| Who cares | | | New York, NY: Creativetime, 2006 | Reference |
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| Witness to her art | Art and writings by Adrian Piper, Mona Hatoum, Cady Noland, Jenny Holzer, Kara Walker, Daniela Rossell and Eau de Cologne | | Annandale-on-Hudson, NY: Center for Curatorial Studies, 2006 | Reference |
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| Ice cream | contemporary art in culture | | London: Phaidon, 2007 | Reference |
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| In girum imus nocte et consumimur igni | The situationist international (1957-1972) | | Zurich: JRP/Ringier, 2006 | Reference |
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| 1983 Biennial Exhibition | | | New York, NY: Whitney Museum of American Art, 1983 | Reference |
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| 1985 Whitney Biennial | | | New York, NY: The Museum, 1985 | Reference |
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| 1991 Whitney Biennial | | | New York, NY: Whitney Museum of American Art in association with W.W. Norton, 1991 | Reference |
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| Internal excess | | | New York, NY: Drawing Center, 2003 | Reference |
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| E-flux | Video rental catalogue | | New York, NY: E-flux, 2005 | Reference |
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| Elemental form | | | New York, NY: L&M Arts, 2006 | Reference |
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| 2000 Whitney biennial | | | New York, NY: distributed by Harry N. Abrams, Inc, 2000 | Reference |
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| 1997 Whitney Biennial | | | New York, NY: distributed by Harry N. Abrams, 1997 | Reference |
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| 1993 Whitney Biennial | | | New York, NY: Whitney Museum of American Art, in association with Harry N. Abrams, Inc, 1993 | Reference |
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| Flashback | Revisiting the art of the 80s | | Ostfildern-Ruit: Kunstmuseum Basel, Museum fur Gegenwartskunst, 2005 | Reference |
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| Connections | Bridges/ladders/ramps/staircases/tunnels | | Philadelphia: Institute of Contemporary Art, 1983 | Reference |
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| Conceptual art in the Netherlands and Belgium 1965-1975 | artists, collectors, galleries, documents, exhibitions, events | | Amsterdam, NL: NAi Publishers, 2002 | Reference |
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| 1991 Carnegie International | | | Pittsburgh, PA: Rizzoli, 1992, c1991 | Reference |
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| 54th Carnegie International | | | Pittsburgh: Carnegie Museum of Art, Carnegie Institute, 2005, c2004 | Reference |
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| The experimental exercise of freedom | Lygia Clark, Gego, Mathias Goeritz, Helio Oiticica, Mira Schendel | | Los Angeles: Museum of Contemporary Art, 1999 | Reference |
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| Les Grands Spectacles | 120 years of art and mass culture | | Ostfildern-Ruit: Hatje Cantz, 2005 | Reference |
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| Grey hope | The persistence of melancholy | | s.l: Atopia Projects, 2006 | Reference |
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| 1985 Carnegie International | | | Pittsburgh: Museum of Art, Carnegie Institute, 1985 | Reference |
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| Meyer Vaisman | | | La Jolla, CA: La Jolla Museum of Contemporary Art, 1988 | Monographs |
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| Magasin 1986-2006 | | | Zurich: JRP Ringier Kunstverlag, 2005 | Reference |
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| Freestyle | The Studio Museum in Harlem | | New York, NY: The Studio Museum in Harlem, 2001 | Reference |
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| Glockengeschrei nach Deutz | das Beste aller Seiten : Veranstaltungsreihe | | Koln: Galerie Daniel Buchholz, 1997 | Reference |
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| Funky lessons | | | Frankfurt am Main: Revolver, 2005 | Reference |
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| Generations of art | 10 years at FAR | | Milan: Amalgamated Book Services [distributor, 2005 | Reference |
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| The making of | | | Wien: Generali Foundation, 1998 | Reference |
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| Rent-a-bench | | | Copenhagen: Pork Salad Press, 2003 | Reference |
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| Extra art | A survey of artists' ephemera, 1960-1999 | | Santa Monica: Smart Art Press, 2001 | Reference |
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| The hours | Visual arts of contemporary Latin America | | Zurich, Switzerland: distributer, Hatje Cantz, 2005 | Reference |
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| Eklipse | Lothar Baumgarten | | Dusseldorf: Richter, 1997 | Monographs |
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| Robert Barry | Some places to which we can come | | Bielefeld: Kerber, 2003 | Monographs |
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| Lewis Baltz | | | London: Phaidon, 2001 | Monographs |
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| Balthus | | | New York, NY: H.N. Abrams, 1984 | Monographs |
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| Stephan Balkenhol | sculptures and drawings | | Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution in association with Cantz Publishers, Stuttgart, 1995 | Monographs |
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| A different kind of order | (Arbeiten 1962-1984) | | Köln: Verlag der Bucchandlung Walther König, 2005 | Monographs |
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| We can make rain but no one came to ask | documents from the Atlas Group Archive | | Montreal: Concordia University [Galerie Leonard & Bina Ellen Art Gallery, 2006] | Monographs |
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| Michael Asher | George Washington at the Art Institute of Chicago, 1979 and 2005 | | Chicago: Distributed by Yale University Press, 2006 | Monographs |
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