| The Antwerp toy maker | | | Torino: hopefulmonster, 2002 (printed 2003) | Monographs |
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| Ulrich Strothjohann | Same, same, but different | | Aachen: Neuer Aachener Kunstverein (NAK), 2005 | Monographs |
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| Blueberry Surprise | | | Brussels: Michele Didier, 2006 | Monographs |
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| Observances | The Book of Soundings | | Bremen: GAK / Passenger Books, 2006 | Monographs |
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| Isa Genzken | Oil | | KoàŒË†ln: DuMont, 2007 | Monographs |
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| Worlds away | New suburban landscapes | | Minneapolis, MN: Walker Art Center, 2008 | Reference |
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| Dan McCarthy paintings drawings, 1992-1994 | | | New York, NY: Anton Kern Gallery, 2002 | Monographs |
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| Chris Ballantyne | | | Los Angeles: Peres Projects, 2006 | Monographs |
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| Towards a new museum | | | New York, NY: Monacelli Press, 2006 | Reference |
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| Continuous project #8 | | | Chatou, France: CNEAI, 2006 | Reference |
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| No turisme | | | New York, NY: trans > arts.cultures.media, 2001 | Monographs |
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| Part object part sculpture | | | Columbus, OH: Wexner Center for the Arts, The Ohio State University, c2005 | Reference |
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| Burnt Whole | Contemporary Artists Reflect on the Holocaust | | Washington, DC: Washington Project for the Arts, 1994 | Reference |
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| Lee Mullican | an abundant harvest of sun | | Los Angeles: Los Angeles County Museum of Art, 2005 | Monographs |
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| Milk, milk, lemonade | chocolate around the corner | | Buffalo, NY: Hallwalls, 1991 | Monographs |
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| Jim Pomeroy | a retrospective | | San Francisco, CA: New Langton Arts, 1999 | Monographs |
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| In and out of place | contemporary art and the American social landscape | | Boston: Museum of Fine Arts, 1993 | Reference |
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| Artists of conscience II | Tomie Arai, Peggy Diggs, Bailey Doogan, John Knecht, Ben Sakoguchi, Jos Sances | | New York, NY: Alternative Museum, [1992] | Reference |
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| Kerry James Marshall | Mementos | | Chicago: Renaissance Society at the University of Chicago, 1998 | Monographs |
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| Tracey Moffatt | Free-falling | | New York, NY: Distributed by Distributed Art Publishers, 1998 | Monographs |
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| Allora & Calzadilla | | | New York, NY: Americas Society, 2005 | Monographs |
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| Anxious objects | Willie Cole's favorite brands | | Montclair, NJ: Montclair Art Museum, 2006 | Monographs |
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| MariÂa Izquierdo, 1902-1955 | | | Chicago: Mexican Fine Arts Center Museum, 1996 | Monographs |
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| American visions | Artistic and cultural identity in the Western Hemisphere | | New York, NY: ACA Books in association with Arts International, 1993 | Reference |
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| Beau monde | Toward a redeemed cosmopolitanism | | Santa Fe, NM: SITE Santa Fe, 2002 | Reference |
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| The S files | | | New York, NY: El Museo del Barrio, 2000 | Reference |
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| Time After, Time Along, the River | | | Bruxelles: La Lettre volee, 2001 | Monographs |
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| The plain of heaven | | | New York, NY: Creative Time, 2005 | Reference |
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| InSITE05 | Art practices in the public domain : San Diego, Tijuana | | San Diego: InSITE, [2005] | Reference |
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| Do we think too much? I don't think we can ever stop | Lonnie Holley, a twenty-five year survey | | Birmingham, UK: Birmingham Museum of Art, [2004] | Monographs |
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| Everything matters | Paul Kos, a retrospective | | Berkeley, CA: University of California, Berkeley Art Museum and Pacific Film Archive, 2003 | Monographs |
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| David Reed paintings | motion pictures | | La Jolla, CA: D.A.P./Distributed Art Publishers [distributor, 1998 | Monographs |
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| UpSouth | catalogue for the exhibition | | Birmingham, AL: Visual Arts Gallery, 1999 | Reference |
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| Postmark | An abstract effect | | Santa Fe, NM: SITE Santa Fe, 1999 | Reference |
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| Iona rozeal brown | aà‚³..black on both sides | | Atlanta, GA: Spelman College Museum of Fine Art, 2004 | Monographs |
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| Fluxattitudes | | | Gent: Imschoot Uitgevers, 1991 | Reference |
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| City slivers and fresh kills | The films of Gordon Matta-Clark | | San Francisco: Cinematheque, 2004 | Monographs |
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| Dawoud Bey | Portraits 1975-1995 | | Minneapolis, MN: available through Distributed Art Publishers, 1995 | Monographs |
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| Joseph Cornell/Marcel Duchamp | In resonance | | Ostfildern-Ruit, Germany: Distributed in North and South America by D.A.P., Distributed Art Publishers, 1998 | Monographs |
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| Mathew Cerletty | The feeling is mutual | | New York, NY: Rivington Arms, 2007 | Monographs |
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