Row, 2017 | Monographs |
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| Volume 36, Issue 2 | | | Atlanta, GA: Atlanta Art Papers, Inc., 2012 | Periodicals |
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| Volume 36, Issue 3 | | | Atlanta, GA: Atlanta Art Papers, Inc., 2012 | Periodicals |
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| Volume 36, Issue 4 | | | Atlanta, GA: Atlanta Art Papers, Inc., 2012 | Periodicals |
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| Volume 36, Issue 6 | | | Atlanta, GA: Atlanta Art Papers, Inc., 2012 | Periodicals |
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| School's Out | Volume 38, Issue 4 | | Atlanta, GA: Atlanta Art Papers, Inc., 2014 | Periodicals |
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| Volume 38, Issue 5 | | | Atlanta, GA: Atlanta Art Papers, Inc., 2014 | Periodicals |
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| Transportation Special Issue | Volume 40, Issue 1 | | Atlanta, GA: Atlanta Art Papers, Inc., 2016 | Periodicals |
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| Volume 40, Issue 5 | | | Atlanta, GA: Atlanta Art Papers, Inc., 2016 | Periodicals |
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| Volume 41, Issue 3 | | | Atlanta, GA: Atlanta Art Papers, Inc., 2017 | Periodicals |
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| Dyed Channel | | | Basel: Kunsthalle Basel, 2016 | Monographs |
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| Warm equations | | | Zürich: Edition Patrick Frey, 2016 | Monographs |
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| The contemporary condition | Notes on the type, time, letters & spirits | | Berlin: Sternberg Press, 2017 | Reference |
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| Intellectual property 1968-2018 | | | Minneapolis, MN: Walker Art Center, 2018 | Monographs |
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| Artists' books | The book as a work of art 1963-2000 | | London: Bernard Quaritch Ltd, 2015 | Reference |
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| Volume 40, Issue 11 | | | London: London Review of Books, 2018 | Periodicals |
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| No reservation | New York contemporary Native American art movement | | New York, NY: American Indian Artists Inc. (AMERINDA), 2017 | Reference |
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| Volume 40, Issue 10 | | | London: London Review of Books, 2018 | Periodicals |
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| Issue 195 | | | London: frieze, 2018 | Periodicals |
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| Issue 164 | | | Cambridge: MIT Press, 2018 | Periodicals |
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| Becoming Palm | | | Berlin: Sternberg Press, 2017 | Monographs |
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| Artists' multiples 1935-2000 | | | Aldershot, England; Burlington, Vt: Ashgate, 2001 | Reference |
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| The O-G v.1011 | Metamorphoses | | [s.l.]: Amy Sillman, 2017 | Monographs |
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| Painter 1957-1967 | | | New York, NY: Hauser & Wirth Publishers, 2016 | Monographs |
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| The O-G v.10 | The all-over | | [s.l.]: Amy Sillman, 2016 | Monographs |
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| Adjusted | | | Cologne: Museum Ludwig, 2013 | Reference |
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| Without distinction | | | Paris: & Christophe Daviet-Thery, 2016 | Monographs |
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| Like a woman | Essays, readings, poems | | Berlin: Sternberg Press, 2017 | Reference |
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| Withheld due to: | | | Zürich: Cpress, 2016 | Monographs |
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| Spring 2018 | | | St Paul, MN: INREVIEW, 2018 | Periodicals |
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| Billboards | A meeting outdoors | | Amsterdam: Roma Publications, 2004 | Monographs |
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