| The walker's day off | | | Baden-Baden: Distribution, outside Europe, D.A.P, 2008 | Monographs |
|---|
| What is modern painting? | | | New York, NY: The Museum of Modern Art, [1947] | Rare / Fragile Ref |
|---|
| After Nature | | | New Museum, 2008 | Rare / Fragile Ref |
|---|
| Dread | | | Philadelphia: Institute of Contemporary Art, 2009 | Monographs |
|---|
| Too much is not enough | | | Heidelberg: Kehrer Verlag, 2006 | Monographs |
|---|
| Imi Knoebel | | | Zurich: Galerie Lelong Zurich, 2005 | Monographs |
|---|
| Paradigm Shift | Honoring Kinji Akagawa at the Minneapolis College of Art and Design | | Minneapolis, MN: Minneapolis College of Art and Design, 2009 | Monographs |
|---|
| The Making of Technically Sweet | One Script / Thirteen Points of View / Allusions - Endless | | Kobenhavn: Plum Velvet, 2007 | Reference |
|---|
| Art Basel conversations | | | Basel: Hatje Cantz | Reference |
|---|
| On (surplus) value in art | | | Rotterdam, NL: Distribution, D.A.P, 2008 | Reference |
|---|
| Writing turned image | An alphabet of pensive language | | Wien: Konig, 2008 | Reference |
|---|
| An Arm with Hair (The Vienna Catalogue, 1973) | | | Vienna: Skarabaeus, 2008 | Monographs |
|---|
| Street world | urban art and culture from five continents | | New York, NY: Abrams, 2007 | Reference |
|---|
| Hans Ulrich Obrist | Interviews | | Florence: Charta, 2003 | Reference |
|---|
| Foul perfection | Essays and criticism | | Cambridge, MA: MIT Press, 2003 | Monographs |
|---|
| The second sentence of everything I read is you | | | Koln: distribution outside Europe, D.A.P./Distributed Arts Publishers, 2008 | Monographs |
|---|
| Hartung | 10 perspectives | | Milan: Continents, 2006 | Monographs |
|---|
| Minor histories | Statements, conversations, proposals | | Cambridge, MA: MIT Press, 2004 | Monographs |
|---|
| Alexis Smith | | | New York, NY: Rizzoli, 1991 | Monographs |
|---|
| I love Dick | | | Los Angeles: Semiotext(e, 2006 | Reference |
|---|
| West with the night | | | San Francisco: North Point Press, 1983 | Reference |
|---|
| Water being water | David Goldes | | Dayton, OH: Wright State University, 2005 | Monographs |
|---|
| Martin Barre | | | Cologne: Galerie Nathalie Obadia, 2008 | Monographs |
|---|
| Carol Rama | | | Milano: Skira, 2004 | Monographs |
|---|
| Loris Greaud | Cellar door an opera in almost one act | | Zurich: JRP Ringier Kunstverlag Ag, 2008 | Monographs |
|---|
| Salon to biennial | Exhibitions that made art history : Volume I: 1863-1959 | | London: Phaidon, 2008 | Reference |
|---|
| John Armleder | About Nothing. Works on paper 1962-2007 | | Philadelphia, PA: Institute of Contemporary Art, 2006 | Monographs |
|---|
| Morris Louis | exhibition organized by Dayton's Gallery 12, February 6 through February 28, 1970 | | Minneapolis, MN: Dayton's Gallery, 1970 | Monographs |
|---|
| A short history of performance, Part II | | | London: Whitechapel, [2003] | Reference |
|---|
| New arcades | (Survival club, Sensation fair and Cool shanshui) | | Hong Kong: Map Book Publishers, 2006 | Monographs |
|---|
| The parrot's tale | Gutierrez + Portefaix | | Hong Kong: Map Book Publishers, 2007 | Monographs |
|---|
| Castelli at Dayton's | | | Minneapolis, MN: The Gallery, 1969 | Reference |
|---|
| Tom Wesselmann | | | Minneapolis, MN: Dayton's Gallery 12, 1968 | Monographs |
|---|
| Stay tuned | | | New York, NY: The New Museum, 1981 | Reference |
|---|
| Roza El-Hassan | | | Wien: Secession, 2000 | Monographs |
|---|
| Richard Brown Baker collects! | A selection of contemporary art from the Richard Brown Baker Collection | | New Haven, CT: The Gallery, 1975 | Reference |
|---|
| Douglas Blau | | | Philadelphia: Institute of Contemporary Art, 2008 | Monographs |
|---|
| Catherine Opie | | | Los Angeles: The Museum of Contmeporary Art, 1997 | Monographs |
|---|
| Hans Hofmann | The Chimbote project : The synergistic promise of modern art and urban architecture | | Barcelona: Museu d'Art Contemporani de Barcelona, 2004 | Monographs |
|---|
| Oranges and sardines | Conversations on abstract painting | | Los Angeles: Hammer Museum, 2009 | Reference |
|---|