| Freestyle | The Studio Museum in Harlem | | New York, NY: The Studio Museum in Harlem, 2001 | Reference |
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| Glockengeschrei nach Deutz | das Beste aller Seiten : Veranstaltungsreihe | | Koln: Galerie Daniel Buchholz, 1997 | Reference |
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| Funky lessons | | | Frankfurt am Main: Revolver, 2005 | Reference |
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| Generations of art | 10 years at FAR | | Milan: Amalgamated Book Services [distributor, 2005 | Reference |
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| The making of | | | Wien: Generali Foundation, 1998 | Reference |
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| Rent-a-bench | | | Copenhagen: Pork Salad Press, 2003 | Reference |
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| Extra art | A survey of artists' ephemera, 1960-1999 | | Santa Monica: Smart Art Press, 2001 | Reference |
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| The hours | Visual arts of contemporary Latin America | | Zurich, Switzerland: distributer, Hatje Cantz, 2005 | Reference |
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| Eklipse | Lothar Baumgarten | | Dusseldorf: Richter, 1997 | Monographs |
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| Robert Barry | Some places to which we can come | | Bielefeld: Kerber, 2003 | Monographs |
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| Lewis Baltz | | | London: Phaidon, 2001 | Monographs |
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| Balthus | | | New York, NY: H.N. Abrams, 1984 | Monographs |
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| Stephan Balkenhol | sculptures and drawings | | Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution in association with Cantz Publishers, Stuttgart, 1995 | Monographs |
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| A different kind of order | (Arbeiten 1962-1984) | | Köln: Verlag der Bucchandlung Walther König, 2005 | Monographs |
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| We can make rain but no one came to ask | documents from the Atlas Group Archive | | Montreal: Concordia University [Galerie Leonard & Bina Ellen Art Gallery, 2006] | Monographs |
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| Michael Asher | George Washington at the Art Institute of Chicago, 1979 and 2005 | | Chicago: Distributed by Yale University Press, 2006 | Monographs |
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| Artschwager, Richard | | | New York, NY: Whitney Museum of American Art in association with W.W. Norton, 1988 | Monographs |
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| Art & Language in practice | Vol. 1- Illustrated handbook | | Barcelona: Fundacià³ Antoni Tapies, 1999 | Monographs |
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| Roy Arden | Fragments, photographs, 1981-1985 | | North Vancouver, BC: Presentation House Gallery, 2002 | Monographs |
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| John M Armleder | 7.4. - 16.5.1993, Wiener Secession | | Wien: Wiener Secession, 1993 | Monographs |
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| Eleanor Antin | | | Los Angeles: Los Angeles County Museum of Art, 1999 | Monographs |
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| Francis Alÿs | The last clown | | Montréal: Galerie de l'UQAM, 2000 | Monographs |
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| Metamorphosis | | | MontreÂal, QC: Galerie de l'UQAM, 2006 | Monographs |
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| Darren Almond | 50 moons at a time; Fifty moons at a time | | Cologne: Verlag der Buchhandlung Walter König, 2004 | Monographs |
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| Eija-Liisa Ahtila | Fantasized persons and taped conversations | | Helsinki: Crystal Eye Ltd, 2002 | Monographs |
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| Bordering on fiction | Chantal Akerman's D'Est | | Minneapolis, MN: Distributed Art Publishers, 1995 | Monographs |
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| Bas Jan Ader | Please don't leave me | | Rotterdam, NL: Museum Boijmans Van Beuningen, 2006 | Monographs |
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| Georges Adeagbo | Archaeology of motivations, re-writing history | | Ostfildern-Ruit, Germany: Hatje Cantz, 2001 | Monographs |
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| Museum highlights | The writings of Andrea Fraser | | Cambridge, MA: MIT Press, 2005 | Monographs |
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| Make everything new | A project on communism | | London: Book Works, 2006 | Reference |
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| Raumfurraum | Katharina Grosse, Hendrik Krawen, Rita McBride, Therese Schult, Dirk Skreber, Lee Thomas Tayor, Paloma Varga Weisz | | Köln: König, 2005 | Reference |
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| Recent pasts | Art in Southern California from the 90s to now | | Zurich: JRP/Ringier, 2005 | Reference |
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| Theory of the Derive and other situationist writings on the city | | | Barcelona: Museu d'Art Contemporani de Barcelona, 1996 | Reference |
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| Mapping sitting | On portraiture and photography | | Beirut, Lebanon: Mind the gap; Fondation Arabe pour l'Imgae, 2002 | Reference |
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| Charles Gaines & Edgar Arceneaux | Snake River | | Los Angeles: California Institute of the Arts/REDCAT, 2006 | Monographs |
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| Snap judgments | New positions in contemporary African photography | | Gottingen: Steidl, 2006 | Reference |
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| Jo Spence | Beyond the perfect image : photography, subjectivity, antagonism | | Barcelona: Museu d'Art Contemporani de Barcelona, 2005 | Monographs |
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| New art of Brazil | | | Minneapolis, MN: Walker Art Center, 1962 | Reference |
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| Thomas Schutte | Scenewright, Gloria in memoria, In medias res | | New York, NY: Richter Verlag, 2002 | Monographs |
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| Four musical minimalists | La Monte Young, Terry Riley, Steve Reich, Philip Glass | | Cambridge, UK: Cambridge University Press, 2000 | Reference |
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