| Alina Szapocznikow | Capturing life | | Krakow: IRSA, 2004 | Monographs |
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| Sublime spaces & visionary worlds | Built environments of vernacular artists | | New York, NY: Princeton Architectural Press, 2007 | Reference |
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| The art of Adolf Wolfli | St. Adolf-Giant-Creation | | New York, NY: American Folk Art Museum, 2003 | Monographs |
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| Mel Bochner | Language, 1966-2006 | | Chicago: Yale University Press [distributor, 2007 | Monographs |
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| Raw among the ruins | | | Rotterdam: D.A.P./Distributed Art Publishers [distributor, 2007 | Reference |
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| Looking for Mr. Fluxus | in the footsteps of George Maciunas | | New York, NY: Distributed by D.A.P., Distributed Art Publishers, 2002 | Reference |
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| DiverseWorks Artspace | 1983-93 | | Houston, TX: DiverseWorks Artspace, Inc, 1993 | Reference |
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| All digital | | | Cleveland, OH: Museum of Contemporary Art Cleveland, 2006 | Reference |
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| Pat O'Neill | Views from lookout mountain | | Santa Monica, CA: Steidl, 2004 | Monographs |
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| Gronk | | | Los Angeles: UCLA Chicano Studies Research Center, 2007 | Monographs |
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| Rhetorical image | | | New York, NY, 1990 | Reference |
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| Agnes Denes | | | Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 1992 | Monographs |
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| Rags to riches | 25 years of paper art from Dieu Donne Papermill | | New York, NY: Dieu Donne Papermill, 2001 | Reference |
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| Chicano art | Resistance and affirmation, 1965-1985 | | Los Angeles: Wight Art Gallery, University of California, 1991 | Reference |
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| Lifeli[k]e | Kay Rosen | | Los Angeles: Otis College of Art and Design, 1998 | Monographs |
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| No reservations | Native American history and culture in contemporary art | | Ridgefield, CT: Aldrich Contemporary Art Museum, 2006 | Reference |
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| Re-aligning vision | Alternative currents in South American drawing | | Austin, TX: Archer M. Huntington Art Gallery, University of Texas at Austin, 1997 | Reference |
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| Maya Lin | topologies | | Winston-Salem, NC: Southeastern Center for Contemporary Art, 1998 | Monographs |
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| James Turrell | | | Williamstown, MA: Williams College Museum of Art, 1991 | Monographs |
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| Arena | Where would I have got if I had been intelligent! | | New York, NY: Distributed Art Publishers, 1994 | Monographs |
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| Citizens and subjects | The Netherlands, for example : A critical reader | | Zürich: D.A.P./Distributed Art Publishers [distributor, 2007 | Reference |
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| Edge of desire | recent art in India | | London: Palgrave Macmillan [distributor, 2005 | Reference |
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| Rita McBride | General growth | | Villeurbanne: Institut d'art contemporain, 2002 | Monographs |
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| Contemporary erotic drawing | | | Ridgefield, CT: The Aldrich Contemporary Art Museum, 2005 | Reference |
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| The paper sculpture book | A complete exhibition in a book with 29 buildable sculptures | | New York, NY: SculptureCenter, 2003 | Reference |
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| Ralph Eugene Meatyard | an American visionary | | Akron, OH: Akron Art Museum, 1991 | Monographs |
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| Feeling the spirit | searching the world for the people of Africa | | New York, NY: Bantam Books, 1994 | Monographs |
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| Fred Wilson | Objects and installations 1979-2000 | | Baltimore, MD: Distributed by D.A.P., Distributed Art Publishers, 2001 | Monographs |
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| A retrospective | | | Berkeley, CA: Corcoran Gallery of Art, 2005 | Monographs |
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| Jackie Winsor | | | Milwaukee, WI: Milwaukee Art Museum, 1991 | Monographs |
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| Paul McCarthy | | | Ostfildern: Distributed Art Publishers [distributor, 2000 | Monographs |
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| Wonderland | Guide to the exhibition | | Saint Louis: Saint Louis Art Museum, 2000 | Reference |
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| Here & there | Six artists from San Juan, PR | | New York, NY: El Museo del Barrio, 2001 | Reference |
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| Willie Birch | a personal view of urban America | | New York, NY: Exit Art, [c1992] | Monographs |
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| Farsites | Urban crisis and domestic symptoms in recent contemporary art | | San Diego: Centro Cultural Tijuana, 2005 | Reference |
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| (Situational) public | Interventions - scenarios | | San Diego: Installation Gallery, 2006 | Reference |
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| The migrations of meaning | a source book | | New York, NY: INTAR Gallery, 1992 | Reference |
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| Robert Rauschenberg | the early 1950s | | Houston, TX: Houston Fine Art Press, 1991 | Monographs |
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| Li Yuan-Chia | Tell me what is not yet said | | London: Institute of International Visual Arts, 2000 | Monographs |
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| Uninterrupted flux | Hedda Sterne, a retrospective | | Urbana, IL: Krannert Art Museum, 2006 | Monographs |
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