| Time After, Time Along, the River | | | Bruxelles: La Lettre volee, 2001 | Monographs |
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| The plain of heaven | | | New York, NY: Creative Time, 2005 | Reference |
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| InSITE05 | Art practices in the public domain : San Diego, Tijuana | | San Diego: InSITE, [2005] | Reference |
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| Do we think too much? I don't think we can ever stop | Lonnie Holley, a twenty-five year survey | | Birmingham, UK: Birmingham Museum of Art, [2004] | Monographs |
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| Everything matters | Paul Kos, a retrospective | | Berkeley, CA: University of California, Berkeley Art Museum and Pacific Film Archive, 2003 | Monographs |
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| David Reed paintings | motion pictures | | La Jolla, CA: D.A.P./Distributed Art Publishers [distributor, 1998 | Monographs |
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| UpSouth | catalogue for the exhibition | | Birmingham, AL: Visual Arts Gallery, 1999 | Reference |
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| Postmark | An abstract effect | | Santa Fe, NM: SITE Santa Fe, 1999 | Reference |
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| Iona rozeal brown | aà‚³..black on both sides | | Atlanta, GA: Spelman College Museum of Fine Art, 2004 | Monographs |
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| Fluxattitudes | | | Gent: Imschoot Uitgevers, 1991 | Reference |
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| City slivers and fresh kills | The films of Gordon Matta-Clark | | San Francisco: Cinematheque, 2004 | Monographs |
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| Dawoud Bey | Portraits 1975-1995 | | Minneapolis, MN: available through Distributed Art Publishers, 1995 | Monographs |
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| Joseph Cornell/Marcel Duchamp | In resonance | | Ostfildern-Ruit, Germany: Distributed in North and South America by D.A.P., Distributed Art Publishers, 1998 | Monographs |
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| Mathew Cerletty | The feeling is mutual | | New York, NY: Rivington Arms, 2007 | Monographs |
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| Josh Smith, Christopher Wool | Can your monkey do the dog | | Brussels: MFC- Michele Didier, 2007 | Monographs |
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| Anthologie de l'amour sublime | | | Hannover: Sprengel-Museum, 2003 | Monographs |
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| The art atom | | | Edinburgh: Atopia Projects, 2003 | Monographs |
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| Three Communiques | | | London: Book Works, 2007 | Monographs |
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| Robert Ryman | | | London: Tate Gallery, 1993 | Monographs |
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| Vox Populi | Tokyo | | London: Book Works, 2007 | Monographs |
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| Carolee Schneemann | Split decision | | Buffalo, NY: CEPA Gallery, 2007 | Monographs |
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| Kerry Tribe | Recent history | | Berlin: American Academy in Berlin, 2006 | Monographs |
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| Wako Book 3 | | | Tokyo: Wako Works of Art, 2004 | Monographs |
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| Team spirit | | | New York, NY: Independent Curators Incorporated, 1990 | Reference |
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| inSITE94 | A binational exhibition of installation and site-specific art | | San Diego: Installation Gallery, 1995 | Reference |
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| Who stole the tee pee? | | | Phoenix, AZ: Atlatl, Inc, 2000 | Reference |
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| Mechanika | | | Cincinnati, OH: The Center, [1991] | Reference |
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| John Chamberlain | Gondolas and dooms day flotilla | | New York, NY: Dia Center for the Arts, 1991 | Monographs |
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| Not a drop but the fall | | | Frankfurt am Main: Revolver, 2005 | Reference |
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| Work ethic | | | University Park, PA: Baltimore Museum of Art, 2003 | Reference |
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| Ellen Gallagher | preserve | | Des Moines, IA: Des Moines Art Center, 2001 | Monographs |
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| Charles LeDray | Sculpture 1989-2002 | | Philadelphia: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 2002 | Monographs |
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| Simon Starling | Nachbau | | Essen, Germany: Steidl, 2007 | Monographs |
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| Naum Gabo, Antoine Pevsner | | | New York, NY: The Museum, 1948 | Rare / Fragile Mono |
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| Hélio Oiticica | | | Paris: Editions du Jeu de Paume, 1992 | Monographs |
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| Carolee Schneemann | Up to and including her limits | | New York, NY: New Museum of Contemporary Art, 1996 | Rare / Fragile Mono |
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| Mircea Cantor | | | Paris: Yvon Lambert, 2007 | Monographs |
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| Playing chess with the devil | | | | Monographs |
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| Appendix appendix | A proposal for a TV series | | Zürich: JRP/Ringier, 2007 | Monographs |
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| In/visible | Collection productions | | Zürich: D.A.P. [distributor, 2006 | Reference |
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