| Latitude | | | Los Angeles: LA Artcore | Reference |
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| French kissin' in the U.S.A. | An emerging art scene in France | | Miami: The Moore Space, 2007 | Reference |
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| Speaker project | An interactive sound sculpture | | Chicago: Hyde Park Art Center, 2007 | Monographs |
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| Jesse Chapman | Medium | | St. Barth'elemy, French West Indies: Me'di'um, 2006 | Monographs |
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| Experiments with truth | | | Philadelphia, PA: FWM, The Fabric Workshop and Museum, 2004 | Reference |
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| Municipal de Futbol | | | Los Angeles: Christoph Keller Editions, Textfield, 2008 | Boxes |
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| David Noonan | Pageant | | New York, NY: Foxy Production, 2007 | Monographs |
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| Sports book | | | New York, NY: Picturebox / Anton Kern, 2009 | Monographs |
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| Heman Chong | The Sole Proprietor and other Stories | | Guangzhou: Vitamin Creative Space, 2007 | Monographs |
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| Michael S. Riedel | Printed and unprinted posters | | Koln: Walther Konig, 2008 | Monographs |
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| After Rabin | New art from Israel | | New York, NY: Distributed by the University of Washington Press, 1998 | Reference |
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| Iris Haussler | It wasn't me | | Munich: ISART Galerie, 2001 | Monographs |
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| Sari Carel | Dog ear | | Germany, 2008 | Monographs |
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| The walker's day off | | | Baden-Baden: Distribution, outside Europe, D.A.P, 2008 | Monographs |
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| What is modern painting? | | | New York, NY: The Museum of Modern Art, [1947] | Rare / Fragile Ref |
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| After Nature | | | New Museum, 2008 | Rare / Fragile Ref |
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| Dread | | | Philadelphia: Institute of Contemporary Art, 2009 | Monographs |
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| Too much is not enough | | | Heidelberg: Kehrer Verlag, 2006 | Monographs |
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| Imi Knoebel | | | Zurich: Galerie Lelong Zurich, 2005 | Monographs |
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| Paradigm Shift | Honoring Kinji Akagawa at the Minneapolis College of Art and Design | | Minneapolis, MN: Minneapolis College of Art and Design, 2009 | Monographs |
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| The Making of Technically Sweet | One Script / Thirteen Points of View / Allusions - Endless | | Kobenhavn: Plum Velvet, 2007 | Reference |
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| Art Basel conversations | | | Basel: Hatje Cantz | Reference |
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| On (surplus) value in art | | | Rotterdam, NL: Distribution, D.A.P, 2008 | Reference |
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| Writing turned image | An alphabet of pensive language | | Wien: Konig, 2008 | Reference |
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| An Arm with Hair (The Vienna Catalogue, 1973) | | | Vienna: Skarabaeus, 2008 | Monographs |
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| Street world | urban art and culture from five continents | | New York, NY: Abrams, 2007 | Reference |
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| Hans Ulrich Obrist | Interviews | | Florence: Charta, 2003 | Reference |
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| Foul perfection | Essays and criticism | | Cambridge, MA: MIT Press, 2003 | Monographs |
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| The second sentence of everything I read is you | | | Koln: distribution outside Europe, D.A.P./Distributed Arts Publishers, 2008 | Monographs |
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| Hartung | 10 perspectives | | Milan: Continents, 2006 | Monographs |
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| Minor histories | Statements, conversations, proposals | | Cambridge, MA: MIT Press, 2004 | Monographs |
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| Alexis Smith | | | New York, NY: Rizzoli, 1991 | Monographs |
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| I love Dick | | | Los Angeles: Semiotext(e, 2006 | Reference |
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| West with the night | | | San Francisco: North Point Press, 1983 | Reference |
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| Water being water | David Goldes | | Dayton, OH: Wright State University, 2005 | Monographs |
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| Martin Barre | | | Cologne: Galerie Nathalie Obadia, 2008 | Monographs |
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| Carol Rama | | | Milano: Skira, 2004 | Monographs |
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| Loris Greaud | Cellar door an opera in almost one act | | Zurich: JRP Ringier Kunstverlag Ag, 2008 | Monographs |
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| Salon to biennial | Exhibitions that made art history : Volume I: 1863-1959 | | London: Phaidon, 2008 | Reference |
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| John Armleder | About Nothing. Works on paper 1962-2007 | | Philadelphia, PA: Institute of Contemporary Art, 2006 | Monographs |
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