| Three Communiques | | | London: Book Works, 2007 | Monographs |
|---|
| Robert Ryman | | | London: Tate Gallery, 1993 | Monographs |
|---|
| Vox Populi | Tokyo | | London: Book Works, 2007 | Monographs |
|---|
| Carolee Schneemann | Split decision | | Buffalo, NY: CEPA Gallery, 2007 | Monographs |
|---|
| Kerry Tribe | Recent history | | Berlin: American Academy in Berlin, 2006 | Monographs |
|---|
| Wako Book 3 | | | Tokyo: Wako Works of Art, 2004 | Monographs |
|---|
| Team spirit | | | New York, NY: Independent Curators Incorporated, 1990 | Reference |
|---|
| inSITE94 | A binational exhibition of installation and site-specific art | | San Diego: Installation Gallery, 1995 | Reference |
|---|
| Who stole the tee pee? | | | Phoenix, AZ: Atlatl, Inc, 2000 | Reference |
|---|
| Mechanika | | | Cincinnati, OH: The Center, [1991] | Reference |
|---|
| John Chamberlain | Gondolas and dooms day flotilla | | New York, NY: Dia Center for the Arts, 1991 | Monographs |
|---|
| Not a drop but the fall | | | Frankfurt am Main: Revolver, 2005 | Reference |
|---|
| Work ethic | | | University Park, PA: Baltimore Museum of Art, 2003 | Reference |
|---|
| Ellen Gallagher | preserve | | Des Moines, IA: Des Moines Art Center, 2001 | Monographs |
|---|
| Charles LeDray | Sculpture 1989-2002 | | Philadelphia: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 2002 | Monographs |
|---|
| Simon Starling | Nachbau | | Essen, Germany: Steidl, 2007 | Monographs |
|---|
| Naum Gabo, Antoine Pevsner | | | New York, NY: The Museum, 1948 | Rare / Fragile Mono |
|---|
| Hélio Oiticica | | | Paris: Editions du Jeu de Paume, 1992 | Monographs |
|---|
| Carolee Schneemann | Up to and including her limits | | New York, NY: New Museum of Contemporary Art, 1996 | Rare / Fragile Mono |
|---|
| Mircea Cantor | | | Paris: Yvon Lambert, 2007 | Monographs |
|---|
| Playing chess with the devil | | | | Monographs |
|---|
| Appendix appendix | A proposal for a TV series | | Zürich: JRP/Ringier, 2007 | Monographs |
|---|
| In/visible | Collection productions | | Zürich: D.A.P. [distributor, 2006 | Reference |
|---|
| Alina Szapocznikow | Capturing life | | Krakow: IRSA, 2004 | Monographs |
|---|
| Sublime spaces & visionary worlds | Built environments of vernacular artists | | New York, NY: Princeton Architectural Press, 2007 | Reference |
|---|
| The art of Adolf Wolfli | St. Adolf-Giant-Creation | | New York, NY: American Folk Art Museum, 2003 | Monographs |
|---|
| Mel Bochner | Language, 1966-2006 | | Chicago: Yale University Press [distributor, 2007 | Monographs |
|---|
| Raw among the ruins | | | Rotterdam: D.A.P./Distributed Art Publishers [distributor, 2007 | Reference |
|---|
| Looking for Mr. Fluxus | in the footsteps of George Maciunas | | New York, NY: Distributed by D.A.P., Distributed Art Publishers, 2002 | Reference |
|---|
| DiverseWorks Artspace | 1983-93 | | Houston, TX: DiverseWorks Artspace, Inc, 1993 | Reference |
|---|
| All digital | | | Cleveland, OH: Museum of Contemporary Art Cleveland, 2006 | Reference |
|---|
| Pat O'Neill | Views from lookout mountain | | Santa Monica, CA: Steidl, 2004 | Monographs |
|---|
| Gronk | | | Los Angeles: UCLA Chicano Studies Research Center, 2007 | Monographs |
|---|
| Rhetorical image | | | New York, NY, 1990 | Reference |
|---|
| Agnes Denes | | | Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 1992 | Monographs |
|---|
| Rags to riches | 25 years of paper art from Dieu Donne Papermill | | New York, NY: Dieu Donne Papermill, 2001 | Reference |
|---|
| Chicano art | Resistance and affirmation, 1965-1985 | | Los Angeles: Wight Art Gallery, University of California, 1991 | Reference |
|---|
| Lifeli[k]e | Kay Rosen | | Los Angeles: Otis College of Art and Design, 1998 | Monographs |
|---|
| No reservations | Native American history and culture in contemporary art | | Ridgefield, CT: Aldrich Contemporary Art Museum, 2006 | Reference |
|---|
| Re-aligning vision | Alternative currents in South American drawing | | Austin, TX: Archer M. Huntington Art Gallery, University of Texas at Austin, 1997 | Reference |
|---|