| 5,000 feet is the best | | | Berlin: Sternberg Press, 2012 | Monographs |
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| Space that saw | (platform for a performance in two parts) | | London: Koenig, 2013 | Monographs |
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| Walid Raad | I might die before I get a rifle | | Gottingen: Steidl, 2011 | Monographs |
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| Space, body, language | | | Koln: Museum Ludwig, 2012 | Monographs |
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| The secession talks | Exhibitions in conversation, 1998-2010 | | Köln: Verlag der Buchhandlung Walther König, 2012 | Reference |
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| The secret hotel | Janet Cardiff + George Bures Miller | | Bregenz, Austria: Kunsthaus Bregenz, 2005 | Monographs |
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| Soft montages | | | Bregenz, Austria: distribution outside Europe, D.A.P./Distributed Art Publishers, 2011 | Monographs |
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| On Kawara | Horizontality / verticality | | Munchen: Konig, 2000 | Monographs |
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| v.0 i.1 | | | Los Angeles: Night Papers, 2011 | Periodicals |
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| v.0 i.5 | | | Los Angeles: Night Papers, 2014 | Periodicals |
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| v.0 i.7 | | Los Angeles: Night Papers, 2016 | Periodicals |
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| The church issue | v.0 i.1 | | Los Angeles: Public Fiction, 2011 | Periodicals |
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| Gay | #2 | | Amsterdam: Kunstverein Publishing | Periodicals |
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| Loud | #1 | | Amsterdam: Kunstverein Publishing | Periodicals |
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| John Knight | 87° | | Mountainville, NY: Storm King Art Center, 2001 | Monographs |
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| John Baldessari, Alejandro Cesarco | Retrospective | | Koln: Verlag der Buchhandlung Walther Konig, 2007 | Monographs |
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| Sven Augustijnen's Spectropoetics | | | Brussels: ASA Publishers, 2011 | Monographs |
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| Stint | | | Coventry, UK: Mead Gallery, 2008 | Monographs |
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| Siege | | | New York, NY: New Museum, [2012] | Monographs |
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| Goshka Macuga | The nature of the beast | | London: Whitechapel Gallery, 2010 | Monographs |
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| Nothing up my sleeve | An exhibition based on the work of Stuart Sherman | | New York, NY: Regency Arts Press Ltd, 2010 | Monographs |
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| Bob Nickas | Catalog of the Exhibition, 1984-2011 | | Los Angeles: 2nd Cannons Publications, 2011 | Reference |
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| Nothing more natural | | | Köln: Verlag der Buchhandlung Walther König, 2009 | Monographs |
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| Requiem for the sun | The art of Mono-ha | | Los Angeles: Blum & Poe, 2012 | Reference |
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| Tokyo, 1955-1970 | A new avant-garde | | New York, NY: Distributed in the United States and Canada by Artbook/D.A.P, 2012 | Reference |
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| Cindy Sherman | The early works 1975-1977: catalogue raisonné | | Ostfildern: Hatje Cantz, 2012 | Monographs |
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| Sounds like silence | John Cage, 4'33'', Silence Today | | Leipzig: Spector Books, 2012 | Monographs |
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| Charlotte Posenenske | | | Frankfurt am Main: Revolver, 2005 | Monographs |
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| Loris Greaud | cellar door | | Zurich: D.A.P./Distributed Art Publishers [distributor, 2011 | Monographs |
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| Gloria | | | Indianapolis, IN: Indianapolis Museum of Art, 2011 | Monographs |
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| Juan Downey | The invisible architect | | Cambridge, MA: MIT List Visual Arts Center, 2011 | Monographs |
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| Video Aquarium Broadcast | | | Kö̈ln: Michael Lett, 2010 | Monographs |
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| Why a man should be well-dressed | Appearances can be revealing | | Vienna: Metroverlag, 2011 | Monographs |
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| Inserate / Advertisements | In Anzieger Stadt Luzern and Umgebung, 1971/72 | | Stuttgart: Prentsmija Jons Helgasonar, 1973 | Monographs |
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| Beyond the Dust | Artists' Documents Today | | Amsterdam, NL: Roma Publications, 2011 | Reference |
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| Farewell to surrealism | the Dyn circle in Mexico | | Los Angeles: Getty Research Institute, 2012 | Reference |
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| Frequency | | | New York, NY: Studio Museum in Harlem, 2005 | Reference |
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| Wendingen | A journal for the arts, 1918-1932 | | New York, NY: Princeton Architectural Press, 2001 | Reference |
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| Hans-Peter Feldmann | Catalogue | | London: Koenig Books, 2012 | Monographs |
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| Delirious New York | A retroactive manifesto for Manhattan | | New York, NY: Monacelli Press, 1994 | Reference |
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