Art and its institutions | Current conflicts, critique and collaborations | | London: Black Dog Publishing, 2006 | Reference |
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Impossible Histories | Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991 | | Cambridge, MA: MIT Press, 2003 | Reference |
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Jiri Kovanda | 2005-1976 actions and installations | | s.l: Tranzit, 2006 | Monographs |
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Dan Flavin | The complete lights, 1961-1996 | | New York, NY: Dia Art Foundation in association with Yale Univ. Press, 2004 | Monographs |
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Having been said | Writings & interviews of Lawrence Weiner, 1968-2003 | | Ostfildern: Hatje Cantz, 2004 | Monographs |
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The prologue, the poltergeist & the hollow tree | How a metaphor attempted to escape its master : Recalling the tightrope walker from Thus Spoke Zarathustra | | New York, NY: Foundation, 2005 | Monographs |
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Singing sailors | | | Amsterdam, NL: Roma Publications, 2002 | Monographs |
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Isolated Rooms | | | Amsterdam, NL: Roma Publications, 2005 | Monographs |
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Daria Martin | | | Zurich: D.A.P./Distributed Art Publishers [Distributor, 2006 | Monographs |
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Signs of the market | | | Boston: Boston Center for the Arts, 2001 | Reference |
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Julia Scher, always there | | | New York, NY: Lukas & Sternberg, 2002 | Monographs |
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People of the 20th century | A cultural work of photographs divided into seven groups | | Munchen: Schirmer/Mosel, 2002 | Monographs |
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Doris Salcedo | New Museum of Contemporary Art, SITE Santa Fe | | New York, NY: New Museum of Contemporary Art, 1998 | Monographs |
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Jessica Stockholder | Kissing the wall : works, 1988-2003 | | Houston, TX: Blaffer Gallery, the Art Museum of the University of Houston, 2004 | Monographs |
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Past imperfect | A museum looks at itself | | Southampton, NY: Parrish Art Museum in association with the New Press, 1993 | Reference |
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Ciphers of identity | | | Catonsville, MD: Fine Arts Gallery, University of Maryland Baltimore County, 1993 | Reference |
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30 years | three decades of new art at Second Street Gallery | | Charlottesville, VA: Second Street Gallery, 2003 | Reference |
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Bill Viola | Slowly turning narrative | | Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 1992 | Monographs |
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Arturo Herrera | January 11-February 22, 1998 | | Chicago: Renaissance Society at the University of Chicago, 1998 | Monographs |
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Mixed feelings | Art and culture in the postborder metropolis | | Los Angeles: Fisher Gallery, University of Southern California, 2002 | Reference |
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Body architecture | | | Munich: Verlag Silke Schreiber, 2003 | Monographs |
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Tannen reprospective evitcepsorper | | | New Orleans: Contemporary Arts Center, 1990 | Monographs |
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Continuous replay | the photographs of Arnie Zane | | Cambridge, MA: UCR/California Museum of Photography, University of California, 1999 | Monographs |
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Krzysztof Wodiczko | New York City tableaux, Tompkins Square, the Homeless vehicle project | | New York, NY: Exit Art, [1990?] | Monographs |
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One planet under a groove | hip hop and contemporary art | | Bronx, NY: Bronx Museum of the Arts, 2001 | Reference |
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Remota | Airmail paintings | | New York, NY: New Museum of Contemporary Art, 1997 | Monographs |
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Contemporary art in Asia | Traditions, tensions | | New York, NY: Distributed by Harry N. Abrams, 1996 | Reference |
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Disparities & Deformations | our grotesque | | Santa Fe: Distributed by D.A.P./Distributed Art Publishers, 2004 | Reference |
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Too Jewish? | challenging traditional identities | | New York, NY: Rutgers University Press, 1996 | Reference |
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John Grade | sculpture and drawings | | Boise, ID: Boise Art Museum, 2004 | Monographs |
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The quiet in the land, everyday life, contemporary art and Projeto Axe | | | Salvador, Brazil: Museu de Arte Moderna da Bahia, 2000 | Reference |
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Dislocations | | | New York, NY: Distributed in the U.S. and Canada by Harry N. Abrams, 1991] | Reference |
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Art and film since 1945 | Hall of mirrors | | Los Angeles: Monacelli Press, 1996 | Reference |
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Ann Hamilton | Myein | | [Venice]: [United States Pavillion/48th Venice Bienniale], 1999 | Rare / Fragile Mono |
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New Land Marks | public art, community, and the meaning of place | | Washington, DC: Editions Ariel, 2001 | Reference |
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Installations | Mattress Factory, 1990-1999 | | Pittsburgh, PA: Mattress Factory, 2001 | Reference |
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Untitled 1998 | (On the road with Jiew Jeaw Jieb Sri and Moo) | | Philadelphia: Philadelphia Museum of Art, 1998 | Monographs |
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InSITE97 | New projects in public spaces by artists of the Americas : San Diego, Tijuana | | San Diego: Installation Gallery, 1997 | Reference |
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Fred Sandback | | | Ostfildern: Hatje Cantz, 2005 | Monographs |
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Oliver Payne & Nick Relph | | | London: Serpentine Gallery, 2005 | Monographs |
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