Midway Library

Title	Subtitle	Publisher	Category
Artists talk	1969-1977	Halifax, NS: Press of the Nova Scotia College of Art and Design, 2004	Reference
Made in Germany		Ostfildern: D.A.P., Distributed Art Publishers [distributor, 2007	Reference
Conceptual art and painting	Further essays on Art & Language	Cambridge, MA: MIT Press, 2001	Monographs
The visual culture reader		London: Routledge, 1998	Reference
Violence is at the margin of all things	Subject relations, political militancy, and artistic procedures	Wien: W. KoÌˆnig, 2002	Reference
Unfinished history		Minneapolis, MN: D.A.P./Distributed Art Publishers, 1998	Reference
Two-way mirror power	Selected writings by Dan Graham on his art	Cambridge, MA: MIT Press, 1999	Monographs
Ultrabaroque	Aspects of post Latin American art	La Jolla, CA: Museum of Contemporary Art, San Diego, 2000	Reference
Timelength	Exhibition catalog	Montréal, Québec: Galerie Leonard & Bina Ellen Art Gallery, 2004	Reference
When humour becomes painful		Zürich: JRP-Ringier, 2005	Reference
Where is your rupture	Ami Adler, Hanspeter Ammann, Lutz Bacher, Birgit Kempker, Marlene McCarty	New York, NY: The Swiss Institute, 1998	Reference
What do pictures want?	the lives and loves of images	Chicago: University of Chicago Press, 2005	Reference
Cindy Sherman	The complete untitled film stills	New York: Museum of Modern Art, 2003	Monographs
Steven Shearer	19/11/04 - 02/01/05	Vancouver, BC: Contemporary Art Gallery, 2004	Monographs
Critical mass	Happenings, Fluxus, performance, intermedia, and Rutgers University, 1958-1972	New Brunswick, NJ: Rutgers University Press, 2003	Reference
Documenta11_Platform2	Experiments with truth : Transitional justice and the processes of truth and reconciliation	Ostfildern-Ruit, Germany: Distributed in the USA by Art Publishers Inc, 2002	Reference
--Dontstopdontstopdontstopdontstop		New York, NY: Sternberg Press, 2006	Reference
Double life	Identity and transformation in contemporary arts	Wien: Verlag der Buchhandlung Walther König, 2001	Reference
The return of the real	the avant-garde at the end of the century	Cambridge, MA: MIT Press, 1996	Reference
Richard Serra	Torqued ellipses	New York, NY: Dia Center for the Arts, 1997	Monographs
Geography lesson	Canadian notes	Vancouver, BC: MIT Press, 1997	Monographs
Thomas Schutte	Drawings	Köln: Snoeck, 2006	Monographs
Thomas Schutte		London: Phaidon, 1998	Monographs
More than meat joy	Performance works and selected writings	Kingston, NY: McPherson & Co, 1997	Monographs
This is not it	Stories	New York, NY: D.A.P./Distributed Art Publishers, 2002	Monographs
Thinking about exhibitions		London: Routledge, 1996	Reference
Territories	Islands, camps and other states of Utopia	Berlin: Verlag der Buchhandlung Walther KoÌˆnig, 2003	Reference
Sculptural sphere	Martin Boyce, Thomas Demand, Mark Manders, Manfred Pernice, Liisa Roberts, Tom Sachs	München: Sammlung Goetz, 2004	Reference
New museology	Museums and alternative exhibition spaces	London: St. Martin's Press, 1991	Reference
New art in the 60s and 70s	Redefining reality	New York, NY: Thames & Hudson, 2001	Reference
Neo-avantgarde and culture industry	Essays on European and American art from 1955 to 1975	Cambridge, MA: MIT Press, 2000	Reference
Museums in the German art world	From the end of the old regime to the rise of modernism	New York, NY: Oxford University Press, 2000	Reference
Minimalism		London: Phaidon, 2000	Reference
Modernism and modernity	The Vancouver conference papers	Halifax, NS: Press of the Nova Scotia College of Art and Design, 2004	Reference
Capp street project	1991-1993	San Francisco, CA: Capp Street Project, 1993	Reference
Book Works	A partial history and sourcebook	London: Book Works, 1996	Reference
Black is a color		Paris: Editions Dis Voir, 2005	Reference
Bewitched, bothered and bewildered	Spatial emotion in contemporary art & architecture	Geneva: JRP Editions, 2003	Reference
The big nothing		Philadelphia: Institute of Contemporary Art, 2004	Reference
2nd Berlin Biennale	2001	Koln: Oktagon, 2001	Reference