| Thinking about exhibitions | | | London: Routledge, 1996 | Reference |
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| Territories | Islands, camps and other states of Utopia | | Berlin: Verlag der Buchhandlung Walther König, 2003 | Reference |
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| Sculptural sphere | Martin Boyce, Thomas Demand, Mark Manders, Manfred Pernice, Liisa Roberts, Tom Sachs | | München: Sammlung Goetz, 2004 | Reference |
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| New museology | Museums and alternative exhibition spaces | | London: St. Martin's Press, 1991 | Reference |
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| New art in the 60s and 70s | Redefining reality | | New York, NY: Thames & Hudson, 2001 | Reference |
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| Neo-avantgarde and culture industry | Essays on European and American art from 1955 to 1975 | | Cambridge, MA: MIT Press, 2000 | Reference |
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| Museums in the German art world | From the end of the old regime to the rise of modernism | | New York, NY: Oxford University Press, 2000 | Reference |
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| Minimalism | | | London: Phaidon, 2000 | Reference |
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| Modernism and modernity | The Vancouver conference papers | | Halifax, NS: Press of the Nova Scotia College of Art and Design, 2004 | Reference |
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| Capp street project | 1991-1993 | | San Francisco, CA: Capp Street Project, 1993 | Reference |
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| Book Works | A partial history and sourcebook | | London: Book Works, 1996 | Reference |
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| Black is a color | | | Paris: Editions Dis Voir, 2005 | Reference |
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| Bewitched, bothered and bewildered | Spatial emotion in contemporary art & architecture | | Geneva: JRP Editions, 2003 | Reference |
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| The big nothing | | | Philadelphia: Institute of Contemporary Art, 2004 | Reference |
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| 2nd Berlin Biennale | 2001 | | Koln: Oktagon, 2001 | Reference |
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| Behind the facts | Interfunktionen 1968-1975 | | Barcelona: Available in the U.S. and Canada through D.A.P./Distributed Art Publishers, 2004 | Reference |
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| Bent | Gender and sexuality in contemporary Scandinavian art | | San Francisco: San Francisco State University, 2006 | Reference |
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| In search of the miraculous | Bas Jan Ader discovery file 143/76 | | Rotterdam, NL: Veenman Publishers, 2007 | Rare / Fragile Mono |
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| Atomkrieg | | | Dresden: Lukas & Sternberg, 2004 | Reference |
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| The arts and crafts movement | | | London: Phaidon, 2006 | Reference |
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| Art now | | | K'oln: Taschen, 2001 | Reference |
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| Art and utopia | Limited action | | Barcelona: MACBA, Museu d’Art Contemporani de Barcelona, 2005 | Reference |
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| Approaches in multimedia art | Andres Ramirez Gaviria | | New York, NY: NY Arts Books, [2003] | Monographs |
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| After the reality | | | New York, NY: Deich Projects, 2006 | Reference |
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| Frankfurter positionen 2001 | | | Frankfurt am Main: Portikus Frankfurt am Main, 2001 | Reference |
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| The American west | Compton Verney, 25 June - 29 August 2005 | | Compton Verney, Warwickshire: Compton Verney, 2005 | Reference |
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| USA today | New American art from the Saatchi Gallery | | London: Distributed in the United States and Canada by Harry N. Abrams, 2006 | Reference |
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| 0 to 9 | The complete magazine 1967-1969 | | Brooklyn, NY: Ugly Duckling Presse, 2006 | Monographs |
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| 40 years at the Institute of Contemporary Art | 6 Interviews | | Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 2005 | Reference |
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| Micropolitiques | | | Grenoble: Magasin, 2000 | Reference |
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| Micropolitics | Art and everyday life (2001-1968) | | Valencia: Generalitat Valenciana, 2003 | Reference |
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| Consolation prize | Mike Kelley, John Miller | | Vancouver, BC: Morris and Helen Belkin Art Gallery, 2000 | Monographs |
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| Mike Kelley and Paul McCarthy | Collaborative works | | Toronto: Power Plant Contemporary Art Gallery at Harbourfront Centre, 2000 | Monographs |
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| The Manifesta decade | | | Cambridge, MA: MIT Press, 2005 | Reference |
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| Little boy | The arts of Japan's exploding subculture | | New York, NY: Japan Society Gallery and Yale University Press, 2009 | Reference |
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| Make your own life | Artists in & out of Cologne | | Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 2006 | Reference |
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| Mahjong | Contemporary Chinese art from the Sigg Collection | | Ostfildern-Ruit: Hatje Cantz, 2005 | Reference |
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| The last picture show | Artists using photography 1960-1982 | | Minneapolis, MN: Walker Art Center, 2003 | Reference |
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| Latin American art in the twentieth century | | | London: Phaidon Press, 1996 | Reference |
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| Let's entertain | Life's guilty pleasures | | Minneapolis, MN: Walker Art Center, 2000 | Reference |
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