| Minor histories | Statements, conversations, proposals | | Cambridge, MA: MIT Press, 2004 | Monographs |
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| Alexis Smith | | | New York, NY: Rizzoli, 1991 | Monographs |
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| I love Dick | | | Los Angeles: Semiotext(e, 2006 | Reference |
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| West with the night | | | San Francisco: North Point Press, 1983 | Reference |
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| Water being water | David Goldes | | Dayton, OH: Wright State University, 2005 | Monographs |
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| Martin Barre | | | Cologne: Galerie Nathalie Obadia, 2008 | Monographs |
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| Carol Rama | | | Milano: Skira, 2004 | Monographs |
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| Loris Greaud | Cellar door an opera in almost one act | | Zurich: JRP Ringier Kunstverlag Ag, 2008 | Monographs |
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| Salon to biennial | Exhibitions that made art history : Volume I: 1863-1959 | | London: Phaidon, 2008 | Reference |
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| John Armleder | About Nothing. Works on paper 1962-2007 | | Philadelphia, PA: Institute of Contemporary Art, 2006 | Monographs |
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| Morris Louis | exhibition organized by Dayton's Gallery 12, February 6 through February 28, 1970 | | Minneapolis, MN: Dayton's Gallery, 1970 | Monographs |
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| A short history of performance, Part II | | | London: Whitechapel, [2003] | Reference |
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| New arcades | (Survival club, Sensation fair and Cool shanshui) | | Hong Kong: Map Book Publishers, 2006 | Monographs |
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| The parrot's tale | Gutierrez + Portefaix | | Hong Kong: Map Book Publishers, 2007 | Monographs |
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| Castelli at Dayton's | | | Minneapolis, MN: The Gallery, 1969 | Reference |
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| Tom Wesselmann | | | Minneapolis, MN: Dayton's Gallery 12, 1968 | Monographs |
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| Stay tuned | | | New York, NY: The New Museum, 1981 | Reference |
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| Roza El-Hassan | | | Wien: Secession, 2000 | Monographs |
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| Richard Brown Baker collects! | A selection of contemporary art from the Richard Brown Baker Collection | | New Haven, CT: The Gallery, 1975 | Reference |
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| Douglas Blau | | | Philadelphia: Institute of Contemporary Art, 2008 | Monographs |
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| Catherine Opie | | | Los Angeles: The Museum of Contmeporary Art, 1997 | Monographs |
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| Hans Hofmann | The Chimbote project : The synergistic promise of modern art and urban architecture | | Barcelona: Museu d'Art Contemporani de Barcelona, 2004 | Monographs |
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| Oranges and sardines | Conversations on abstract painting | | Los Angeles: Hammer Museum, 2009 | Reference |
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| Again | Selected interviews and essays | | Chicago: WhiteWalls, 2007 | Reference |
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| Michelle Grabner's Black Circle Paintings Metalpoint Drawings and Monoprints | | | Wisconsin: Poor Farm Press, 2009 | Monographs |
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| Richard Hamilton | Image and process : Studies, stage, and final proofs from the graphic works, 1952-82 | | Stuttgart: Edition H. Mayer, in association with the Tate Gallery, Millbank, London, 1983 | Monographs |
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| Late twentieth century art | from the Sydney and Frances Lewis Foundation | | Richmond, VA: Sydney and Frances Lewis Foundation, 1981 | Reference |
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| American Drawing 1927-1977 | | | St. Paul, MN: Minnesota Museum of Art, 1977 | Reference |
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| American artists of the nineteen sixties | Boston University School of Fine & Applied Arts centennial exhibition | | Boston: School of Fine and Applied Arts Gallery, 1970 | Rare / Fragile Ref |
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| Jorge Queiroz | | | Porto, Portugal: Fundacao Serralves, 2007 | Monographs |
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| Not made visible | | | Zurich: JRP/Ringier, Christoph Keller editions, 2007 | Monographs |
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| Leseraum | | | Vienna: Secession, 2000 | Monographs |
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| Annette Kelm | Lynn Valley 4 | | Vancouver, BC: Presentation House Gallery, 2008 | Monographs |
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| Why photography matters as art as never before | | | New Haven, CT: Yale University Press, 2008 | Reference |
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| Monochrome painting | | | Chicago: Renaissance Society, 1989 | Rare / Fragile Mono |
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| A.C.A.D.E.M.Y. | | | Frankfurt am Main: Revolver, 2006 | Reference |
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| Under construction | perspectives on institutional practice | | Koln: Walther Konig, 2006 | Reference |
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| The Peasants' Painting in Jinshan | | | Beijing: China Today Press, 1991 | Oversized |
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| Mark Manders | Several drawings on top of each other | | Arnhem, NL: Roma Publications, 2002 | Monographs |
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| Jenny Schmid | The vistas of gender utopia | | Arizona: University of Arizone Museum of Arts & Visual Arts, 2008 | Monographs |
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