| The Production Line of Happiness | Yellow Edition | | Chicago: Art Institute of Chicago, 2014 | Monographs |
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| Jimmie Durham | The bishop's moose and the pinkerton men | | New York, NY: Exit Art, 1990 | Monographs |
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| Steve McQueen | Works | | Basel: Kehrer, 2012 | Monographs |
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| Amor Psyche Action - Vienna | The feminine in Viennese actionism, Collection Hummel Vienna | | Prague: Distributed outside Europe [by] D.A.P. Distributed Art Publishers, Inc, 2012 | Reference |
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| At the speed of stone | | | New York, NY: Marianne Boesky Gallery, 2012 | Reference |
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| The Sermons of Reverend | | | Los Angeles: Smart Art Press, 2001 | Monographs |
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| Naviglioincontri 1970 | | | Milan, Italy: Galleria del Naviglio, 1970 | Rare / Fragile Ref |
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| Unlawful assembly | | | London: Koenig, 2013 | Monographs |
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| 700 artists' processes | | | Paris: Editions Jannink, 2013 | Reference |
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| Le Luxe | Second edition | | London: MACK, 2012 | Monographs |
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| 4th Berlin Biennale | Checkpoint Charley | | Berlin: th Berlin Biennial for Contemporary Art/KW Institute for Contemporary Art, [2006] | Reference |
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| 6th Berlin Biennale | What is waiting out there | | Koln: Cornerhouse [distributor, 2010 | Reference |
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| Katharina Grosse | | | Koln: Verlag der Buchhandlung Walther König, 2013 | Monographs |
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| Simon Denny | The personal effects of Kim Dotcom | | Cologne: Mumok, Museum moderner Kunst Stiftung Ludwig, 2013 | Monographs |
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| Albert Oehlen | Painting | | Cologne: Verlag der Buchhandlung Walther Konig, 2013 | Monographs |
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| David Altmejd | | | Bologna, Italy: Damiani, 2014 | Monographs |
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| Shadows on the facade | | | Zürich: Nieves, 2007 | Monographs |
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| Eva Hesse | One more than one | | Hamburg: Hatje Cantz, 2013 | Monographs |
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| Time as perspective | | | Ostfildern: Hatje Cantz Verlag GmbH, 2013 | Monographs |
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| Biennials and beyond | Exhibitions that made art history | | London: Phaidon, 2013 | Reference |
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| The way of the shovel | On the archaeological imaginary in art | | Chicago: Museum of Contemporary Art in association with The University of Chicago Press, 2013 | Reference |
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| David Hammons | | | New York, NY: Zwirner & Wirth, 2006 | Monographs |
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| The pot book | | | London: Phaidon Press, 2011 | Reference |
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| John Cage | Ryoanji: Catalogue raisonne of the visual artworks, Volume 1 | | Munich: Schirmer/Mosel, in association with Pinakothek der Moderne, 2013 | Monographs |
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| Constructing an Avant-Garde | Art in Brazil, 1949-1979 | | Cambridge, MA: MIT Press, 2013 | Reference |
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| Under the sign of (sic) | Sturtevant's volte-face | | Los Angeles: Semiotext(e), 2013 | Monographs |
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| John Divola | As far as I could get | | Santa Barbara: DelMonico Books, an imprint of Prestel, 2013 | Monographs |
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| Rockaway, NY | | | Gottingen: SteidlMack, 2007 | Monographs |
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| Michel Majerus | | | Berlin: Distanz, 2012 | Monographs |
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| Robert Morris | October files | | Cambridge, MA: MIT Press, 2013 | Monographs |
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| John Baldessari, catalogue raisonné | Volume 2, 1975-1986 | | New Haven, CT: Yale University Press, 2014 | Monographs |
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| Peter Fischli, David Weiss | Rock on top of another rock | | Oslo: Forlaget Press, 2012 | Monographs |
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| Quincy book | | | Andover, MA: Addison Gallery of American Art, 1973 | Monographs |
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| Details from Not intended | | | New York, NY: The Gallery, 1991 | Monographs |
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| Conceptualism in Latin American art | Didactics of liberation | | Austin, TX: University of Texas Press, 2007 | Reference |
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| Rituals of rented island | Object theater, loft performance, and the new psychodrama : Manhattan 1970-1980 | | New York, NY: Distributed by Yale University Press, 2013 | Reference |
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| Chryssa | | | New York, NY: H. N. Abrams, [1977] | Monographs |
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| Thomas Ruff | | | Milano: Skira, 2009 | Monographs |
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| Meret Oppenheim | Retrospective | | Ostfildern: Hatje Cantz, 2013 | Monographs |
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| New new testament | | | Basel: Badlands Unlimited, 2014 | Monographs |
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