| Air guitar | essays on art & democracy | | Los Angeles: Distributed by D.A.P. (Distributed Art Publishers, 1997 | Reference |
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| Art | a sex book | | New York: Thames & Hudson, 2003 | Reference |
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| 40 yearsvideoart.de | Digital heritage : video art in Germany from 1963 to the present | | Ostfildern, Germany: USA/North America, D.A.P./Distributed Art Publishers [distributor, 2006 | Reference |
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| Art since 1900 | Modernism, antimodernism, postmodernism | | New York, NY: Thames & Hudson, 2004 | Reference |
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| Conceptual art and the politics of publicity | | | Cambridge, MA: MIT Press, 2003 | Reference |
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| Cream 3 | Contemporary art in culture, 10 curators, 10 contemporary artists, 10 source artists | | London: Phaidon Press, 2003 | Reference |
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| Global conceptualism | Points of origin 1950s-1980s | | New York, NY: Available through D.A.P./Distributed Art Publishers, 1999 | Reference |
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| Double consciousness | Black conceptual art since 1970 | | Houston, TX: Distributed by Distributed Art Publishers, 2005 | Reference |
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| Double exposures | the subject of cultural analysis | | New York, NY: Routledge, 1996 | Reference |
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| Drawings | The pluralist decade | | Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1980 | Reference |
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| Drawings | The pluralist decade | | Philadelphia: Institute of Contemporary Art, 1980 | Reference |
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| The East Village scene | October 12-December 2, 1984 | | Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1984 | Reference |
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| Face-off | The portrait in recent art | | Philadelphia: Institute of Contemporary Art, 1994 | Reference |
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| Faces in the crowd | Picturing modern life from Manet to today | | Milan: Distributed in North America by Rizzoli, 2004 | Reference |
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| Fantastic politics | Art in times of crisis | | Oslo: Nasjonalmuseet for kunst, arkitektur og design, 2006 | Reference |
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| General Idea | Editions 1967-1995 | | Mississauga, ON: Blackwood Gallery, University of Toronto at Mississauga, 2003 | Monographs |
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| A Forest of Signs | Art in the crisis of representation | | Cambridge, MA: MIT Press, 1989 | Reference |
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| Geography and the Politics of Mobility | | | Wien: Verlag der Buchhandlung Walther König, 2003 | Reference |
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| Getting emotional | | | Boston: Distributed by DAP, 2005 | Reference |
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| Grey flags | | | New York, NY: SculptureCenter, 2006 | Oversized |
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| Oehlen Williams 95 | | | Columbus, OH: Wexner Center for the Arts, Ohio State University, [c1995] | Monographs |
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| Christopher Williams 97 | For example, die Welt ist schön (final draft) | | Rotterdam: Kunsthalle Basel, [1997] | Monographs |
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| Christopher Williams | Archäologie, Beaux-arts, Ethnography, Théatre-verité, Couleur Européenne, Couleur Sovéitique, Couleur Chinoise, Varieties. | | Vancouver, BC: Contemporary Art Gallery, 2005 | Rare / Fragile Mono |
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| An anecdoted topography of chance | | | London: Atlas Press, 1995 | Monographs |
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| Brian Jungen | Source Book 1 | | Rotterdam: Witte de With Center for Contemporary Art, 2006 | Monographs |
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