Hans Haacke Swiss Institute Visitors Poll | | | New York: Swiss Institute , 2022 | Monographs |
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David Hammons | Been there and back | | Salzburg: Salzburger Kunstverein, 1995 | Monographs |
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Adam Pendleton | These things we've done together | | Montreal: Montreal Museum of Fine Arts, 2022 | Monographs |
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Gala Porras-Kim | National treasures | | Seoul: Leeum Museum of Art, 2024 | Monographs |
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Thinking architecture | | | Basel : Birkhäuser, 2010 | Reference |
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Sam Gilliam | The last five years | | New York: Pace Publishing, 2023 | Monographs |
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Félix González-Torres Roni Horn | | | Göttingen: Steidl, 2023 | Monographs |
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Hervé Guibert | Suzanne and Louise (a photo novel) | | Montreal: Magic Hour Press, 2024 | Monographs |
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Paul Shambroom's American photographs | | | Minneapolis: Katherine E. Nash Gallery, 2025 | Monographs |
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Art history, after Sherrie Levine | | | Berkeley: University of California Press, 2012 | Monographs |
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Line, rhythm, space | Claudette Johnson | | Köln: Verlag der Buchhandlung Walther und Franz König, 2023 | Monographs |
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Adam Pendleton | Blackness, white, and light | | Cologne: Verlag der Buchhandlung Walther und Franz König, 2024 | Monographs |
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Zero to infinity | Arte povera, 1962-1972 | | Minneapolis: Walker Art Center, 2001 | Reference |
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Lee Kit | Never | | London: Koenig Books Ltd at the Serpentine Gallery, 2016 | Monographs |
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Passages in modern sculpture | | | New York: Viking Press, 1977 | Reference |
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If the snake | Huyghe, Pierre | | Köln: Verlag der Buchhandlung Walther und Franz König, 2024 | Reference |
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The ballad of sexual dependency | | | New York: Aperture Foundation, 2012 | Monographs |
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A mirror of nature | Nordic landscape painting 1840-1910 | | Copenhagen: Statens Museum for Kunst, 2006 | Reference |
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Ellsworth Kelly | Catalogue raisonné of paintings and sculptures, volume 2, 1954-1958 | | Paris: Editions Cahiers d'Art, 2021 | Monographs |
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Alison & Peter Smithson Hexenhaus | A house for a man and a cat | | Cologne: Walther Koenig, 2020 | Monographs |
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Touching time and space | A portrait of David Ireland | | Milano: Edizioni Charta, 2003 | Monographs |
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Songs for living, songs for dying | | | Milan: Mousse Publishing, 2023 | Monographs |
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Genius loci | Towards a phenomenology of architecture | | New York: Rizzoli, 1980 | Reference |
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Issue 48 | | | Minneapolis: HAIR+NAILS, 2024 | Reference |
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The practice of everyday life | | | Berkeley: University of California Press, 1984 | Reference |
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The poetics of space | The classic look at how we experience intimate places | | Boston: Beacon Press, 1994 | Monographs |
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Seeing power | Art and activism in the 21st century | | Brooklyn: Melville House, 2015 | Reference |
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Sculpture in the age of doubt | | | New York: Allworth Press, 1999 | Reference |
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The everyday practice of public art | Art, space and social inclusion | | London: Taylor & Francis Group, 2016 | Reference |
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The social and the real | Political art of the 1930s in the Western Hemisphere | | University Park: The Pennsylvania State University Press, 2006 | Reference |
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Curiosity and enligtenment | Collectors and collections from the sixteenth to the | | New Haven: Yale University Press, 2007 | Reference |
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Cultural theory and popular culture | An introduction | | Athens: The University of Georgia Press, 2006 | Reference |
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The body of the artisan | Art and experience in the scientific revolution | | Chicago: University of Chicago Press, 2004 | Monographs |
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Body art | Performing the subject | | Minneapolis: University of Minnesota Press, 1998 | Reference |
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Installation art in the new millennium | The empire of the senses | | London: Thames & Hudson, 2003 | Reference |
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The long march of pop | Art, music, and design, 1930-1995 | | New Haven: Yale University Press, 2014 | Reference |
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Thomas Hirschhorn | | | London: Phaidon Press, 2004 | Monographs |
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Daniel Birnbaum | Notes of the frames of art | | Cologne: Verlag der Buchhandlung Walther und Franz König, Köln Ehrenstraße, 2022 | Reference |
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Nan Goldin | The other side | | Göttingen: Steidl, 2023 | Monographs |
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Unlicensed | Bootlegging as a creative practice | | Amsterdam: Valiz, 2023 | Reference |
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