Art in the after-culture | Capitalist crisis and cultural strategy | | Chicago : Haymarket Books, 2022 | Reference |
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No existe un mundo poshuracán | Puerto Rican art in the wake of Hurricane Maria | | New York : Whitney Museum of American Art , 2022 | Reference |
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Josh Kline | Project for a new American century | | New York : Whitney Museum of American Art , 2023 | Monographs |
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Wonderland | Annie Leibovitz | | London: Phaidon Press Limited , 2021 | Monographs |
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Paul Chan | Breathers | | Minneapolis: Walker Art Center , 2022 | Monographs |
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Solo viola | A post-exotic novel | | Minneapolis: University of Minnesota Press, 2021 | Reference |
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African meditations | | | Minneapolis: University of Minnesota Press, 2022 | Reference |
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On the wandering paths | | | Minneapolis: University of Minnesota Press, 2022 | Reference |
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Volume 45, Issue 10 | | | London: London Review of Books, 2023 | Periodicals |
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Volume 45, Issue 9 | | | London: London Review of Books, 2023 | Periodicals |
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Volume 45, Issue 8 | | | London: London Review of Books, 2023 | Periodicals |
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Issue 75 | The museum issue | | Vienna: Rita Vitorelli, 2023 | Periodicals |
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Volume 61, Issue 9 | | | New York: Penske Media Corporation, 2023 | Periodicals |
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Queer abstraction | | | Des Moines: Des Moines Art Center, 2019 | Reference |
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Dia | An introduction to Dia's locations and sites | | New York : Dia Art Foundation, 2021 | Reference |
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Action/abstraction redefined | Modern Native art, 1940s to 1970s | | Santa Fe: IAIA Museum of Contemporary Native Arts, 2018 | Reference |
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Kerstin Brätsch | 2000 words | | Athens: DESTE Foundation for Contemporary Art, 2018 | Monographs |
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Master of the two left feet | Morris Hirshfield rediscovered | | Cambridge: The MIT Press, 2022 | Monographs |
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Olivier Mosset | | | Geneva : JRP|Editions, 2020 | Monographs |
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Sue Williams | | | Zurich: JRP|Ringier, 2015 | Monographs |
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Christian Bérard | Eccentric modernist | | Paris: Flammarion S.A., 2022 | Monographs |
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Amy Sherald | The world we make | | Zurich: Hauser & Wirth Publishers, 2022 | Monographs |
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Inquiries | | | Lawrence: Spencer Museum of Art, the University of Kansas, 2019 | Reference |
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Blank forms 02 | Music from the world tomorrow | | Brooklyn : Blank Forms , 2018 | Reference |
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Your bright future | 12 contemporary artists from Korea | | Houston: Museum of Fine Arts, 2009 | Reference |
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Home | So different, so appealing | | Los Angeles: UCLA Chicano Studies Research Center Press, 2017 | Reference |
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Visionary New England | | | Lincoln: DeCordova Sculpture Park and Museum, 2020 | Reference |
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Sublime spaces & visionary worlds | Built environments of vernacular artists | | New York: Princeton Architectural Press, 2007 | Reference |
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Theanyspacewhatever | | | New York: Guggenheim Museum , 2008 | Reference |
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Encountering the spiritual in contemporary art | | | Kansas City : The Nelson-Atkins Museum of Art, 2018 | Reference |
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The esopus reader | A collection of writing from Esopus, 2003-2018 | | Brooklyn: Esopus Books, 2022 | Reference |
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Benjamin Patterson | Born in the state of FLUX/us | | Houston : Contemporary Arts Museum Houston , 2012 | Monographs |
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More real? | Art in the age of truthiness | | Minneapolis: Minneapolis Institute of Arts, 2012 | Reference |
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DeLanda, Manuel | Ism ism | | [Atlanta]: J&L Books, 2018 | Monographs |
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OfficeUs agenda | | | Zurich: Lars Müller Publishers, 2014 | Reference |
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BOMB | The author interviews | | New York : Soho Press, 2014 | Reference |
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Diana Al-Hadid | | | Greensboro: Weatherspoon Art Museum , 2013 | Monographs |
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Feallan and fallow | Alison Saar | | New York : Madison Square Park Conservancy , 2011 | Monographs |
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Shirin Neshat | | | Detroit: Detroit Institute of Arts , 2013 | Monographs |
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Arts/industry | Collaboration and revelation | | Sheboygan : John Michael Kohler Arts Center, 2014 | Reference |
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