| Stage fright | | | New York: Lévy Gorvy Dayan, 2024 | Reference |
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| The architecture of Douglas Cardinal | | | Edmonton: NeWest Press, 1989 | Monographs |
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| Upgrade | Making things better | | Berlin: Hatje Cantz, 2022 | Reference |
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| Stanley Whitney | in the color | | New York: Lisson Gallery, 2018 | Monographs |
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| Harumi Klossowska de Rola | sacred woods | | New York: Acquavella Galleries, 2025 | Monographs |
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| Conscious community | Chris Cornelius, Rodney Leon, Abeer Seikaly | | New Haven: Yale School of Architecture, 2024 | Reference |
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| Otto Piene | paths to paradise | | Basel: Museum Tinguely, 2024 | Monographs |
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| 4 | | | Providence: Amalgam, 2023 | Periodicals |
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| Forms of errantry | | | Ridgewood: UnionDocs, 2024 | Monographs |
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| The Native creative process | a collaborative discourse between Douglas Cardinal and Jeannette Armstrong | | Penticton, B.C. : Theytus Books, 1991 | Reference |
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| Salt | | | New York: Hassla, 2022 | Monographs |
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| The art of architectural grafting | Containing rules for extending museums and anonymous buildings to increase their usefulness and delightfulness and reduce their carbon pollution : together, with experimental trials for the new joinery, very necessary for every architect-grafter, and a proposal for renewing polluted industrial lands with urban forests | | Zürich: Park Books, 2024 | Monographs |
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| The Arts Club of Chicago at 100 | Art and culture 1916 -2016 | | Chicago: The Arts Club of Chicago, 2016 | Reference |
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| Ann Craven | Birds we know | | Rockland: Center for Maine Contemporary Art, 2019 | Monographs |
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| Charas | the improbable dome builders | | Brooklyn: Pioneer Works Press, 2017 | Reference |
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| Nicole Eisenman | maker's muck | | Zürich: Hauser & Wirth Publishers, 2024 | Monographs |
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| 5 | AlieNation | | Providence: Amalgam, 2024 | Periodicals |
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| Kandis Williams | A surface | | Minneapolis: Walker Art Center, 2025 | Monographs |
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| Sophie Calle | Overshare | | | Monographs |
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| Ways of knowing | | | Minneapolis: Walker Art Center, 2025 | Reference |
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| Christine Sun Kim | All day all night | | Minneapolis: Walker Art Center, 2024 | Monographs |
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| Several displacements, intervals, and Bellonas | | | New York: Andrew Kreps Gallery, 2024 | Monographs |
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| Richard Prince | super group | | Berlin: Galerie Max Hetzler, 2017 | Oversized |
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| Richard Prince | Jokes and cartoons | | Zurich: JRP|Ringier, 2006 | Monographs |
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| La casa Yoshijima = The Yoshijima house = Yoshijima-ka jūtaku | | | Mexico City: Arquine, 2024 | Oversized |
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| Christopher Wool | Bad rabbit | | Berlin: Holzwarth Publications, 2022 | Oversized |
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| Richard Prince | 1, 2, 3, 4 | | New York: Fulton Ryder, 2025 | Monographs |
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| New paintings | Richard Prince | | New York: Fulton Ryder, 2022 | Monographs |
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| Michael E. Smith | Kunst museum Winterthur | | Milan: Mousse Publishing, 2024 | Monographs |
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| This morning, this evening, so soon | James Baldwin and the voices of Queer resistance | | Washington, D.C.: National Portait Gallery, 2024 | Monographs |
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| Trace | | | New York: Solomon R. Guggenheim Museum, 2024 | Monographs |
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| Arte povera | | | Paris: Pinault Collection, 2024 | Reference |
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| Thomas Schütte | | | New York: The Museum of Modern Art, 2024 | Monographs |
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| Elizabeth Catlett | a Black revolutionary artist and all that it implies | | Washington: National Gallery of Art, 2024 | Monographs |
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| Victoria Sambunaris | Transformation of a landscape | | Santa Fe: Radius Books, 2024 | Monographs |
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| FIVE | | | Santa Fe: Radius Books, 2024 | Reference |
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| Wired | Contemporary Zulu telephone wire baskets | | Santa Fe: Radius Books, 2024 | Reference |
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| Peter Happel Christian | | | , 2015 | Monographs |
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| Pamphlet for friends | RE: the un/happy ending of Jules Dassin’s Thieves’ Highway. | | Los Angeles: Lined & Unlined, 2007 | Monographs |
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| Le rayon noir | | | | Monographs |
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