| Liam Gillick | Proxemics : selected writings 1988-2004 | | Zurich: distributed by D.A.P., Distributed Art Publishers, 2006 | Monographs |
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| Off limits | 40 Artangel projects | | London: Merrell, 2002 | Reference |
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| Joseph Beuys, mapping the legacy | | | New York, NY: John and Mable Ringling Museum of Art, 2001 | Monographs |
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| Life's balance | Works 84-04 | | Köln: Verlag der Bucchandlung Walther König, 2005 | Monographs |
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| Josephine Meckseper | | | Ostfildern: Hatje Cantz, 2007 | Monographs |
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| Peter Campus | Before this moment | | Mexico: CONACULTA :, Antiguo Colegio de San Ildefonso, 2003 | Monographs |
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| And | | | Hamburg: Century Printing Co, 1977 | Monographs |
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| Two pipes, fourteen locations | | | New York, NY: N. Fisher, 1974 | Monographs |
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| Bunch alliance and dissolve | | | Brooklyn, NY: Public-Holiday Projects, 2006 | Reference |
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| Artists talk back | Visual conversations with El Museo del Barrio, Part 1 | | New York, NY: El Museo del Barrio, [1994]-1995 | Reference |
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| Looking both ways | art of the contemporary African diaspora | | New York, NY: Snoeck, 2003 | Reference |
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| Robert Blanchon | | | New York, NY: Distributed by D.A.P. Distributed Art Publishers, 2006 | Monographs |
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| Splat, boom, pow! | the influence of cartoons in contemporary art | | Houston, TX: Contemporary Arts Museum Houston, 2003 | Reference |
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| Minimal politics | performativity and minimalism in recent American art | | New York, NY: Fine Arts Gallery, University of Maryland, 1997 | Reference |
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| Face value | American portraits | | Southampton, NY: Flammarion, 1995 | Reference |
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| Can we fall in love with machine? | | | Pittsburgh: Wood Street Galleries, 2006 | Reference |
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| Pulse | Art, healing, and transformation | | Boston: Steidl, 2003 | Reference |
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| A fiction of authenticity | Contemporary Africa abroad | | St. Louis, MO: Contemporary Art Museum St. Louis, c2003 | Reference |
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| Wenda Gu | art from middle kingdom to biological millennium | | Cambridge, MA: MIT Press, 2003 | Monographs |
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| George Stone, probabilities | a midcareer survey | | Los Angeles: Fellows of Contemporary Art, [2003] | Monographs |
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| Eye for I | Video self-portraits | | New York, NY: Independent Curators Inc, 1989 | Reference |
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| The disappeared | | | Milano: Charta, 2006 | Reference |
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| The wall | Reshaping contemporary Chinese art | | Buffalo, NY: Albright-Knox Art Gallery, 2005 | Reference |
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| Mirroring evil | Nazi imagery / recent art | | New York, NY: Rutgers University Press, 2001 | Reference |
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| The art and films of Lynn Hershman Leeson | secret agents, private I | | | Monographs |
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| Borne of necessity | Julie Ault and Martin Beck, Peggy Diggs ... | | Greensboro, NC: Weatherspoon Art Museum, University of North Carolina at Greensboro, 2004 | Reference |
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| Beyond appearance | | | Pasadena, CA: The Armory, 1994 | Reference |
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| Chris Marker | Silent movie, starring Catherine Belkhodja | | Columbus, OH: Wexner Center for the Arts, Ohio State University, 1995 | Monographs |
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| Cadences | Icon and abstraction in context | | New York, NY: New Museum of Contemporary Art, 1991 | Reference |
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| Mining the museum | An installation | | Baltimore, MD: Distributed by W.W. Norton, 1994 | Monographs |
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| Slide Show | Projected Images in Contemporary Art | | University Park, PA: Pennsylvania State University Press, 2005 | Reference |
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| Christenberry reconstruction | the art of William Christenberry | | Jackson, MS: University Press of Mississippi, 1996 | Monographs |
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| Non-place | | | London: inIVA, 2001 | Reference |
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| Ana Mendieta | Earth body : sculpture and performance, 1972-1985 | | Washington, DC: Hatje Cantz, 2004 | Monographs |
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| Inside out | Contemporary Japanese photography : An exhibition of five Japanese photographers | | Charlotte, NC: Distributed by RAM-USA, 1994 | Reference |
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| The eighth square | Gender, life, and desire in the arts since 1960 | | Ostfildern: Hatje Cantz, 2006 | Reference |
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| Cantos paralelos | Visual parody in contemporary Argentinean art | | Austin, TX: Fondo Nacional de las Artes, Argentina, 1999 | Reference |
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| Rule without exception | | | Albuquerque, NM: University of New Mexico Press, 1990 | Monographs |
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| Luis Camnitzer | Retrospective exhibition 1966-1990 | | Bronx, NY: Lehman College Art Gallery, 1991 | Monographs |
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| Likeness and beyond | portraits from Africa and the world | | New York, NY: Center for African Art, 1990 | Reference |
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