Consolation prize | Mike Kelley, John Miller | | Vancouver, BC: Morris and Helen Belkin Art Gallery, 2000 | Monographs |
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Mike Kelley and Paul McCarthy | Collaborative works | | Toronto: Power Plant Contemporary Art Gallery at Harbourfront Centre, 2000 | Monographs |
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The Manifesta decade | | | Cambridge, MA: MIT Press, 2005 | Reference |
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Little boy | The arts of Japan's exploding subculture | | New York, NY: Japan Society Gallery and Yale University Press, 2009 | Reference |
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Make your own life | Artists in & out of Cologne | | Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 2006 | Reference |
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Mahjong | Contemporary Chinese art from the Sigg Collection | | Ostfildern-Ruit: Hatje Cantz, 2005 | Reference |
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The last picture show | Artists using photography 1960-1982 | | Minneapolis, MN: Walker Art Center, 2003 | Reference |
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Latin American art in the twentieth century | | | London: Phaidon Press, 1996 | Reference |
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Let's entertain | Life's guilty pleasures | | Minneapolis, MN: Walker Art Center, 2000 | Reference |
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Life, once more | Forms of reenactment in contemporary art | | Rotterdam: Distribution in North, South and Central America, D.A.P./Distributed Art Publishers, 2005 | Reference |
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Kyozon | Taichi Ishidate, Hidehiro Kinoshita, Takao Kubo, Mariko Mori, Takashi Murakami, Rika Takahashi, Tamura Satoru, Kaori Yamamoto | | Kamloops, BC: Kamloops Art Gallery, 2002 | Reference |
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Land and environmental art | | | London: Phaidon Press, 2005 | Reference |
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Heart of darkness | Kai Althoff, Ellen Gallagher and Edgar Cleijne, Thomas Hirschhorn | | Minneapolis, MN: Walker Art Center, 2006 | Reference |
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Heavenly visions | Shaker gift drawings and gift songs | | New York, NY: University of Minnesota Press, 2001 | Reference |
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High Hoch Times Zeiten | Thomas Baumann, Malachi Farrell, Seamus Farrell, Filippo di Giovanni, Fernando Palma de Rodriguez | | Klagenfurt: Ritter, 1996 | Reference |
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Hand-painted pop | American art in transition, 1955-62 | | Los Angeles: Rizzoli International Publications, 1992 | Reference |
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Jewish identities in American feminist art | Ghosts of ethnicity | | Milton Park, Abingdon, Oxfordshire: Routledge, 2006 | Reference |
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Intertidal | Vancouver Art and Artists | | Vancouver, BC: Morris and Helen Belkin Art Gallery, 2005 | Reference |
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In-a-gadda-da-vida | Angus Fairhurst, Damien Hirst, Sarah Lucas | | London: Distributed in the United States by Harry N. Abrams, 2004 | Reference |
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Inside the white cube | The ideology of the gallery space | | Berkeley, CA: University of California Press, 1999 | Reference |
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International paper | Drawings by emerging artists | | Los Angeles: UCLA Hammer Museum, 2003 | Reference |
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One place after another | Site-specific art and locational identity | | Cambridge, MA: MIT Press, 2002 | Reference |
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Recodings | Art, spectacle, cultural politics | | Port Townsend, WA: Bay Press, 1985 | Reference |
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History of the Surrealist Movement | | | Chicago: University of Chicago Press, 2002 | Reference |
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Documenta X | Documents 3 | | Ostfildern: Cantz, 1997 | Reference |
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Documenta 11_Platform5 | Exhibition Venues | | Ostfildern: Hatje Cantz, 2002 | Reference |
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Documenta 11_Platform 5 | Exhibition Catalogue | | Ostfildern-Ruit: Hatje Cantz, 2002 | Reference |
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Critiques of pure abstraction | A traveling exhibition | | New York, NY: Independent Curators Incorporated, 1995 | Reference |
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Painting | The extended field | | Stockholm: Rooseum, [1996] | Reference |
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Mapping a City | | | Ostfildern-Ruit: Hatje Cantz, 2004 | Reference |
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Supernatural | Neil Campbell, Beau Dick | | Vancouver, BC: Contemporary Art Gallery, 2004 | Monographs |
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Surrealism | | | London: Phaidon, 2004 | Reference |
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The history of surrealist painting | | | New York, NY: Grove Press, [1960] | Reference |
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Shark infested waters | The Saatchi Collection of British art in the 90s | | London: Zwemmer, 1994 | Reference |
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Situation comedy | Humor in recent art | | New York, NY: Independent Curators International, 2005 | Reference |
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Six years | The dematerialization of the art object from 1966 to 1972 | | Berkeley, CA: University of California Press, [1997] | Reference |
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Public offerings | | | Los Angeles: Museum of Contemporary Art, Los Angeles, 2001 | Reference |
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Ready to shoot | Fernsehgalerie Gerry Schum, Videogalerie Schum | | Dusseldorf: Snoeck, 2003 | Reference |
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Real life magazine | Selected writings and projects 1979-1994 | | New York, NY: Primary Information, 2007 | Reference |
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Recording conceptual art | Early interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, Weiner, by Patricia Norvell | | Berkeley, CA: University of California Press, 2001 | Reference |
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