| Global Joy | Lucy McKenzie | | Koln: Galerie Daniel Buchholz, 2002 | Monographs |
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| Diana Thater | Delphine | | Wien: Secession, 2000 | Monographs |
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| Francis Alÿs | Walking distance from the studio | | Wolfsburg: Hatje Cantz, 2004 | Monographs |
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| Eberhard Havekost | Harmonie : paintings 1998-2005 | | Wolfsburg: Hatje Cantz, 2005 | Monographs |
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| Pierre Huyghe | The trial | | Munich / München: Kunstverein, 2000 | Monographs |
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| White cube | | | Gottingen: Thames & Hudson, 2003 | Reference |
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| The Welfare show | | | Koln: Verlag der Buchhandlung Walther König, 2005 | Monographs |
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| La Biennale di Venezia | 51. International Art Exhibition | | New York, NY: Rizzoli International Publications, 2005 | Reference |
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| Tamass | Contemporary Arab representations | | Barcelona: Fundacio Antoni Tapies, 2002 | Reference |
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| Thing | New sculpture from Los Angeles | | Los Angeles: Fellows of Contemporary Art, 2005 | Reference |
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| Things we don't understand | | | Wien: Verlag der Kunst, 2000, c1999 | Reference |
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| 1898-1998 | The century of artistic freedom | | Munich: Prestel, 1998 | Reference |
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| Semiotic warfare | The Chinese avant-garde, 1979-1989 : A semiotic analysis | | Hong Kong: Timezone, 2003 | Reference |
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| Singular forms (sometimes repeated) | Art from 1951 to the present | | New York, NY: Guggenheim Museum Publications, [2004] | Reference |
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| The shape of colour | Excursions in colour field art, 1950-2005 | | Toronto: Art Gallery of Ontario, 2005 | Reference |
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| Nova popularna | | | Warszawa: Fundacja Galerii Foksal, 2003 | Monographs |
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| The Populism catalogue | | | New York, NY: Lukas & Sternberg, 2005 | Reference |
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| The Nineties | Karen Kilimnik, Jutta Koether, Marlene McCarty | | Ostfildern: Cantz, 1994 | Reference |
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| The next Documenta should be curated by an artist | | | Frankfurt am Main: Platform, Garanti Contemporary Art Center, 2004 | Reference |
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| Next flag | the African sniper reader | | Zurich: Migros Museum fur Gegenwartskunst, 2005 | Reference |
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| Ott's sneeze | | | London: Book Works, 2002 | Monographs |
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| The uncertainty of objects and ideas | recent sculpture | | Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2006 | Reference |
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| Uncertain states of America | American art in the 3rd millennium | | Oslo: Astrup Fearnley museet for moderne kunst, 2005 | Reference |
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| Swarm | | | Philadelphia: Fabric Workshop and Museum, 2005 | Reference |
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| Vitamin D | New perspectives in drawing | | London: Phaidon, 2005 | Reference |
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| Uncommon sense | | | Los Angeles: Museum of Contemporary Art, 1997 | Reference |
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| White cube/black box | Skulpturensammlung: Video Installation Film | | Wien: EA-Generali Foundation, [1996] | Reference |
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| Vivencias | Life experience | | Wien: Verlag der Buchhandlung Walther König, 2000 | Reference |
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| When attitudes escape form | Kunsthalle Basel 1969-1970 | | Frankfurt am Main: Schwabe, 2004 | Reference |
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| Installation art | a critical history | | New York, NY: Routledge, 2005 | Reference |
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| Die Familie Schneider | | | London: Artangel, 2006 | Monographs |
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| Paintings 2002-2005 | | | Waltham, MA: distribution, Distributed Art Publishers, 2006 | Monographs |
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| Fish story | | | Düsseldorf: The Center, 1995? | Monographs |
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| Working with nature | Traditional thought in contemporary art from Korea | | Liverpool: Tate Gallery Liverpool, 1992 | Reference |
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| 4th Berlin Biennale | Of mice and men | | Ostfildern-Ruit: Hatje Cantz, [2006] | Reference |
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| Snapshot | new art from Los Angeles | | Los Angeles: UCLA Hammer Museum, 2001 | Reference |
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| Left shift | radical art in 1970s Britain | | London: I.B. Tauris, 2002 | Reference |
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| Sunshine & noir | Art in L.A., 1960-1997 | | Humlebaek, Denmark: Louisiana Museum of Modern Art, [1997?] | Reference |
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| The new Europe | Culture of mixing and politics of representation | | Wien: Verlag der Buchhandlung Walther König, 2005 | Reference |
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| Monuments for the USA | | | San Francisco: CCA Wattis Institute for Contemporary Arts, 2005 | Reference |
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