| Do you love me? | | | New York, NY: Distributed in North America by D.A.P., Distributed Art Publishers, 2012 | Monographs |
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| The real royal trip | | | Long Island City, NY: D.A.P./Distributed Art Publishers, [2003] | Reference |
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| The master plan | | | London: Book Works / Situations, 2012 | Monographs |
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| Pacific standard time | Los Angeles art 1945-1980 | | Los Angeles: Getty Research Institute and the J. Paul Getty Museum, 2011 | Reference |
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| Done.Book | Picturing the city of society : an inquiry into the depth of visual archives | | Ostfildern: Hatje Cantz Verlag, 2010 | Reference |
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| Forrest Bess | Seeing things invisible | | Houston, TX: Menil Collection, 2013 | Monographs |
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| Cornet of Horse | | | Berlin: Distanz Verl, 2011 | Monographs |
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| Great and Mighty Things | Outsider art from the Jill and Sheldon Bonovitz collection | | Philadelphia, PA: Philadelphia Museum of Art, 2013 | Reference |
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| Left behind | | | Dijon: CAPC-Musée d'art contemporain de Bordeaux, 2012 | Monographs |
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| Multiple Choice | | | Köln: Snoeck, 2012 | Monographs |
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| Juliaan Lampens | | | Brussels: ASA Publishers, 2010 | Monographs |
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| For those who do not listen to me | | | Frankfurt am Main: Revolver, 2005 | Monographs |
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| Brendan Fowler | Cancelled | | Los Angeles: 2nd Cannons Publications, 2009 | Monographs |
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| Jay DeFeo | A retrospective | | New Haven, CT: Whitney Museum of American Art, 2012 | Monographs |
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| Three banquets for a queen | Reception of Her Most Serene Majesty Christina Queen of Sweden by His Holiness Our Lord Pope Clement IX in Rome 1668 | | Berlin: Sternberg Press, 2011 | Reference |
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| The curator's egg | The evolution of the museum concept from the French Revolution to the present day | | London: Ridinghouse, 2009 | Reference |
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| Joachim Koester | I myself am only a receiving apparatus | | Cologne: Verlag der Buchhandlung Walter König, 2012 | Monographs |
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| Alice Cooper, Suzi Simpson | | | Los Angeles: 2nd Cannons Publications, 2011 | Monographs |
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| Believe you me | | | Los Angeles: 2nd Cannons Publications, 2011 | Monographs |
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| Invalid Format | An Anthology of Triple Canopy, Volume 2 | | Berlin: Sternberg Press, 2012 | Reference |
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| Flow | | | New York, NY: The Studio Museum in Harlem, 2008 | Reference |
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| Ulrike Grossarth | Fabrics from Lublin | | Leipzig: Spector Books, 2011 | Monographs |
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| Mia san mia | Hans Haacke | | New York, NY: Generali Foundation ; Dresden, 2001 | Monographs |
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| Christian Marclay | Festival, Issues 1-3 | | New York, NY: Trade edition distributed by Yale University Press, 2010 | Monographs |
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| dOCUMENTA (13) | The Book of Books (1/3) | | Ostfildern, Germany: Hatje Cantz, 2012 | Reference |
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| Contemporary art and its commercial markets | A report on current conditions and future scenarios | | Berlin: Tensta Konsthall, 2012 | Reference |
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| L'artiste, le modele et la peinture | | | Berlin: Sternberg Press, 2010 | Monographs |
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| Cornerstones | | | Rotterdam: Ram Publications & Distribution, 2011 | Reference |
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| Art and subjecthood | The return of the human figure in semiocapitalism | | Berlin: Sternberg Press, 2011 | Reference |
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| Mark Grotjahn | | | Aspen, CO: Artbook / Distributed Art Publishers, 2012 | Monographs |
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| Aby Warburg and the image in motion | | | New York, NY: Distributed by MIT Press, 2004 | Monographs |
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| Botanic code | | | Koln: Snoeck, 2011 | Oversized |
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| The Louise and Walter Arensberg collection | v.1 : 20th century section | | Philadelphia: Philadelphia Museum of Art, 1954 | Reference |
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| 1 m x 1 m | | | Friedrichsdorf: P.R. Wilk, 1993 | Monographs |
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| Stanley Brouwn | Portraits of spaces | | Gand: Stedelijk Museum voor Actuele Kunst, 2001 | Monographs |
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| Albert Oehlen | Paintings 1980-2004 | | Zurich: JRP/Ringier, 2004 | Monographs |
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| Images et (re)presentations | The eighties, the second part | | Grenoble: Magasin Librairie, 2009 | Reference |
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| Ad Reinhardt | | | New York, NY: Rizzoli International Publications, 1991 | Monographs |
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| Molla Nasreddin | The magazine that would've could've should've | | Zurich: JRP Ringier, 2010 | Monographs |
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| Lene Berg | | | Berlin: Henie Onstad Kunstsenter, 2012 | Monographs |
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