Midway Library

Title	Subtitle	Publisher	Category
Life, once more	Forms of reenactment in contemporary art	Rotterdam: Distribution in North, South and Central America, D.A.P./Distributed Art Publishers, 2005	Reference
Kyozon	Taichi Ishidate, Hidehiro Kinoshita, Takao Kubo, Mariko Mori, Takashi Murakami, Rika Takahashi, Tamura Satoru, Kaori Yamamoto	Kamloops, BC: Kamloops Art Gallery, 2002	Reference
Land and environmental art		London: Phaidon Press, 2005	Reference
Heart of darkness	Kai Althoff, Ellen Gallagher and Edgar Cleijne, Thomas Hirschhorn	Minneapolis, MN: Walker Art Center, 2006	Reference
Heavenly visions	Shaker gift drawings and gift songs	New York, NY: University of Minnesota Press, 2001	Reference
High Hoch Times Zeiten	Thomas Baumann, Malachi Farrell, Seamus Farrell, Filippo di Giovanni, Fernando Palma de Rodriguez	Klagenfurt: Ritter, 1996	Reference
Hand-painted pop	American art in transition, 1955-62	Los Angeles: Rizzoli International Publications, 1992	Reference
Jewish identities in American feminist art	Ghosts of ethnicity	Milton Park, Abingdon, Oxfordshire: Routledge, 2006	Reference
Intertidal	Vancouver Art and Artists	Vancouver, BC: Morris and Helen Belkin Art Gallery, 2005	Reference
In-a-gadda-da-vida	Angus Fairhurst, Damien Hirst, Sarah Lucas	London: Distributed in the United States by Harry N. Abrams, 2004	Reference
Inside the white cube	The ideology of the gallery space	Berkeley, CA: University of California Press, 1999	Reference
International paper	Drawings by emerging artists	Los Angeles: UCLA Hammer Museum, 2003	Reference
One place after another	Site-specific art and locational identity	Cambridge, MA: MIT Press, 2002	Reference
Recodings	Art, spectacle, cultural politics	Port Townsend, WA: Bay Press, 1985	Reference
History of the Surrealist Movement		Chicago: University of Chicago Press, 2002	Reference
Documenta X	Documents 3	Ostfildern: Cantz, 1997	Reference
Documenta 11_Platform5	Exhibition Venues	Ostfildern: Hatje Cantz, 2002	Reference
Documenta 11_Platform 5	Exhibition Catalogue	Ostfildern-Ruit: Hatje Cantz, 2002	Reference
Critiques of pure abstraction	A traveling exhibition	New York, NY: Independent Curators Incorporated, 1995	Reference
Painting	The extended field	Stockholm: Rooseum, [1996]	Reference
Mapping a City		Ostfildern-Ruit: Hatje Cantz, 2004	Reference
Supernatural	Neil Campbell, Beau Dick	Vancouver, BC: Contemporary Art Gallery, 2004	Monographs
Surrealism		London: Phaidon, 2004	Reference
The history of surrealist painting		New York, NY: Grove Press, [1960]	Reference
Shark infested waters	The Saatchi Collection of British art in the 90s	London: Zwemmer, 1994	Reference
Situation comedy	Humor in recent art	New York, NY: Independent Curators International, 2005	Reference
Six years	The dematerialization of the art object from 1966 to 1972	Berkeley, CA: University of California Press, [1997]	Reference
Public offerings		Los Angeles: Museum of Contemporary Art, Los Angeles, 2001	Reference
Ready to shoot	Fernsehgalerie Gerry Schum, Videogalerie Schum	Dusseldorf: Snoeck, 2003	Reference
Real life magazine	Selected writings and projects 1979-1994	New York, NY: Primary Information, 2007	Reference
Recording conceptual art	Early interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, Weiner, by Patricia Norvell	Berkeley, CA: University of California Press, 2001	Reference
Scene of the crime		Cambridge, MA: Published in association with the MIT Press, 1997	Reference
Pressplay	Contemporary artists in conversation	London: Phaidon, 2005	Reference
Primary documents	A sourcebook for Eastern and Central European art since the 1950s	New York, NY: Museum of Modern Art, 2002	Reference
InSITE97	Private time in public space	San Diego: Distributed by Trucatiche, 1998	Reference
The picture history of photography	From the earliest beginnings to the present day	New York, NY: H. N. Abrams, [1969]	Reference
Painting zero degree		New York, NY: Independent Curators International, 2000	Reference
Performative installation		Cologne: Snoeck Verlagsgesellschaft mbH, 2003	Reference
Out of actions	Between performance and the object 1949-1979	Los Angeles: Thames and Hudson, 1998	Rare / Fragile Ref
Painting as model		Cambridge, MA: MIT Press, 1990	Monographs