| Robert Irwin | Double Blind | | Wien: Secession, 2013 | Monographs |
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| Fluid employment | | | London: Koenig Books Ltd, 2013 | Monographs |
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| Chris Marker | A Grin Without a Cat | | London: Whitechapel Gallery, 2014 | Monographs |
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| Elad Lassry | | | Milan, Italy: Mousse Publishing, [2013?] | Monographs |
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| Seth Price | 2000 Words | | Athens, Greece: Deste Foundation, 2014 | Monographs |
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| Infinite Regress | Marcel Duchamp 1910-1941 | | Cambridge, MA: MIT Press, 1998 | Monographs |
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| v.0 i.1 | | | Vancouver, BC: Coffee News, 2014 | Periodicals |
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| Is it my body? | Selected texts | | Berlin: Sternberg Press, 2014 | Monographs |
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| Structural(ism) and photography | | | San Francisco: NFS Press, 1978 | Reference |
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| Cerith Wyn Evans | The what if?...scenario (after LG) | | Berlin: Sternberg Press, 2013 | Monographs |
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| Art production beyond the art market? | | | Berlin: Sternberg Press, 2013 | Monographs |
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| Victor Boullet | Plaster Saint | | Paris: Institute of Social Hypocrisy, 2009 | Monographs |
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| Edie McKay | Like stupidity, evil is self-hypnotic | | Paris: Institute of Social Hypocrisy, 2009 | Monographs |
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| Merlin Carpenter | Social Aesthetics | | Paris: Institute of Social Hypocrisy, 2010 | Monographs |
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| Dag Erik Elgin | Bon a Fide | | Paris: Institute of Social Hypocrisy, 2010 | Monographs |
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| Bjarne Melgaard | On my gravestone it's gonna say: I am never coming back | | Paris: Institute of Social Hypocrisy, 2011 | Monographs |
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| Mask of Medusa | Works, 1947 - 1983 | | New York, NY: Rizzoli, 1985 | Monographs |
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| Alejandro Cesarco | | | Ostfildern, Germany: Hatje Cantz Verlag, 2012 | Monographs |
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| Dara Birnbaum | The dark matter of media light | | Ghent, Belgium: DelMonico Books/Prestel, 2011 | Monographs |
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| Re-view | Onnasch Collection | | Cologne: Snoeck, 2014 | Reference |
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| Andy Warhol China 1982 | | | Beijing: Timezone 8 Limited, 2007 | Oversized |
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| Higher atlas | The Marrakech Biennale 4 in context | | Marrakech: Sternberg Press, 2012 | Reference |
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| PX | Thoughts on painting | | Auckland, NZ: Clouds, 2011 | Reference |
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| The Greenroom | Reconsidering the Documentary and Contemporary Art | | Berlin: Sternberg Press, 2008 | Reference |
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| Cookie! | | | Berlin: Piet Zwart Institute, 2013 | Reference |
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| Silke Otto-Knapp | Questions of travel | | Berlin: Sternberg Press, 2014 | Monographs |
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| John Smith | | | Milano: Mousse, 2013 | Monographs |
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| Mathias Poledna | Hello Pal! Imitation of Life | | Berlin: Distanz Verlag, 2013 | Monographs |
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| Art of Tess Jaray | | | London: Ridinghouse, 2014 | Monographs |
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| Amy Sillman | Works on paper | | New York, NY: Gregory R. Miller & Co, 2006 | Monographs |
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| Schizo-culture | | | Cambridge, MA: Semiotext(e, 2013 | Reference |
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| Gardar Eide Einarsson | Versuchsstation des Weltuntergangs | | Berlin: Sternberg Press, 2013 | Monographs |
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| Evan Holloway | | | London: Ridinghouse, 2012 | Monographs |
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| The peripatetic school | Itinerant drawing from Latin America | | London: Distributed in the US by RAM Publications, 2011 | Reference |
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| The Value of Void | | | Eindhoven, NL: Onomatopee, 2010 | Monographs |
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| E-flux journal reader 2009 | | | New York, NY: Sternberg Press, 2009 | Reference |
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| What is contemporary art? | | | Berlin: Sternberg Press, 2010 | Reference |
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| Are you working too much? | Post-Fordism, precarity, and the labor of art | | Berlin: Sternberg Press, 2011 | Reference |
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| The wretched of the screen | | | Berlin: Sternberg Press, 2012 | Monographs |
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| The whole earth | California and the disappearance of the outside | | Berlin: Sternberg Press, 2013 | Reference |
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