| Frankfurter positionen 2001 | | | Frankfurt am Main: Portikus Frankfurt am Main, 2001 | Reference |
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| The American west | Compton Verney, 25 June - 29 August 2005 | | Compton Verney, Warwickshire: Compton Verney, 2005 | Reference |
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| USA today | New American art from the Saatchi Gallery | | London: Distributed in the United States and Canada by Harry N. Abrams, 2006 | Reference |
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| 0 to 9 | The complete magazine 1967-1969 | | Brooklyn, NY: Ugly Duckling Presse, 2006 | Monographs |
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| 40 years at the Institute of Contemporary Art | 6 Interviews | | Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 2005 | Reference |
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| Micropolitiques | | | Grenoble: Magasin, 2000 | Reference |
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| Micropolitics | Art and everyday life (2001-1968) | | Valencia: Generalitat Valenciana, 2003 | Reference |
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| Consolation prize | Mike Kelley, John Miller | | Vancouver, BC: Morris and Helen Belkin Art Gallery, 2000 | Monographs |
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| Mike Kelley and Paul McCarthy | Collaborative works | | Toronto: Power Plant Contemporary Art Gallery at Harbourfront Centre, 2000 | Monographs |
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| The Manifesta decade | | | Cambridge, MA: MIT Press, 2005 | Reference |
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| Little boy | The arts of Japan's exploding subculture | | New York, NY: Japan Society Gallery and Yale University Press, 2009 | Reference |
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| Make your own life | Artists in & out of Cologne | | Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 2006 | Reference |
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| Mahjong | Contemporary Chinese art from the Sigg Collection | | Ostfildern-Ruit: Hatje Cantz, 2005 | Reference |
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| The last picture show | Artists using photography 1960-1982 | | Minneapolis, MN: Walker Art Center, 2003 | Reference |
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| Latin American art in the twentieth century | | | London: Phaidon Press, 1996 | Reference |
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| Let's entertain | Life's guilty pleasures | | Minneapolis, MN: Walker Art Center, 2000 | Reference |
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| Life, once more | Forms of reenactment in contemporary art | | Rotterdam: Distribution in North, South and Central America, D.A.P./Distributed Art Publishers, 2005 | Reference |
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| Kyozon | Taichi Ishidate, Hidehiro Kinoshita, Takao Kubo, Mariko Mori, Takashi Murakami, Rika Takahashi, Tamura Satoru, Kaori Yamamoto | | Kamloops, BC: Kamloops Art Gallery, 2002 | Reference |
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| Land and environmental art | | | London: Phaidon Press, 2005 | Reference |
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| Heart of darkness | Kai Althoff, Ellen Gallagher and Edgar Cleijne, Thomas Hirschhorn | | Minneapolis, MN: Walker Art Center, 2006 | Reference |
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| Heavenly visions | Shaker gift drawings and gift songs | | New York, NY: University of Minnesota Press, 2001 | Reference |
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| High Hoch Times Zeiten | Thomas Baumann, Malachi Farrell, Seamus Farrell, Filippo di Giovanni, Fernando Palma de Rodriguez | | Klagenfurt: Ritter, 1996 | Reference |
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| Hand-painted pop | American art in transition, 1955-62 | | Los Angeles: Rizzoli International Publications, 1992 | Reference |
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| Jewish identities in American feminist art | Ghosts of ethnicity | | Milton Park, Abingdon, Oxfordshire: Routledge, 2006 | Reference |
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| Intertidal | Vancouver Art and Artists | | Vancouver, BC: Morris and Helen Belkin Art Gallery, 2005 | Reference |
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| In-a-gadda-da-vida | Angus Fairhurst, Damien Hirst, Sarah Lucas | | London: Distributed in the United States by Harry N. Abrams, 2004 | Reference |
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| Inside the white cube | The ideology of the gallery space | | Berkeley, CA: University of California Press, 1999 | Reference |
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| International paper | Drawings by emerging artists | | Los Angeles: UCLA Hammer Museum, 2003 | Reference |
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| One place after another | Site-specific art and locational identity | | Cambridge, MA: MIT Press, 2002 | Reference |
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| Recodings | Art, spectacle, cultural politics | | Port Townsend, WA: Bay Press, 1985 | Reference |
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| History of the Surrealist Movement | | | Chicago: University of Chicago Press, 2002 | Reference |
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| Documenta X | Documents 3 | | Ostfildern: Cantz, 1997 | Reference |
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| Documenta 11_Platform5 | Exhibition Venues | | Ostfildern: Hatje Cantz, 2002 | Reference |
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| Documenta 11_Platform 5 | Exhibition Catalogue | | Ostfildern-Ruit: Hatje Cantz, 2002 | Reference |
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| Critiques of pure abstraction | A traveling exhibition | | New York, NY: Independent Curators Incorporated, 1995 | Reference |
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| Painting | The extended field | | Stockholm: Rooseum, [1996] | Reference |
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| Mapping a City | | | Ostfildern-Ruit: Hatje Cantz, 2004 | Reference |
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| Supernatural | Neil Campbell, Beau Dick | | Vancouver, BC: Contemporary Art Gallery, 2004 | Monographs |
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| Surrealism | | | London: Phaidon, 2004 | Reference |
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| The history of surrealist painting | | | New York, NY: Grove Press, [1960] | Reference |
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