| New paintings | Richard Prince | | New York: Fulton Ryder, 2022 | Monographs |
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| Michael E. Smith | Kunst museum Winterthur | | Milan: Mousse Publishing, 2024 | Monographs |
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| This morning, this evening, so soon | James Baldwin and the voices of Queer resistance | | Washington, D.C.: National Portait Gallery, 2024 | Monographs |
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| Trace | | | New York: Solomon R. Guggenheim Museum, 2024 | Monographs |
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| Arte povera | | | Paris: Pinault Collection, 2024 | Reference |
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| Thomas Schütte | | | New York: The Museum of Modern Art, 2024 | Monographs |
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| Elizabeth Catlett | a Black revolutionary artist and all that it implies | | Washington: National Gallery of Art, 2024 | Monographs |
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| Victoria Sambunaris | Transformation of a landscape | | Santa Fe: Radius Books, 2024 | Monographs |
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| FIVE | | | Santa Fe: Radius Books, 2024 | Reference |
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| Wired | Contemporary Zulu telephone wire baskets | | Santa Fe: Radius Books, 2024 | Reference |
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| Peter Happel Christian | | | , 2015 | Monographs |
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| Pamphlet for friends | RE: the un/happy ending of Jules Dassin’s Thieves’ Highway. | | Los Angeles: Lined & Unlined, 2007 | Monographs |
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| Le rayon noir | | | | Monographs |
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| This is me, this is my country | Immortal flowers | | Berlin: b+ Prototypen GmbH, 2012 | Rare / Fragile Mono |
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| Richard Hawkins | My own personal Bess | | London: Koenig Books, 2020 | Monographs |
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| God made my face | a collective portrait of James Baldwin | | Brooklyn: Brooklyn Museum, 2023 | Monographs |
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| Isa Genzken | Fuck the Bauhaus | | London: Afterall Books, 2024 | Monographs |
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| Martine Syms | She mad: season one | | Bergen: Bergen Kunsthall, 2023 | Monographs |
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| David Hammons | October files | | Cambridge: MIT Press, 2024 | Monographs |
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| Issue 07 | Heterophobia | | Hamburg: Montez Press, 2015 | Periodicals |
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| New architecture on indigenous lands | | | Minneapolis: University of Minnesota Press, 2013 | Reference |
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| The last safe abortion | | | London: SPBH Editions, 2024 | Monographs |
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| Photography in the sensorium | | | Brooklyn: PPI, 2020 | Monographs |
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| When we see us | A century of Black figuration in painting | | London: Thames & Hudson, 2022 | Reference |
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| Rodney McMillian | The land: not without a politic | | Leipzig: Spector Books, 2025 | Monographs |
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| Sharon Lockhart | Pine flat | | London: Afterall Books, 2019 | Monographs |
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| Christopher Williams | Kölnische dramaturgie | | Cologne: Köln : Verlag der Buchhandlung Walther und Franz König, 2023 | Monographs |
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| The death of the artist | created between 10:00 am Central European Time, 24 November 2018 and 10:00 am Central European Time, 25 November 2018 | | Brooklyn: Cabinet Books, 2018 | Reference |
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| Otobong Nkanga | Stitched dreams | | London: Lisson Gallery, 2024 | Monographs |
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| Dorothy Iannone | Love is forever, isn't it? | | Geneva: JRP Editions, 2024 | Monographs |
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| Mike Kelley | Ghost and spirit | | London: Tate Publishing, 2024 | Monographs |
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| Before pictures | | | Brooklyn: Dancing Foxes Press, 2016 | Monographs |
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| Albers, Morandi | Never finished | | New York: David Zwirner Books, 2021 | Monographs |
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| The shabbiness of beauty | | | London: MACK, 2021 | Monographs |
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| Exilée ; temps morts | selected works | | Oakland: University of California Press, 2022 | Monographs |
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| Upgrade available | | | Brooklyn: Dancing Foxes Press, 2020 | Monographs |
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| Sticks | | | Santa Fe: Radius Books, 2025 | Monographs |
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| Isa Genzken | Sculpture as world reciever | | Chicago: University of Chicago Press, 2017 | Monographs |
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| Jochen Lempert | Natural Sources | | Cologne: Verlag der Buchhandlung Walther und Franz König, 2024 | Monographs |
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| Howard Smith | | | Santa Fe: Radius Books, 2025 | Monographs |
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