| Gardar Eide Einarsson | Versuchsstation des Weltuntergangs | | Berlin: Sternberg Press, 2013 | Monographs |
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| Evan Holloway | | | London: Ridinghouse, 2012 | Monographs |
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| The peripatetic school | Itinerant drawing from Latin America | | London: Distributed in the US by RAM Publications, 2011 | Reference |
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| The Value of Void | | | Eindhoven, NL: Onomatopee, 2010 | Monographs |
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| E-flux journal reader 2009 | | | New York, NY: Sternberg Press, 2009 | Reference |
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| What is contemporary art? | | | Berlin: Sternberg Press, 2010 | Reference |
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| Are you working too much? | Post-Fordism, precarity, and the labor of art | | Berlin: Sternberg Press, 2011 | Reference |
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| The wretched of the screen | | | Berlin: Sternberg Press, 2012 | Monographs |
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| The whole earth | California and the disappearance of the outside | | Berlin: Sternberg Press, 2013 | Reference |
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| John Stezaker | Film still: collages since 1979 | | London: Ridinghouse, 2011 | Monographs |
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| John Stezaker | One on one | | Tel Aviv: Tel Aviv Museum of Art, 2013 | Monographs |
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| Surplus | | | Bergen, Norway: Bergen Kunsthall, 2012 | Monographs |
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| Suppose and a pair of jeans | | | Santa Monica, California: Oslo Editions, 2013 | Monographs |
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| Lesley Vance | | | Los Angeles: David Kordansky Gallery, 2013 | Monographs |
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| Chardin material | | | Berlin: Sternberg Press, 2011 | Reference |
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| Flesh and the cosmos | | | Los Angeles: David Kordansky Gallery, 2014 | Monographs |
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| Sigmar Polke Plakate | Sammlung Ciesielski | | Koln: Snoeck, 2013 | Monographs |
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| Kate Newby | Let the Other Thing In | | Berlin: Sternberg Press, 2013 | Monographs |
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| Sigmar Polke | The Multiplication of Humor | | Koln: Snoeck, 2013 | Monographs |
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| Leni Hoffmann | RGB | | Koln: DuMont Literatur-u.Kunstverlag, 2010 | Monographs |
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| Michael E. Smith | | | Aachen: Ludwig Forum für Internationale Kunst, 2013 | Monographs |
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| Jack Smith, Cologne Art Fair, 1977 | | | Cologne: Verlag der Buchhandlung Walther König, 2010 | Monographs |
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| Heavy weight history | | | Koln: Verlag der Buchhandlung Walther König, 2014 | Monographs |
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| Florian Hecker | Event, stream, object | | Cologne: Verlag der Buchhandlung Walther König, 2010 | Monographs |
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| Behind the Fourth Wall | Ficticious lives - lived fictions | | Nürnberg: Verlag für moderne Kunst Nürnberg, 2010 | Reference |
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| Sound in Z | Experiments in sound and electronic music in early 20th century Russia | | London: Koenig, 2013 | Reference |
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| Of course blue affects my way of shitting | | | Berlin: Chert, Motto Books, 2014 | Monographs |
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| Ten Works | | | Milan, Italy: Mousse Publishing, 2012 | Monographs |
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| 8th Berlin Biennale | Guidebook | | Berlin: Hatje Cantz, 2014 | Reference |
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| The Wanderer | A Film in Pictures | | London: MOT International, 2012 | Monographs |
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| Postscript on Curating Normality | | | Oslo: FRANK, 2013 | Reference |
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| Horrible GIF | The Book | | s.l: Horrible GIF, 2014 | Reference |
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| Mike Kelley | | | New York: A.R.T. Press, 1992 | Monographs |
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| A Needle Walks into a Haystack | Liverpool Biennial | | London: Koenig Books and Liverpool Biennial, 2014 | Reference |
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| Paulo Nazareth | Arte Contemporânea/LTDA | | Rio de Janeiro: Cobogo, 2012 | Monographs |
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| Public Fiction | The Lost Issue | | Los Angeles: Public Fiction, 2012 | Reference |
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| Public Fiction 1 | Church Issue | | Los Angeles: Public Fiction, 2011 | Reference |
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| Public Fiction 3 | The Club Issue | | Los Angeles: Public Fiction, 2012 | Reference |
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| The Price of Everything ... | Perspectives on the Art Market | | New York, NY: Whitney Museum of American Art, 2007 | Reference |
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| Robert Barry | | | Ghent, Belgium: Uitgevers for IC, 1987 | Monographs |
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