| Eija-Liisa Ahtila | Fantasized persons and taped conversations | | Helsinki: Crystal Eye Ltd, 2002 | Monographs |
|---|
| Bordering on fiction | Chantal Akerman's D'Est | | Minneapolis, MN: Distributed Art Publishers, 1995 | Monographs |
|---|
| Bas Jan Ader | Please don't leave me | | Rotterdam, NL: Museum Boijmans Van Beuningen, 2006 | Monographs |
|---|
| Georges Adeagbo | Archaeology of motivations, re-writing history | | Ostfildern-Ruit, Germany: Hatje Cantz, 2001 | Monographs |
|---|
| Museum highlights | The writings of Andrea Fraser | | Cambridge, MA: MIT Press, 2005 | Monographs |
|---|
| Make everything new | A project on communism | | London: Book Works, 2006 | Reference |
|---|
| Raumfurraum | Katharina Grosse, Hendrik Krawen, Rita McBride, Therese Schult, Dirk Skreber, Lee Thomas Tayor, Paloma Varga Weisz | | Köln: König, 2005 | Reference |
|---|
| Recent pasts | Art in Southern California from the 90s to now | | Zurich: JRP/Ringier, 2005 | Reference |
|---|
| Theory of the Derive and other situationist writings on the city | | | Barcelona: Museu d'Art Contemporani de Barcelona, 1996 | Reference |
|---|
| Mapping sitting | On portraiture and photography | | Beirut, Lebanon: Mind the gap; Fondation Arabe pour l'Imgae, 2002 | Reference |
|---|
| Charles Gaines & Edgar Arceneaux | Snake River | | Los Angeles: California Institute of the Arts/REDCAT, 2006 | Monographs |
|---|
| Snap judgments | New positions in contemporary African photography | | Gottingen: Steidl, 2006 | Reference |
|---|
| Jo Spence | Beyond the perfect image : photography, subjectivity, antagonism | | Barcelona: Museu d'Art Contemporani de Barcelona, 2005 | Monographs |
|---|
| New art of Brazil | | | Minneapolis, MN: Walker Art Center, 1962 | Reference |
|---|
| Thomas Schutte | Scenewright, Gloria in memoria, In medias res | | New York, NY: Richter Verlag, 2002 | Monographs |
|---|
| Four musical minimalists | La Monte Young, Terry Riley, Steve Reich, Philip Glass | | Cambridge, UK: Cambridge University Press, 2000 | Reference |
|---|
| On the museum's ruins | | | Cambridge, MA: MIT Press, 1993 | Reference |
|---|
| John Cage | An Anthology | | New York, NY: Praeger, [1970] | Monographs |
|---|
| Interarchive | Archival practices and sites in the contemporary art field | | Cologne: Verlag der Buchhandlung Walther König, 2002 | Reference |
|---|
| The Duchamp effect | Essays, interviews, round table | | Cambridge, MA: MIT Press, 1996 | Reference |
|---|
| Women artists at the millennium | | | Cambridge, MA: MIT Press, 2006 | Reference |
|---|
| Zero gravity | | | Köln: W. König, 2001 | Reference |
|---|
| L'écho des limbes | David Altmejd, Patrice Duhamel, Michael A. Robinson, Eve K. Tremblay | | Montréal: Leonard & Bina Ellen Art Gallery, [2005] | Reference |
|---|
| Decoys and Disruptions | Selected writings 1975-2001 | | Cambridge, MA: MIT Press, 2004 | Monographs |
|---|
| Without boundary | Seventeen ways of looking | | New York, NY: Museum of Modern Art, 2006 | Reference |
|---|
| Art after conceptual art | | | Vienna, Austria: MIT Press, 2006 | Reference |
|---|
| Mixed Doubles | Maria Eichhorn, Marcus Geiger, Bethan Huws, Hartmut Skerbisch | | Wien: Wiener Secession, 1992 | Reference |
|---|
| Veronica's Revenge | Contemporary Perspectives on Photography | | Zürich: Scalo, 1998 | Reference |
|---|
| Portikus Frankfurt am Main, 1987-1997 | | | Frankfurt am Main: Portikus, 1997 | Reference |
|---|
| Out of order, out of sight | Volume I : selected writings in meta-art 1968-1992 | | Cambridge, MA: MIT Press, 1996 | Monographs |
|---|
| Out of order, out of sight | Volume II : selected writings in art criticism 1967-1992 | | Cambridge, MA: MIT Press, 1996 | Monographs |
|---|
| Artists talk | 1969-1977 | | Halifax, NS: Press of the Nova Scotia College of Art and Design, 2004 | Reference |
|---|
| Made in Germany | | | Ostfildern: D.A.P., Distributed Art Publishers [distributor, 2007 | Reference |
|---|
| Conceptual art and painting | Further essays on Art & Language | | Cambridge, MA: MIT Press, 2001 | Monographs |
|---|
| The visual culture reader | | | London: Routledge, 1998 | Reference |
|---|
| Violence is at the margin of all things | Subject relations, political militancy, and artistic procedures | | Wien: W. König, 2002 | Reference |
|---|
| Unfinished history | | | Minneapolis, MN: D.A.P./Distributed Art Publishers, 1998 | Reference |
|---|
| Two-way mirror power | Selected writings by Dan Graham on his art | | Cambridge, MA: MIT Press, 1999 | Monographs |
|---|
| Ultrabaroque | Aspects of post Latin American art | | La Jolla, CA: Museum of Contemporary Art, San Diego, 2000 | Reference |
|---|
| Timelength | Exhibition catalog | | Montréal, Québec: Galerie Leonard & Bina Ellen Art Gallery, 2004 | Reference |
|---|