| My Contribution to Nature and Culture! | | | Sao Paulo: Galeria Fortes Vilaca, 2006 | Monographs |
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| Stephane Calais | | | Reims: Le College Editions, 1997 | Monographs |
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| Clegg & Guttmann | Mach vs. Boltzmann | | Wien: Secession, 2006 | Monographs |
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| Decomposition <=> reconstitution | Berlin 1918 : Anti-capitalism, avant-garde art, atonal music | | Koln: Galerie Christian Nagel, 2003 | Monographs |
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| Alice Creischer | The greatest happiness principle party | | Wien: Secession, 2001 | Monographs |
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| Francois Curlet | | | Reims: Le College Editions, 1997 | Monographs |
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| Encounter | Gentlemen & arseholes | | Oslo: The Green Box, 2006 | Monographs |
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| Darwin in Warsaw | | | Warsaw: Centrum Sztuki Wspà³łczesnej, Zamek Ujadowski, 2005 | Monographs |
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| Lou Bellamy | 2006 Distinguished Artist | | Minneapolis, MN: The McKnight Foundation, 2006 | Monographs |
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| Michael Beutler | | | Wien: Secession, 2002 | Monographs |
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| Michael Beutler | Potpourri | | Oldenberg: Oldenberger Kunstverein (v. 1), 2004 | Monographs |
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| Angela Bulloch | To the power of 4 | | Wien: Secession, 2005 | Monographs |
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| Ellen Berkenblit | Drawings | | s.l: s.n, 1999 | Monographs |
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| Moods | | | Wien: Walther Kèonig, 2007 | Monographs |
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| Dan Attoe | You have more freedom than you're using | | Los Angeles: Peres Projects, 2006 | Monographs |
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| Tim Barber | Highschool | | Zurich: Nieves, 2007 | Monographs |
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| Andisheh Avini | | | New York, NY: I-20 Gallery, 2005 | Monographs |
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| Doug Aitken | 18.10.-23.11.2000 | | Vienna: Secession, 2000 | Monographs |
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| Georg Baselitz | Two sculptures and watercolors | | New York, NY: Michael Werner, 2002 | Monographs |
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| Snowfall in august | | | Sittard, Netherlands: Museum Het Domein, 2002 | Monographs |
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| Eine pinot grigio, bitte | | | Berlin: Art in General, 2007 | Monographs |
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| Album III | Image bank | | Koln: Distribution] outside Europe, D.A.P, 2007 | Monographs |
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| Try again. fail again. fail better. | Momentum 2006 : 4th Nordic Festival of Contemporary Art | | Norway: Momentum, 2006 | Reference |
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| Dave Hullfish Bailey | Elevator | | Wien: Secession, 2006 | Monographs |
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| The Armory Show | 2004 | | New York, NY: Armory Show, [2004] | Reference |
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| Shandyismus | Autorschaft als genre | | Wien: Merz Akademie, 2007 | Reference |
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| Marcel Broodthaers | | | Minneapolis, MN: Rizzoli, 1989 | Monographs |
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| Photography in the modern era | European documents and critical writings, 1913-1940 | | New York, NY: Metropolitan Museum of Art, 1989 | Reference |
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| Original sources | Art and archives at the Center for Creative Photography | | Tucson, AZ: Center for Creative Photography, University of Arizona, 2002 | Reference |
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| Andre Cadere, Catalogue raisonne | | | Koln: Walther Konig, 2008 | Monographs |
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| Andre Cadere, peintures sans fin | | | Koln: Konig, 2007 | Monographs |
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| Viennese actionism | Gunter Brus, Otto Muehl, Hermann Nitsch, Rudolf Schwarzkogler | | Sevilla: Junta de Andalucia, Consejeria de Cultura, 2008 | Reference |
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| Lisa Lapinski | The fret and its variants | | Los Angeles: The Museum of Contemporary Art, Los Angeles, 2008 | Monographs |
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| Michael Asher | | | Santa Monica, CA: Santa Monica Museum of Modern Art, 2008 | Monographs |
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| Cavepainting | | | Santa Monica, CA: Santa Monica Museum of Modern Art, 2002 | Reference |
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| The sense of order | A study in the psychology of decorative art | | Oxford, UK: Phaidon, 1984 | Reference |
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| Valie Export | ob/de+con(struction) | | Philadelphia: Goldie Paley Gallery, Moore College of Art and Design, 1999 | Monographs |
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| Rosemarie Fiore | Painting, performance, machines | | Charlottesville, VA: Second Street Gallery, 2008 | Monographs |
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| Hunches, geometrics, organics | paintings by Frederick Hammersley | | Claremont, CA: Pomona College Museum of Art, [2007] | Monographs |
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| Shut and Open At The Same Time | | | Vienna: Secession, 2008 | Monographs |
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