Scene of the crime | | | Cambridge, MA: Published in association with the MIT Press, 1997 | Reference |
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Pressplay | Contemporary artists in conversation | | London: Phaidon, 2005 | Reference |
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Primary documents | A sourcebook for Eastern and Central European art since the 1950s | | New York, NY: Museum of Modern Art, 2002 | Reference |
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InSITE97 | Private time in public space | | San Diego: Distributed by Trucatiche, 1998 | Reference |
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The picture history of photography | From the earliest beginnings to the present day | | New York, NY: H. N. Abrams, [1969] | Reference |
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Painting zero degree | | | New York, NY: Independent Curators International, 2000 | Reference |
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Performative installation | | | Cologne: Snoeck Verlagsgesellschaft mbH, 2003 | Reference |
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Out of actions | Between performance and the object 1949-1979 | | Los Angeles: Thames and Hudson, 1998 | Rare / Fragile Ref |
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Painting as model | | | Cambridge, MA: MIT Press, 1990 | Monographs |
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Documenta 7 | Kassel volume 1 | | Kassel: D â‚Š V P. Dierichs, 1982 | Reference |
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Paloma Varga Weisz | | | Frankfurt am Main: Revolver, 2004 | Monographs |
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Soviet dis-union | Socialist realist & nonconformist art | | Minneapolis, MN: Museum of Russian Art, 2006 | Reference |
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Richard Artschwager | The hydraulic door check | | Köln: W. König, 2002 | Monographs |
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Bik Van der Pol | With love from the kitchen | | Rotterdam: Nai Publishers, 2005 | Monographs |
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Did someone say participate? | An atlas of spatial practice | | Cambridge, MA: MIT Press, 2006 | Reference |
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Helter skelter | L.A. art in the 1990s | | Los Angeles: Museum of Contemporary Art, 1992 | Rare / Fragile Ref |
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Ger Van Elk | On the nature of genre | | Düsseldorf: Kunstverein für die Rheinlande und Westfalen, 1988 | Monographs |
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Piotr Uklanski | Earth, wind and fire | | Ostfildern: Distributed by] D.A.P, 2004 | Monographs |
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Piotr Uklanski | The Nazis | | Zurich: Distributed in North America by D.A.P, 1999 | Rare / Fragile Mono |
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Richard Tuttle, in parts, 1998-2001 | | | Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 2001 | Rare / Fragile Mono |
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Philip-Lorca diCorcia | | | Boston, MA: Institute of Contemporary Art, Boston, 2007 | Monographs |
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Duel | | | New York, NY: Artists Space, 2000 | Monographs |
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John Tremblay | | | Paris: Sujet objet, 2005 | Monographs |
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Bill Traylor, 1854-1949 | Deep blues | | New Haven, CT: Yale University Press, 1999 | Monographs |
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Catalogue | Ron Terada | | Vancouver, BC: Contemporary Art Gallery, 2003 | Monographs |
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Paul Thek | The wonderful world that almost was | | Rotterdam, NL: Witte de With, Center for Contemporary Art, 1995 | Rare / Fragile Mono |
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Paul Thek Processions | The Tower of Babel, Uncle Tom's Cabin, Bandwagon, The Burning Bridge, Bo Jangles, Jack Lantern, Paul Thek, Zhivago | | Philadelphia: The Institute, 1977 | Rare / Fragile Mono |
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Rirkrit Tiravanija | | | Köln: Distribution outside Europe, D.A.P, 2003 | Monographs |
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Rudolf Stingel | | | Chicago: In association with Yale University Press, 2007 | Monographs |
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Sean Snyder | | | Köln: Portikus, 2005 | Monographs |
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Nancy Spero | | | London: Phaidon, 1996 | Monographs |
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Fluxus codex | | | Detroit, MI: Gilbert and Lila Silverman Fluxus Collection in association with H.N. Abrams, New York, 1988 | Reference |
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Documenta IX | Essays, Biographien | | Stuttgart: Edition Cantz, 1992 | Reference |
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Politics, poetics | Documenta X - the book | | Ostfildern-Ruit: Cantz, 1997 | Reference |
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Documenta X | Documents 1 | | Ostfildern: Cantz, 1996-c1997 | Reference |
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50 years Documenta, 1955-2005 | | | Göttingen: Steidl, 2005 | Reference |
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Binationale | German art of the late 80s, American art of the late 80s | | Cologne: DuMont, 1988 | Reference |
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Dada | Zurich, Berlin, Hannover, Cologne, New York, Paris | | Washington, DC: National Gallery of Art in association with D.A.P./ Distributed Art Publishers, New York, 2005 | Reference |
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Cleavage | Essays on sex, stars, and aesthetics | | New York, NY: Ballantine Books, 2000 | Reference |
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Cities on the move | | | Ostfildern-Ruit: Distribution in the US, D.A.P. Distributed Art Publishers, 1997 | Reference |
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