Recent pasts | Art in Southern California from the 90s to now | | Zurich: JRP/Ringier, 2005 | Reference |
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Theory of the Derive and other situationist writings on the city | | | Barcelona: Museu d'Art Contemporani de Barcelona, 1996 | Reference |
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Mapping sitting | On portraiture and photography | | Beirut, Lebanon: Mind the gap; Fondation Arabe pour l'Imgae, 2002 | Reference |
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Charles Gaines & Edgar Arceneaux | Snake River | | Los Angeles: California Institute of the Arts/REDCAT, 2006 | Monographs |
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Snap judgments | New positions in contemporary African photography | | Gottingen: Steidl, 2006 | Reference |
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Jo Spence | Beyond the perfect image : photography, subjectivity, antagonism | | Barcelona: Museu d'Art Contemporani de Barcelona, 2005 | Monographs |
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New art of Brazil | | | Minneapolis, MN: Walker Art Center, 1962 | Reference |
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Thomas Schutte | Scenewright, Gloria in memoria, In medias res | | New York, NY: Richter Verlag, 2002 | Monographs |
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Four musical minimalists | La Monte Young, Terry Riley, Steve Reich, Philip Glass | | Cambridge, UK: Cambridge University Press, 2000 | Reference |
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On the museum's ruins | | | Cambridge, MA: MIT Press, 1993 | Reference |
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John Cage | An Anthology | | New York, NY: Praeger, [1970] | Monographs |
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Interarchive | Archival practices and sites in the contemporary art field | | Cologne: Verlag der Buchhandlung Walther König, 2002 | Reference |
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The Duchamp effect | Essays, interviews, round table | | Cambridge, MA: MIT Press, 1996 | Reference |
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Women artists at the millennium | | | Cambridge, MA: MIT Press, 2006 | Reference |
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Zero gravity | | | Köln: W. König, 2001 | Reference |
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L'écho des limbes | David Altmejd, Patrice Duhamel, Michael A. Robinson, Eve K. Tremblay | | Montréal: Leonard & Bina Ellen Art Gallery, [2005] | Reference |
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Decoys and Disruptions | Selected writings 1975-2001 | | Cambridge, MA: MIT Press, 2004 | Monographs |
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Without boundary | Seventeen ways of looking | | New York, NY: Museum of Modern Art, 2006 | Reference |
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Art after conceptual art | | | Vienna, Austria: MIT Press, 2006 | Reference |
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Mixed Doubles | Maria Eichhorn, Marcus Geiger, Bethan Huws, Hartmut Skerbisch | | Wien: Wiener Secession, 1992 | Reference |
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Veronica's Revenge | Contemporary Perspectives on Photography | | Zürich: Scalo, 1998 | Reference |
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Portikus Frankfurt am Main, 1987-1997 | | | Frankfurt am Main: Portikus, 1997 | Reference |
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Out of order, out of sight | Volume I : selected writings in meta-art 1968-1992 | | Cambridge, MA: MIT Press, 1996 | Monographs |
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Out of order, out of sight | Volume II : selected writings in art criticism 1967-1992 | | Cambridge, MA: MIT Press, 1996 | Monographs |
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Artists talk | 1969-1977 | | Halifax, NS: Press of the Nova Scotia College of Art and Design, 2004 | Reference |
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Made in Germany | | | Ostfildern: D.A.P., Distributed Art Publishers [distributor, 2007 | Reference |
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Conceptual art and painting | Further essays on art & language | | Cambridge, MA: MIT Press, 2001 | Monographs |
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The visual culture reader | | | London: Routledge, 1998 | Reference |
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Violence is at the margin of all things | Subject relations, political militancy, and artistic procedures | | Wien: W. König, 2002 | Reference |
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Unfinished history | | | Minneapolis, MN: D.A.P./Distributed Art Publishers, 1998 | Reference |
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Two-way mirror power | Selected writings by Dan Graham on his art | | Cambridge, MA: MIT Press, 1999 | Monographs |
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Ultrabaroque | Aspects of post-Latin American art | | La Jolla, CA: Museum of Contemporary Art, San Diego, 2000 | Reference |
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Timelength | Exhibition catalog | | Montréal, Québec: Galerie Leonard & Bina Ellen Art Gallery, 2004 | Reference |
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When humour becomes painful | | | Zürich: JRP-Ringier, 2005 | Reference |
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Where is your rupture | Ami Adler, Hanspeter Ammann, Lutz Bacher, Birgit Kempker, Marlene McCarty | | New York, NY: The Swiss Institute, 1998 | Reference |
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What do pictures want? | the lives and loves of images | | Chicago: University of Chicago Press, 2005 | Reference |
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Cindy Sherman | The complete untitled film stills | | New York: Museum of Modern Art, 2003 | Monographs |
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Steven Shearer | 19/11/04 - 02/01/05 | | Vancouver, BC: Contemporary Art Gallery, 2004 | Monographs |
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Critical mass | Happenings, Fluxus, performance, intermedia, and Rutgers University, 1958-1972 | | New Brunswick, NJ: Rutgers University Press, 2003 | Reference |
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Documenta11_Platform2 | Experiments with truth : Transitional justice and the processes of truth and reconciliation | | Ostfildern-Ruit, Germany: Distributed in the USA by Art Publishers Inc, 2002 | Reference |
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