| Lichtzwang | | | Berlin: Bom Dia Boa Tarde Boa Noite, 2012 | Monographs |
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| Do it to do it | | | Berlin: Bom Dia Boa Tarde Boa Noite, 2011 | Monographs |
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| Endnote, pink | | | Berlin: Bom Dia Boa Tarde Boa Noite, 2011 | Monographs |
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| Many many women | | | Berlin: Bom Dia Boa Tarde Boa Noite, 2011 | Monographs |
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| Cathy Wilkes | | | Berlin: Bom Dia Boa Tarde Boa Noite, 2011 | Monographs |
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| Group Affinity | A summer school and exhibition dedicated to self-organized practice and the notion of affinity in cultural production | | Berlin: Bom Dia Boa Tarde Boa Noite, 2011 | Reference |
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| Keren Cytter | The hottest day of the year | | Berlin: Bom Dia Boa Tarde Boa Noite, 2011 | Monographs |
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| Philosophy | | | Minneapolis, MN: Untiut;led Press, 2012 | Rare / Fragile Mono |
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| Writing | | | Minneapolis, MN: Unitiut;led Press, 2013 | Rare / Fragile Mono |
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| History | | | Minneapolis, MN: Unitiut;led Press, 2013 | Rare / Fragile Mono |
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| Artpolice | Unofficial Anthology | | Minneapolis: s.n, [2013] | Reference |
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| A place that thinks | Haus Lange and Haus Esters by Ludwig Mies van der Rohe : Modern architecture and contemporary art | | Krefeld: Krefelder Kunstmuseen, 2000 | Monographs |
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| Ceal Floyer | Construction | | Nürnberg: Verlag für moderne Kunst, 2007 | Monographs |
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| Bodies in the Backdrop | | | Koln: Halle fur Kunst Luneberg, 2012 | Monographs |
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| The Sublime Frequencies Catalog 001-051 | | | Seattle, WA: Sublime Frequencies, [2012] | VHS, DVD, CD, LP |
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| Allen Ruppersberg | The best of all possible worlds | | Munster, Germany: Ausstellung, 1997 | Monographs |
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| The Provence City Guide | Nice, the California of Europe | | Paris: Paraguay Press, 2011 | Reference |
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| Lumpy blue sweater | | | New York, NY: Artists Space, 2010 | Monographs |
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| Ken Price | Sculpture | | Munich: DelMonico Books/Prestel Verlag, 2012 | Monographs |
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| Michael Asher | Kunsthalle Bern | | Bern: Kunsthalle Bern and Autoren, 1995 | Monographs |
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| Eva Hesse | October files | | Cambridge, MA: MIT Press, 2002 | Monographs |
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| Exsitu | | | Lyon: F.R.A.C. Rhone-Alpes, 1989 | Monographs |
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| Introduction (+Nothing) | | | Minneapolis, MN: UNTIUT;LED PRESS, 2013 | Rare / Fragile Mono |
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| Introduction (+Nothing) Philosophy History Writing | | | Minneapolis, MN: UNTIUT;LED PRESS, 2013 | Monographs |
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| Massage | | | New York, NY: PPP Edtions, 2011 | Reference |
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| Sigmar Polke | Illumination | | Minneapolis: Walker Art Center, 1995 | Monographs |
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| Tempo, tempo! | The Bauhaus photomontages of Marianne Brandt | | Berlin: Jovis, 2005 | Monographs |
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| Experimental arts in postwar Japan | Moments of encounter, engagement, and imagined return | | Cambridge, MA: Distributed by Harvard University Press, 2011 | Reference |
|---|
| 30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter | TM RSI SGM 1960-90 | | Zürich: Lars Müller, 2013 | Reference |
|---|
| Gretchen Bender | Tracking the thrill | | Waupaca, WI: Poor Farm Press, 2012 | Monographs |
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| Rod Bianco | | | Amsterdam, NL: de Appel, 2010 | Monographs |
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| Bjarne Melgaard | Baton sinister | | Tnsberg, Norway: Haugar Vestfold kunstmuseum, 2012 | Monographs |
|---|
| A house to die in | | | London: Institute of Contemporary Arts, 2012 | Monographs |
|---|
| Alarma! Boyfriends | A story by Bjarne Melgaard | | New York, NY: Karma, 2012 | Monographs |
|---|
| Sverre Bjarne | Alissa Bennet laying the ghost, Climate confusion assistance | | Oslo: Gallery Rod Bianco, 2012 | Monographs |
|---|
| If you really loved me you would be able to admit that you're ashamed of me | | | New York, NY: White Columns, 2013 | Monographs |
|---|
| Self-organised | | | London: Hordaland Art Centre, 2013 | Reference |
|---|
| Painting, sculpture, installation | | | Newport Beach, CA: Newport Harbor Art Museum, [1989] | Monographs |
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| Ten fundamental questions of curating | | | Milan, Italy: Fiorucci Art Trust, 2013 | Reference |
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| 9 artists | | | Minneapolis, MN: Walker Art Center, 2013 | Reference |
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