| Uterusman | Official character book | | Shanghai: Art Labor, [2013] | Monographs |
|---|
| Karl Wirsum | | | Chicago: Corbett vs. Dempsey, 2013 | Monographs |
|---|
| A Fictional Residency | | | Hong Kong: Spring Art Foundation Ltd., Witte de With Contemporary Art Center, 2013 | Reference |
|---|
| 51m Squared Interview | 16 Emerging Chinese Artists | | Hong Kong: Blue Kingfisher Ltd, 2011 | Reference |
|---|
| Hedgebrook lane | HBL | | Frankfurt am Main: Revolver, 2004 | Monographs |
|---|
| On the Edge | Contemporary Chinese artists encounter the West | | Stanford: Published/Created:Stanford, CA : Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, 2004 | Reference |
|---|
| v.0 i.33 | | | NERO, 2014 | Periodicals |
|---|
| v.0 i.32 | | | NERO, 2013 | Periodicals |
|---|
| v.0 i.31 | | | NERO, 2013 | Periodicals |
|---|
| Nick Mauss and Elizabeth Peyton | | | New York, NY: Glenn Horowitz Bookseller, Inc, 2005 | Monographs |
|---|
| Sing! | Mladen Stilinovic | | Budapest: Ludwig Museum of Contemporary Art, 2011 | Monographs |
|---|
| Hayley Tompkins | | | London: Drawing Room, 2008 | Monographs |
|---|
| Cerith Wyn Evans | ..In which something happens all over again for the very first time | | Paris: Musee d'Art Moderne de la Ville de Paris, 2006 | Monographs |
|---|
| Wherever I am | Yael Bartana, Emily Jacir, Lee Miller | | Oxford, UK: Modern Art Oxford, 2004 | Reference |
|---|
| Jim Shaw | The rinse cycle | | Gateshead, UK: Distribution outside Europe, D.A.P. / Distributed Art Publishers, 2012 | Monographs |
|---|
| Sarah Lucas | After 2005, before 2012 | | London: Koenig Books, [2012] | Monographs |
|---|
| Terpentin 2012 | | | Ostfildern: Hatje/Cantz, 2012 | Monographs |
|---|
| Liam Gillick | The wood way, Whitechapel Art Gallery, 2002 | | London: Whitechapel Art Gallery, 2002 | Monographs |
|---|
| Mex/L.A. | 'Mexican' Modernism(s) in Los Angeles, 1930-1985 | | Ostfildern: Hatje Cantz Verlag, 2011 | Reference |
|---|
| A partial eclipse | | | London: Mack, 2013 | Monographs |
|---|
| Ellsworth Kelly | Black & white | | Ostfildern: Hatje Cantz, 2011 | Monographs |
|---|
| In the shadow of numbers | Selected works from 1975-2012 | | Claremont, CA: Pitzer College, 2012 | Monographs |
|---|
| Christopher Williams | | | Zurich: Shedhalle, 1989 | Monographs |
|---|
| Soundings | A contemporary score | | New York, NY: Museum of Modern Art, 2013 | Reference |
|---|
| Sanja Ivekovic | Triangle | | London: Afterall Books, 2013 | Monographs |
|---|
| 67 improved papertigers not afraid of repetition | | | New York: Schirmer/Mosel, 2012 | Monographs |
|---|
| Francis Picabia | | | Koln: Konig, 2012 | Monographs |
|---|
| Edith Dekyndt | | | Rotterdam: Distribution, D.A.P, 2010 | Monographs |
|---|
| Ruin of exchange and other writings on art | | | Zurich: ARTBOOK/D.A.P. [distributor, 2012 | Monographs |
|---|
| You are living in a world of magic | | | Koln: Verlag der Buchhandlung Walther Konig, 2011 | Monographs |
|---|
| Pamela Rosenkranz | No core | | Zurich: JRP/Ringier, 2012 | Monographs |
|---|
| Adolf Wolfli | Creator of the universe | | Š˜evnice, Czech Republic: Arbor vitae, 2012 | Monographs |
|---|
| Charline von Heyl | Now or else | | Bielefeld: Kerber, 2012 | Monographs |
|---|
| Wait, later this will be nothing | Editions by Dieter Roth | | New York, NY: Distributed outside the United States and Canada by Thames & Hudson Ltd, 2013 | Monographs |
|---|
| Marcel Broodthaers | Collected writings | | Barcelona: Ediciones Poligrafa, 2012 | Monographs |
|---|
| Marcel Duchamp | The afternoon interviews | | Brooklyn, NY: Paper book Distributed in the America by Artbook / D.A.P, 2013 | Monographs |
|---|
| Derek Jarman | Super8 | | Koln: distributor] outside Europe D.A.P./Distributed Art Publishers, 2010 | Monographs |
|---|
| Joseph Beuys | Every human being is an artist | | Cinisello Balsamo, Milan, Italy: Silvana, 2013 | Monographs |
|---|
| Ree Morton | Works 1971-1977 | | New York, NY: Generali Foundation, 2009 | Monographs |
|---|
| State of mind | New California art circa 1970 | | Berkeley, CA: University of California, Berekeley, 2011 | Reference |
|---|